David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


29 January 2022

advertisement of regard


In the inbox from Lyon Housemuseum Galleries :



THE WORLD OF THE CURATOR

Sunday 27 February 2022, 3:00pm

What is the role of the curator in contemporary art practice? What skills do curators need to deliver effective and engaging exhibitions in these changing times?

Join our panel of leading curators Pip Wallis, Curator, Contemporary Art at National Gallery of Victoria and Anthony Fitzpatrick, Curator at TarraWarra Museum of Art, as they discuss the role of the curator and curatorship in the contemporary museum.

$15.00 PER PERSON


Image courtesy of PLATFORM, platformart.com


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27 January 2022

Special TAR



 The Special Ks (Nick Kyrgios and Thanasi Kokkonakis ) celebrate today
 on Rod Laver Court, Melbourne.               
            

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25 January 2022

Monday


"Horseness is the whatness of allhorse."
- James Joyce. 'Ulysses'


FIAPCE   
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cover : a thing which lies on, over, or around something, especially in order to protect or conceal it




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23 January 2022

Vale Thich Nhat Hanh (1926 -2022)






 The Fourteen Precepts of Engaged Buddhism (click here)


on office wall at bLOGOS/HA HA
                           
Penguin | Random House 

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22 January 2022

As seen

HAND SPACE/AS SEEN IN VOGUE 
HAND SPACE/AS SEEN HERE  
 Bonnie and Kind
 Luxurious leather kits for baby & toddler & travel 
 essentials.


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21 January 2022

Primer


David Zwirner is presenting Primary Colors, an exhibition of work by Josef Albers (1888-1976). On view at the gallery’s Hong Kong location, this is the first solo presentation of Albers’s work in Greater China.


- ArtDaily Newsletter (today)


Exhibition     Title     Primary Colors
Hong Kong

Exhibition     Title     Primary Regard(s)
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20 January 2022

To see

              a World in a Grain of Sand 
And a Heaven in a Wild Flower
- William Blake, the opening lines of Auguries of Innocence

 Painting on silk, 9.2 x 4.3 cm. Toyok, 8th-9th century. 
 (Ethnic Uighurian region in Northwestern China) 
 Museum fur Indische Kunst (MIK III 6348)

The Flower Sermon is a story of the origin of Zen Buddhism in which Gautama Buddha transmits direct prajñā (wisdom) to the disciple Mahākāśyapa. In the original Chinese, the story is Niān huā wēi xiào (拈花微笑, literally "Pick up flower, subtle smile").

In the story, the Buddha gives a wordless sermon to his disciples (sangha) by holding up a white flower. No one in the audience understands the Flower Sermon except Mahākāśyapa, who smiles. Within Zen, the Flower Sermon communicates the ineffable nature of tathātā (suchness) and Mahākāśyapa's smile signifies the direct transmission of wisdom without words. The Buddha affirmed this by saying:

I possess the true Dharma eye, the marvelous mind of Nirvana, the true form of the formless, the subtle [D]harma [G]ate that does not rest on words or letters but is a special transmission outside of the scriptures. This I entrust to Mahākāśyapa.[1]

Jung and Kerényi demonstrate a possible commonality in intent between the Flower Sermon and the Eleusinian Mysteries:

One day the Buddha silently held up a flower before the assembled throng of his disciples. This was the famous "Flower Sermon." Formally speaking, much the same thing happened in Eleusis when a mown ear of grain was silently shown. Even if our interpretation of this symbol is erroneous, the fact remains that a mown ear was shown in the course of the mysteries and that this kind of "wordless sermon" was the sole form of instruction in Eleusis which we may assume with certainty.[2]

- Wikipedia : Flower Sermon

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17 January 2022

Vale Hossein Valamanesh (1949-2022)



 A beautiful person, widely respected and loved. 

  Hossein Valamanesh, Longing belonging, 1997, Collection AGNSW
 A great artist of the world.

  Hossein Valamanesh, Breath, 2013, cast bronze, 143 x 140 x 5cm
 Condolences to Angela and Nasseim


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14 January 2022

watch the watch


TV PresenTAR : "Also, he works with a stopwatch. The reason he does this is because these sounds are in no sense accidental in their sequence. They each must fall mathematically at a precise point, so he watches his watch as he works."

John Cage, 'Water Walk' performed on TV in USA, 1960

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13 January 2022

The Sign of the Four - Part 2


Further to yesterday's post re. The Sign of the Four 
comes this cosmic affirmation (sic), this rejoinder from ZOOM in today's email inbox. 

We'd like to offer you complimentary access to the 2021 
Gartner Magic Quadrant for Meeting Solutions Report
in which we have been named a Leader. A frictionless unified communications solution is critical to enhance face-to-face meetings, reduce geographical barriers for organizational collaboration, and save time and money by minimizing business travel.

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key strengths and weaknesses of today's top meeting solution providers.

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12 January 2022

The Sign of the Four


                  
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10 January 2022

Light & Darkness




Light & Darkness

Opening on 10 January 2022

This evocative theme unites 70 artworks from the Power Collection, exploring luminosity, colour, movement, race and politics across three decades of late modernism.


Light & Darkness
is a major exhibition drawing on the University of Sydney’s Power Collection. It spans the luminal, op and kinetic works of the 1960s by major artists such as Jean Tinguely and Bridget Riley; the political and conceptual art of the 1970s with Ed Kienholtz, Joseph Beuys and On Kawara; and Australian and New Zealander artists in the 1980s, including Peter Tyndall, Jenny Watson and Colin McCahon. The exhibition and accompanying book are the first projects from the University’s extensive collection of international contemporary art in its new home at the Chau Chak Wing Museum.

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‘Light works’ are a major feature of the early Power acquisitions in the late 1960s. Significantly, a planetary grammar of solar discs, spheres and orbs is a common vocabulary for many artists who employ light, whether literally or in abstraction. Other kinetic works, such as those by Julio Le Parc and Lucio Fontana, have a lightness, moving according to air currents. As the utopian dreams of the 1960s soured, many artists turned to language; the darker side of the collection features major text paintings by New Zealanders McCahon and Maori artist Ralph Hotere, alongside a multiple by Kienholtz who spotlights a horrific race crime, and Beuys who is represented by ‘a hair shirt masquerading as a felt suit’. Today the Power Collection, spanning 25 years, appears like a time-capsule.

Entry is free and no bookings are required.

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07 January 2022

HAND SPACE presents


Ensō


In Zen, an ensō (円相, "circular form") is a circle that is hand-drawn in one or two uninhibited brushstrokes to express a moment when the mind is free to let the body create.
- Wikipedia


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04 January 2022

Pourquoi noir?


  Ne pas encourager ce peintre. Il fait trop toujours la meme chose! 
  Do not encourage this painter. He always does the same thing!
  - Le Charivari, 1877

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  Ne pas encourager ce blogger. Il fait trop toujours la meme chose! 
  Do not encourage this blogger. He always does the same thing!
  - bLOGOS/HA HA, 2022
  
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03 January 2022

TAR type


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01 January 2022

Address


And an answer came directed in a drawing unexpected, 
     (And I think the same was figured in a thumbnail 
          dipped in TAR) 

after Tiepolo
after 'Banjo' Paterson


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