
David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
01 March 2024
TAR : To Apprehend Relativity

29 December 2023
TAR : The Arts in Review [ 2023 )
19 November 2023
TAR presents The Assured Result
18 November 2023
Original Face
— Daito
Cease practice based
On intellectual understanding,
Pursuing words and
Following after speech.
Learn the backward
Step that turns
Your light inward
To illuminate within.
Body and mind of themselves
Will drop away
And your original face will be manifest.
— Dogen
You cannot describe it or draw it,
You cannot praise it enough or perceive it.
No place can be found in which
To put the Original Face;
It will not disappear even
When the universe is destroyed.
— Mumon
17 November 2023
after Tachihara, the Architecture of Regard : From the Mountains to the See
16 November 2023
29 October 2023
TAR presents A Toast :
22 October 2023
Flags of the World (continued) Under bondage
20 August 2023
FLOWER DRUM SONG
A cover version of yesterday’s “Flower Sermon” in which one of the actors was a percussionist.
13 August 2023
Towards an ArithmeTAR of Regard
Melbourne's Lyon House Museum shows this image online ...
How is it composed and structured? How does it set up a relationship with us as the viewer?
These questions will be explored by Dr Mimi Kelly and Corbett Lyon as they analyse four works from the Lyon Collection.
LOOKING AT PICTURES 🖼️
Sunday 20 August, 3pm – 4:30pm
$25pp

Towards an ArithmeTAR of Regard asks
Should TAR be explored as a whole or as the sum of its parts? Or both?
How is TAR composed and structured? How does TAR set up a relationship with us as the Actor?
FIAPCE presents LOOKING AT LOOKING

11 August 2023
TAR : “It’s really about ...
We received an email captioned :
Art Guide Australia #474
What to see at “the art fair that artists love”

“It’s really about looking at images and putting them together, and looking at how they behave,” says David Noonan.
Theoria
The Greek theoria (θεωρία) meant "contemplation, speculation, a looking at, things looked at", from theorein (θεωρεῖν) "to consider, speculate, look at", from theoros (θεωρός) "spectator", from thea (θέα) "a view" + horan (ὁρᾶν) "to see".[9] It expressed the state of being a spectator. Both Greek θεωρία and Latin contemplatio primarily meant looking at things, whether with the eyes or with the mind.[10]
According to William Johnston, until the sixth century the practice of what is now called mysticism was referred to by the term contemplatio, c.q. theoria.[4] According to Johnston, "[b]oth contemplation and mysticism speak of the eye of love which is looking at, gazing at, aware of divine realities."[4]
Several scholars have demonstrated similarities between the Greek idea of theoria and the Indian idea of darśana (darshan), including Ian Rutherford[11] and Gregory Grieve.[12]- Wikipedia
Darshan
In Indian religions, Darshana, also spelt Darshan, (Sanskrit: दर्शन darśana lit. 'showing, appearance,[1] view, sight') or Darshanam (darśanam) is the auspicious sight of a deity or a holy person.[2]
The term also refers to any one of the six traditional schools of Hindu philosophy and their literature on spirituality and soteriology.[3]
Darshana is described as an "auspicious sight" of a holy person, which bestows merit on the viewer.[2]
It is most commonly used for theophany, meaning a manifestation or vision of the divine, in Hindu worship, e.g. of a deity (especially in image form), or a very holy person or artifact. One can receive darshana or a glimpse of the deity in the temple, or from a great saintly person, such as a great guru.[4]
On the significance of darshana in Mahayana thought, Paul Harrison writes: "By the second century CE... the vision of the Buddha (buddha-darśana) and the accompanying hearing of the Dharma (dharma-śravaṇa) are represented as a transformation experience of decisive importance for practitioners, be they who have renounced (mundane life) 'ascetics' or householders."[7]
The Abhidharma, collections of systematic summaries of the sutras, mention Darshana-citta, i.e. visions.[8]
Indian Mahayana philosophers Vasubandhu and Asanga acknowledged five paths to liberation, of which the third is darshana-marga, the "path of seeing".[9]
Nagarjuna, a prominent philosopher of the Madhyamaka school of Mahayana Buddhism, wrote that the wise person perceives tattva-darshana, true reality.[10][11]
“It’s really about looking at images and putting them together,
and looking at how they behave,” says David Noonan.

09 August 2023
Tri-Angle of Regard (SELF-LIGHT-OTHER)
Theatre of the Actors of Regard enjoyed looking at this Herald-Sun photo from 1962.
Here are a couple of TARmatic others :
08 August 2023
TAR : The Art Race
10 July 2023
dependent-arising : space-time-conscious : before-after Donald Judd

Today, this :
