David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
Showing posts with label criticism. Show all posts
Showing posts with label criticism. Show all posts
29 December 2023
TAR : The Arts in Review [ 2023 )
15 September 2022
Vale Jean-Luc Godard (1930-2022)
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
21 October 2020
The mysterious guest.
We don't understand what's meant by we.
Abstractly speaking, we don't understand what's meant by abstraction.
(English version)
Edited by Andrea Bellini and Sarah Lombardi
Skira editore, Milan-Paris-Geneva
English edition
June 2020
ISBN 9788857243504
Hard cover
21 × 29 cm
312 pages
PRICE
CHF 75
This morning we received an email from FontHaus promoting a new font family from Los Andes Type : Abstract
Abstract Complete Family
Abstract Light Italic
Abstract Bold Italic
Abstract Family
Abstract Regular
Abstract Bold
14 September 2020
Grate Expectations
During COVID lockdown, we've been re-reading some Australian art criticism. (Part 4)

Gary Catalano, review extract re. exhibitions by
Murray Walker (Powell Street Gallery, South Yarra)
Peter Tyndall : Dagger Definitions (ACCA, Melbourne)
John Walker (NGV, Melbourne)
Elizabeth Sullivan (George Paton Gallery, Melbournne Uni
The Age, 19 August 1987 : read full article here
AAA_Art Archive Australia
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
13 September 2020
Please explain. (MPs remain unenlightened.)
During COVID lockdown, we've been re-reading some Australian art criticism. (Part 3)
This is from an article in the Saturday Age, about the Australian Parliament House Art Collection.
Tom Duggan, 'House of art and enlightenment'
p 4-5, The Age, Saturday Extra : 19 December 1987
*no such letter or request was ever received by the artist
collection FIAPCE
12 September 2020
11 September 2020
The Terror ] pron. TAR (
18 August 2020
Vale John Nixon (1949-2020)
John Nixon, Untitled (Black), enamel on canvas, 1968

Jenny Watson, John, 1975 collection : Monash University

Robert Rooney, JOHN NIXON 1, JANUARY 1979
1979 photo (printed 2012)
collection National Portrait Gallery


John Nixon and Peter Cripps at Art Projects, 1982
photo by Janine Burke
Personal View: Photographs 1978–1986


Here’s another of John Nixon’s Polaroid self-portraits from the early 1980s. This time, however, there’s another subject – the Melbourne artist Peter Tyndall, who worked closely with John on diverse projects at this time, not the least being John’s Melbourne gallery, Art Projects, which Peter managed while John was living in Brisbane and running the Institute of Modern Art in 1980 and 1981. The Polaroid is dated verso 14 January 1981, which indicates it was probably taken in Melbourne (and possibly at Art Projects), as the IMA would have been closed in January for summer holidays. The image seems to say as much, with John up front but slightly out of focus and Peter sharp behind him. It’s another great shot from the 100 Polaroid piece titled ‘Lot 3’ (1980-81) by The Society For Other Photography, which is the name John gave this strand of his production.
#johnnixon #petertyndall #artprojects #selfportrait #thesocietyforotherphotography #societyforotherphotography
#polaroid #sx70
australianfinearts Here’s another of John Nixon’s Polaroid self-portraits from the early 1980s. This time, however, there’s another subject – the Melbourne artist Peter Tyndall, who worked closely with John on diverse projects at this time, not the least being John’s Melbourne gallery, Art Projects, which Peter managed while John was living in Brisbane and running the Institute of Modern Art in 1980 and 1981. The Polaroid is dated verso 14 January 1981, which indicates it was probably taken in Melbourne (and possibly at Art Projects), as the IMA would have been closed in January for summer holidays. The image seems to say as much, with John up front but slightly out of focus and Peter sharp behind him. It’s another great shot from the 100 Polaroid piece titled ‘Lot 3’ (1980-81) by The Society For Other Photography, which is the name John gave this strand of his production.

John Nixon and Peter Cripps at Art Projects, 1982
photo by Janine Burke
Personal View: Photographs 1978–1986

John Nixon, Studio (Melbourne), 1984
Some further reading
The rest, as they say ...

Rex Butler at Gertrude Contemporary, 2013
... is history.
Late last year, John was diagnosed with leukemia and underwent chemotherapy. Despite that, he made it to the launch of Doug Hall's Present Tense : Anna Schwartz Gallery And Thirty-Five Years Of Contemporary Australian Art upstairs at ASG.

Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
Anna Schwartz Gallery re-opened for 2020 with an exhibition by John Nixon : Groups + Pairs 2016 - 2020

In March, as the exhibition was due to close, a COVID-19 lockdown was declared, and so it has stayed.
Today, In Memoriam, the gallery announced that the exhibition will remain until the end of the year.
ASG : "Our communal loss cannot be overstated."
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