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Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
Showing posts with label matrix. Show all posts
Showing posts with label matrix. Show all posts
16 November 2023
22 October 2023
Flags of the World (continued) Under bondage
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
10 July 2023
dependent-arising : space-time-conscious : before-after Donald Judd
Today, this :
click image to enlarge text
Fifty years ago, regarding 'Some Recent American Art' at National Gallery of Victoria, Melbourne :
Some years earlier, Theatre of the Actors of Regard (Bendigo)
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
05 June 2023
TAR (Théâtre des Acteurs qui Rient) presents
Canned LaughTAR
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Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
24 July 2022
Exhibition ends today
Today is the last day of PETER TYNDALL : SINCLAIR+GALLERY at Castlemaine Art Museum.
Heartfelt thanks to all of CAM’s dedicated staff and volunteers : to director Naomi Cass who proposed this exhibition, to Jenny Long invaluable curator consultant, Nell Fraser, Sarah Frazer, Anna Schwann, Deb Peart, Libby English, Noel Hourigan, James McArdle, to Giles Fielke and Memo.
Best wishes to Gabrielle Martin whose own Sinclair Gallery exhibition opens on 29 July.
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Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
02 July 2022
the mark of self
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Special comments : Vasubandhu, Treatise on Buddha Nature
**insubstantiality, impermanence, dependence on causes and conditions
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"All non-Buddhists, in their various ways, conceive of and grasp a self in those things that lack self; namely the five aggregates (form, sensation, perception, volition, consciousness). Yet these things differ from what one grasps as the mark* of self; therefore, they are eternally lacking in self.
*substance, permanence, independence
However, with the wisdom of Thusness, all Buddhas and Bodhisattvas realize the perfection of not-self in all things. Because this perfection of not-self and that which is seen as the mark of not-self** are not different, the Tathagata says that this mark of the eternal not-self is the true, essential nature of all things. It is because of this that the perfection of not-self is called True Being."
However, with the wisdom of Thusness, all Buddhas and Bodhisattvas realize the perfection of not-self in all things. Because this perfection of not-self and that which is seen as the mark of not-self** are not different, the Tathagata says that this mark of the eternal not-self is the true, essential nature of all things. It is because of this that the perfection of not-self is called True Being."
**insubstantiality, impermanence, dependence on causes and conditions
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Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
20 June 2022
Esprit de corps
Behind ] and Before ( the Curtain at the Ballet
by Henri Gervex (1890) and TAR
by Henri Gervex (1890) and TAR
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
27 April 2022
DirecTAR
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Brian Taylor calling the final minutes of the 2022 Anzac Day clash between The Bombers and The Magpies at the MCG : “They’re all pointing. Verbaleyesing directions.”
Saraha, Sarahapa, Sarahapāda (or, in the Tibetan language མདའ་བསྣུན་, [danün], Wyl. mda' bsnun The Archer), (circa 8th century CE) was known as the first sahajiya and one of the Mahasiddhas. The name Saraha means "the one who has shot the arrow.".[1] According to one, scholar, "This is an explicit reference to an incident in many versions of his biography when he studied with a dakini disguised as a low-caste arrow smith. Metaphorically, it refers to one who has shot the arrow of non duality into the heart of duality."[2] - Wikipedia
"Everything without exception
shares the nature of open space,
and never moves from it at any time.
Space is called 'open space',
but in its essence, nothing at all exists.
It is neither existent nor nonexistent,
nor not existent and not nonexistent -
it transcends any other domain of illustration.
Thus, mind, open space, and the nature of reality are not separate in the slighest."
- Saraha
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Theatre and the Arrow of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
12 April 2022
re. Visible means of support (#8 verso)
reveal (from Wiktionary)
English
Etymology
From Middle English revelen (“to reveal”),
From Middle English revelen (“to reveal”),
from Middle French reveler,
from Old French,
from Latin revēlāre (“to reveal, uncover”),
from re- (“back, again”) + vēlāre (“to cover”),
from vēlum (“veil”).
Jacopo Ligozzi (1547–1627) Psittacus Ararauna
Theatre of Aviarian Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
24 March 2022
hanging by a thread | by a thread | by a thread | by a thread | by a thread | by a thread | by a thread | by a thread | by a thread | by a thread | by a thread to and from ...
