David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
Showing posts with label Frame. Show all posts
Showing posts with label Frame. Show all posts
16 November 2023
01 August 2022
Clean
24 July 2022
Exhibition ends today
Today is the last day of PETER TYNDALL : SINCLAIR+GALLERY at Castlemaine Art Museum.
Heartfelt thanks to all of CAM’s dedicated staff and volunteers : to director Naomi Cass who proposed this exhibition, to Jenny Long invaluable curator consultant, Nell Fraser, Sarah Frazer, Anna Schwann, Deb Peart, Libby English, Noel Hourigan, James McArdle, to Giles Fielke and Memo.
Best wishes to Gabrielle Martin whose own Sinclair Gallery exhibition opens on 29 July.

Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
01 February 2022
A ± B = C / ...D ± E ± F ± G...
Unsheathe your dagger definitions. Horseness is the whatness of allhorse. (James Joyce, Ulysses)
A swarthy boy opened a book and propped it nimbly under the breastwork of his satchel. He recited jerks of verse with odd glances at the text:
Weep no more, woful shepherd, weep no more
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor...
It must be a movement then, an actuality of the possible as possible. Aristotle's phrase* formed itself within the gabbled verses and floated out into the studious silence of the library of Saint Genevieve where he had read, sheltered from the sin of Paris, night by night. By his elbow a delicate Siamese conned a handbook of strategy. Fed and feeding brains about me: under glowlamps, impaled, with faintly beating feelers: and in my mind's darkness a sloth of the underworld, reluctant, shy of brightness, shifting her dragon scaly folds. Thought is the thought of thought. Tranquil brightness. The soul is in a manner all that is: the soul is the form of forms. Tranquillity sudden, vast, candescent: form of forms.
Weep no more, woful shepherd, weep no more
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor...
It must be a movement then, an actuality of the possible as possible. Aristotle's phrase* formed itself within the gabbled verses and floated out into the studious silence of the library of Saint Genevieve where he had read, sheltered from the sin of Paris, night by night. By his elbow a delicate Siamese conned a handbook of strategy. Fed and feeding brains about me: under glowlamps, impaled, with faintly beating feelers: and in my mind's darkness a sloth of the underworld, reluctant, shy of brightness, shifting her dragon scaly folds. Thought is the thought of thought. Tranquil brightness. The soul is in a manner all that is: the soul is the form of forms. Tranquillity sudden, vast, candescent: form of forms.
James Joyce, Ulysses (Nestor p.26)
* "It follows that the soul is analogous to the hand; for as the hand is a tool of tools, so the mind is the form of forms and sense the form of sensible things." [Aristotle : On the Soul, Book III, Part 8]
* "It follows that the soul is analogous to the hand; for as the hand is a tool of tools, so the mind is the form of forms and sense the form of sensible things." [Aristotle : On the Soul, Book III, Part 8]
whatness of allhorse = horseness
an actuality of the possible as possible = a movement
thought of thought = thought
form of forms = soul
analog of the hand = soul
tool of tools = hand
form of forms = mind
form of sensible things = sense
Theatre of the Analogs of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
21 January 2022
Primer
David Zwirner is presenting Primary Colors, an exhibition of work by Josef Albers (1888-1976). On view at the gallery’s Hong Kong location, this is the first solo presentation of Albers’s work in Greater China.
- ArtDaily Newsletter (today)
Exhibition Title Primary Colors
Hong Kong
Exhibition Title Primary Regard(s)
bLOGOS/HA HA
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
25 October 2021
The Expanded Field
15 September 2021
Knife Throwers (see : Dagger Definitions)
1. Defining the Definition
/dɛfɪˈnɪʃ(ə)n/
noun
1. a statement of the exact meaning of a word,
noun
1. a statement of the exact meaning of a word,
especially in a dictionary.
"a dictionary definition of the verb"
2. the degree of distinctness in outline of an object,
"a dictionary definition of the verb"
2. the degree of distinctness in outline of an object,
image, or sound.
"the clarity and definition of pictures can be aided by
"the clarity and definition of pictures can be aided by
... throwing knives [see: TARget)
Similar : clarity clearness visibility precision sharpness crispness acuteness distinctness resolution focus contrast
Opposite : blurriness fuzziness

4. Projection-Space Concept(s)
Similar : clarity clearness visibility precision sharpness crispness acuteness distinctness resolution focus contrast
Opposite : blurriness fuzziness
2. The Initiate
Theatre of the Adults of Regard
click image to activate video

Theatre of the Actors of Ringside
4. The Record
Theatre of the Actors of Reflexivity
Lucio Fontana with knife and canvas (Milan 1964) photo Ugo Mulas
Lucio Fontana and four of the 'Fine di Dio' series, photo Orazio Bacci
5. Defining the TARget
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
28 August 2021
Tethers of TAR
The original drawing, some 12 inches (30 cm) square, was later mounted on a 20 feet (6.1 m) long handscroll to provide sufficient space for the seals and inscriptions.
09 February 2021
The Perfect Collection
The Macallan 1926 Fine & Rare 60 Year Old currently holds the world record for the most expensive bottle of whisky ever sold. It is widely regarded as the pinnacle in rare whisky collecting, with scarcely any having experienced the satisfaction and pleasure of owning a bottle so unique and of unparalleled reputation.
The Macallan 1926 Fine and Rare 60 Year Old will be available within the second part sale of The Perfect Collection by Mr. Gooding along with an incredible selection of sought-after vintages from the Fine & Rare series. If you would like to take part and share in this historic occasion, please keep an eye out for updates on when The Perfect Collection: Part Two will take place in 2021.
Our staff are not whiskey drinkers. It's the above article's carefully composed photo of the whiskey connoisseur
David Cox in formal regard that engages our own finer appreciation : this classic TAR subject-light-object and its complex composition detail.
Above the provided eyeline is a row of five evenly-spaced white light spheres, each with a golden circle-of-circles equaTAR. see : binary-world lighting systems.
These lights lead our attention toward a heavy curtain. It is open just enough to reveal another golden circle divider bordering a round mirror into which the front-of-house orbs plunge in reflection. And in there, a blurry posture of regard.
It directs our focus back out to its sharper source.
The formal actor sees a different scene to the one we see. He beholds a white gloved HAND SPACE display, akin, say, to a white cube exhibition of an On Kawara painting.
Theatre of the Actors of Regard
HAND SPACE
FIAPCE
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
Postscript
Perfect whisky collection sells for over $9 million at auction |
02 February 2021
Sold!
Sotheby's recently auctioned Sandro Botticelli's 1480
'Young Man Holding a Roundel'.
We like that work very much, the round and rectangular formalities, the staged depth, the two diverting outward gazers, and more. Here, though, we're interested in two of Sotheby's own images. The Image is Shown to the Crowd and The Kill.
First, House Supporters (their mouths COVID covered) [LOGOS, the muffled Speaking into Being of the Image] display the Image to the breath-masked mob. Behold!
We recognise his pose and the godly lineage proposed. Descendant of Zeus, the god of the sky, lightning and thunder, ruler of all the gods on Mount Olympus. If not the sky god, then it is Poseidon, god of the See. Poised, ready to project his thunderbolt (Zeus) or trident (Poseidon).
24 November 2020
COVID-19 Melbourne : masks not required when outdoors | still required indoors
photo from today's Guardian
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
25 October 2020
Write the Wrong

"I'm in the wrong video?!" Suicidal Tendencies
20 October 2020
TAR Test Pattern
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
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