bLOGOS/HA HA: To see

David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.

20 January 2022

To see

a World in a Grain of Sand

And a Heaven in a Wild Flower

- William Blake, the opening lines of Auguries of Innocence

Painting on silk, 9.2 x 4.3 cm. Toyok, 8th-9th century.

(Ethnic Uighurian region in Northwestern China)

Museum fur Indische Kunst (MIK III 6348)

The Flower Sermon is a story of the origin of Zen Buddhism in which Gautama Buddha transmits direct prajñā (wisdom) to the disciple Mahākāśyapa. In the original Chinese, the story is Niān huā wēi xiào (拈花微笑, literally "Pick up flower, subtle smile").

In the story, the Buddha gives a wordless sermon to his disciples (sangha) by holding up a white flower. No one in the audience understands the Flower Sermon except Mahākāśyapa, who smiles. Within Zen, the Flower Sermon communicates the ineffable nature of tathātā (suchness) and Mahākāśyapa's smile signifies the direct transmission of wisdom without words. The Buddha affirmed this by saying:

I possess the true Dharma eye, the marvelous mind of Nirvana, the true form of the formless, the subtle [D]harma [G]ate that does not rest on words or letters but is a special transmission outside of the scriptures. This I entrust to Mahākāśyapa.[1]

Jung and Kerényi demonstrate a possible commonality in intent between the Flower Sermon and the Eleusinian Mysteries:

One day the Buddha silently held up a flower before the assembled throng of his disciples. This was the famous "Flower Sermon." Formally speaking, much the same thing happened in Eleusis when a mown ear of grain was silently shown. Even if our interpretation of this symbol is erroneous, the fact remains that a mown ear was shown in the course of the mysteries and that this kind of "wordless sermon" was the sole form of instruction in Eleusis which we may assume with certainty.[2]

- Wikipedia : Flower Sermon