Theatre of the Attachments of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
18 March 2022
Flossie and the LOGOS/HA HA
A F E A T H E R O N T H E B R E A T H O F G O D
A F E A T H E R O N T H E L O G O S / H A H A
A N D V O I C I F L O S S I E F L O S D E A
Theatre of the AnthoLOGOS/HA HA of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
11 March 2022
The punktuaTAR
punkTAR
1. The act or an instance of punkTARing.
2. A hole, cut, TeAR or breakthrough created by a sharp object/ion.
e.g. There were two small puncTARs in his arm where the snake's fangs had pierced the skin.
3. (specifically) A hole in a tracTAR tyre, causing the tyre to deflate.
e.g. On the way back we got a punkTAR, and we were stuck at the roadside for three hours until help arrived.
2. A hole, cut, TeAR or breakthrough created by a sharp object/ion.
e.g. There were two small puncTARs in his arm where the snake's fangs had pierced the skin.
3. (specifically) A hole in a tracTAR tyre, causing the tyre to deflate.
e.g. On the way back we got a punkTAR, and we were stuck at the roadside for three hours until help arrived.
Lucio Fontana, Spatial Concept (1949-1950) Tate Gallery
punkTARation
1. A set of symbols and marks which are used to clarify meaning in text by separating strings of words into clauses, phrases and senTARnces.
e.g. Different languages have different rules for punkTARation.
2. The act or an instance of punkTARating
e.g. Different languages have different rules for punkTARation.
2. The act or an instance of punkTARating
e.g.
punktuaTAR
1. A person who punkTARs.
2. A system of punkTARation.
e.g. The punktuaTAR states, Let each punkTAR equal :
Theatre of the AcupunkTAR of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
09 March 2022
What I learned, or ...
definition : in a "dictionary", "letters" linked to (verb e.g. "produce") "words"; "words" and their "meanings" linked to (verb e.g. "realise/realize/
real-eyes") a "definition".
Physics, Art, Mathematics, Science: Hidden Connections.
e.g.
"Unsheathe your dagger definitions. Horseness is the whatness of allhorse."
(James Joyce, Ulysses)
Physics, Art, Mathematics, Science: Hidden Connections.
A conference marking Sir Michael Berry’s 75th Birthday
By Maggie Simmons on April 19, 2016
Sir Michael Berry, IOP Publishing’s most prolific author, and long-time Editorial Board member on JPhysA, had a conference held in his honour on Friday 1 April 2016. This was a joint celebration of not only his 75th birthday, but also 50 years of working at the University of Bristol. Colleagues and friends gathered for the occasion and shared their fond memories of not only his academic achievements, but also his diverse range of interests and supportive nature. Here are some of the highlights:
Berry’s Law : ‘nothing is ever discovered for the first time’
Professor Eric Heller described his pleasant drive across the English countryside with Michael. This sedate outing rapidly picked up pace when Eric mentioned he may have read a paper describing something similar to the Berry Phase. Michael promptly accelerated from 90-130 km/h as he had plans in the evening and wanted to read this paper as soon as possible. The pleasant drive may have reached a rapid end, but Eric emphasised Michael’s continuous support and encouragement for him, despite them technically being in ‘competition’.
Ouroborology : a quantum wave as a mythical snake.
Professor Jon Keating, Chair of the Heilbronn Institute for Mathematical Research, gave an insight into his thought processes in choosing to apply for a PhD under Michael’s supervision. The high quality of the research was a given, but it was the supportive and conducive atmosphere that tipped the balance. Most importantly was the unconventional nature of Michael – a photo of him in an Indian tunic held a lot of weight.
The decision proved correct and Jon found himself to not be constrained by field in his research; taking, just as Michael does, inspiration from science, art and music. Disappointingly, not all of these themes took off, and the term ‘ouroborology’ coined by Michael for a quantum wave – reflective of the mythical snake ‘ouroboros’ eating its tail – is not commonly used despite appearing in ‘Riemann’s zeta function: a model for quantum chaos?’ (Berry, 1985).
By Maggie Simmons on April 19, 2016
Sir Michael Berry, IOP Publishing’s most prolific author, and long-time Editorial Board member on JPhysA, had a conference held in his honour on Friday 1 April 2016. This was a joint celebration of not only his 75th birthday, but also 50 years of working at the University of Bristol. Colleagues and friends gathered for the occasion and shared their fond memories of not only his academic achievements, but also his diverse range of interests and supportive nature. Here are some of the highlights:
Berry’s Law : ‘nothing is ever discovered for the first time’
Professor Eric Heller described his pleasant drive across the English countryside with Michael. This sedate outing rapidly picked up pace when Eric mentioned he may have read a paper describing something similar to the Berry Phase. Michael promptly accelerated from 90-130 km/h as he had plans in the evening and wanted to read this paper as soon as possible. The pleasant drive may have reached a rapid end, but Eric emphasised Michael’s continuous support and encouragement for him, despite them technically being in ‘competition’.
Ouroborology : a quantum wave as a mythical snake.
Professor Jon Keating, Chair of the Heilbronn Institute for Mathematical Research, gave an insight into his thought processes in choosing to apply for a PhD under Michael’s supervision. The high quality of the research was a given, but it was the supportive and conducive atmosphere that tipped the balance. Most importantly was the unconventional nature of Michael – a photo of him in an Indian tunic held a lot of weight.
The decision proved correct and Jon found himself to not be constrained by field in his research; taking, just as Michael does, inspiration from science, art and music. Disappointingly, not all of these themes took off, and the term ‘ouroborology’ coined by Michael for a quantum wave – reflective of the mythical snake ‘ouroboros’ eating its tail – is not commonly used despite appearing in ‘Riemann’s zeta function: a model for quantum chaos?’ (Berry, 1985).
Bores, frogs and rainbows
Dr Matin Durrani, Editor of Physics World, highlighted some of Michael’s more disparate interests. In his own words, he delights in ‘uncovering down-to-earth or dramatic and sometimes beautiful examples of abstract mathematical ideas: the arcane in the mundane’. A long-time contributor to Physics World, Sir Berry is a journalist’s dream as he intertwines expertise in mathematics to natural world phenomena and art to name a few. His love of tidal bores, application of mathematical singularities to rainbows and of course his joint IgNobel for a levitating frog provide ample opportunities for articles of more general interest.
Dr Matin Durrani, Editor of Physics World, highlighted some of Michael’s more disparate interests. In his own words, he delights in ‘uncovering down-to-earth or dramatic and sometimes beautiful examples of abstract mathematical ideas: the arcane in the mundane’. A long-time contributor to Physics World, Sir Berry is a journalist’s dream as he intertwines expertise in mathematics to natural world phenomena and art to name a few. His love of tidal bores, application of mathematical singularities to rainbows and of course his joint IgNobel for a levitating frog provide ample opportunities for articles of more general interest.
click image to enlarge
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
08 March 2022
Vincent van TAR
Immersive : see/be a Vincent van TAR self-portrait mounted on the 2001 A Space Odyssey monolith set inside a Francis Bacon prisoner cage.
17 MARCH 2021 – 17 JULY 2022
FESTIVAL SQUARE
EDINBURGH
The most visited immersive multi-sensory experience in the world.
Having dazzled over 8.5 million visitors across 75 cities worldwide, the most visited immersive, multi-sensory experience in the world is making its hotly anticipated Scottish debut in Edinburgh’s iconic Festival Square, opening in spring for an exclusive four month run.
Hosted within a stunning, purpose-built venue from March 17th to July 17th, this Covid-safe and family-friendly experience is anticipated to become Scotland’s biggest visitor attraction along with Edinburgh Fringe; providing a truly world-class cultural experience in the heart of Edinburgh.
Prepare to transcend time and space as you accompany Van Gogh on a journey through the Netherlands, Arles, Saint Rémy and Auvers-sur-Oise, where he created many of his timeless masterpieces. Set to an evocative classical score, a thrilling display of over 3,000 inspirational images transforms every surface that surrounds you in what has been described as an “unforgettable multi-sensory experience”.
At Van Gogh Alive you don’t just look at his paintings, you step inside them and feel their power.
The most visited immersive multi-sensory experience in the world.
Having dazzled over 8.5 million visitors across 75 cities worldwide, the most visited immersive, multi-sensory experience in the world is making its hotly anticipated Scottish debut in Edinburgh’s iconic Festival Square, opening in spring for an exclusive four month run.
Hosted within a stunning, purpose-built venue from March 17th to July 17th, this Covid-safe and family-friendly experience is anticipated to become Scotland’s biggest visitor attraction along with Edinburgh Fringe; providing a truly world-class cultural experience in the heart of Edinburgh.
Prepare to transcend time and space as you accompany Van Gogh on a journey through the Netherlands, Arles, Saint Rémy and Auvers-sur-Oise, where he created many of his timeless masterpieces. Set to an evocative classical score, a thrilling display of over 3,000 inspirational images transforms every surface that surrounds you in what has been described as an “unforgettable multi-sensory experience”.
At Van Gogh Alive you don’t just look at his paintings, you step inside them and feel their power.
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
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