David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


Showing posts with label Archetypes. Show all posts
Showing posts with label Archetypes. Show all posts

01 March 2024

TAR : To Apprehend Relativity



Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
  
  
  

19 November 2023

TAR presents The Assured Result


specific-bonding detail

Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
  

  

18 November 2023

Original Face



"Sweep away thoughts!" means one must do zazen. Once thoughts are quieted, the Original Face appears. Thoughts can be compared to clouds. When clouds vanish, the moon appears. The moon of suchness is the Original Face. Thoughts are also like the fogging of a mirror. When you wipe away all condensation, a mirror reflects clearly. Quiet your thoughts and behold your Original Face before you were born!

— Daito

Cease practice based
On intellectual understanding,
Pursuing words and
Following after speech.
Learn the backward
Step that turns
Your light inward
To illuminate within.
Body and mind of themselves
Will drop away
And your original face will be manifest.

— Dogen

You cannot describe it or draw it,
You cannot praise it enough or perceive it.
No place can be found in which
To put the Original Face;
It will not disappear even
When the universe is destroyed.

— Mumon

Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
  

  

16 November 2023

TENEZ LE DROIT / Uphold the Right [Angle]




Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
  

  

19 September 2023

T - + - R


This glossy 8x10 arrived out of the blue with several others placed inside an old folded movie poster.

Recognised as a classic Theatre of the Actors of Regard document worthy of further regard, Henry Weatherfield & Associates were commissioned to sign-write it as it now appears.
click image to enlarge 

Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
  
  
   


11 September 2023

Me 'n U (for Jo & Michele)


The Appetiser Recycled
(re-using a drawing from the mid-80s)



Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


   

19 August 2023

Three Act Regard (Part 2)


Theatre of the Actors of Regard yesterday presented Three Act Regard (Part 1) in which the first regard brought forth laughter at the appearance of a Label Flower.
click image to enlarge 

Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA

Today, another represenTARtion of the “Flower Sermon” offered by Guatama Buddha to his followers at Vulture Peak. There, it is said, he twirled a flower...

“At this, they all remained silent. Only the venerable Kashyapa broke into a smile. The World-Honored One said: “I have the eye treasury of the true Dharma, the marvelous mind of nirvana, the true form of no-form, the subtle gate of the Dharma. It does not depend on letters, being specially transmitted outside all teachings. Now I entrust Mahakashyapa with this.”

The scroll shown here is by Yosa Buson from the collection of Henry Weatherfield & Associates.

[Wikipedia : Yosa Buson or Yosa no Buson (与謝 蕪村, 1716 – January 17, 1784) was a Japanese poet and painter of the Edo period. Along with Matsuo Bashō and Kobayashi Issa, Buson is considered among the greatest poets of the Edo Period.)

Three Act Regard (Part 2)
click image to enlarge 

Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


    

18 August 2023

Three Act Regard (Part 1)


Theatre of the Actors of Regard

presents  

   Three Act Regard   
][             Observe the mind             )(
click image to enlarge 
Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA

Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA




















Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


  

13 August 2023

Towards an ArithmeTAR of Regard


Melbourne's Lyon House Museum shows this image online ...

... and asks :

Should a painting be explored as a whole or as the sum of its parts? Or both?

How is it composed and structured? How does it set up a relationship with us as the viewer?

These questions will be explored by Dr Mimi Kelly and Corbett Lyon as they analyse four works from the Lyon Collection.

LOOKING AT PICTURES 🖼️
Sunday 20 August, 3pm – 4:30pm
$25pp




Towards an ArithmeTAR of Regard asks 

Should TAR be explored as a whole or as the sum of its parts? Or both?

How is TAR composed and structured? How does TAR set up a relationship with us as the Actor?

FIAPCE presents LOOKING AT LOOKING



Theatre of the Actors of Regard 
detail
A Person Looks At A Work Of Art/
someone looks at something...
  
LOGOS/HA HA
  


06 August 2023

TAR : Taking After Redon


The exhibition 'Photography and the Performative' at Sydney University's Chau Chak Wing Museum, displays a work by Imants Tillers, If I close my eyes. His instagram website describes it thus :

Curated by Katrina Liberiou, the show explores the intersection between photography and performance.

Imants Tillers
If I close my eyes (2021)
189 Polaroids 1980–1982, nos. 112966–113161
10.7 x 8.9 cm (each); 75 x 239 cm (overall)
University of Sydney Art Collection

This conceptual work comprises 189 Polaroids made between 1980 and 1982. Tillers carried a camera with him during his daily life and documented those he encountered, asking his sitters to close their eyes. Interspersed with these portraits are landscape scenes depicting the view from his flat overlooking Sirius Cove.”
click image to enlarge  

‘Taking After Redon’ re-imagines ‘If I close my eyes’ with the views of Sirius Cove replaced by views of Odilon Redon’s ‘Les yeux clos’ (Closed Eyes) c.1890.

Theatre of the Actors of Regard 
detail
A Person Looks At A Work Of Art/
someone looks at something...
  
LOGOS/HA HA
  
 
   

05 July 2023

Telling the children about TAR [ The Art of Rego )



Theatre of the Actors of Regard 
detail
A Person Looks At A Work Of Art/
someone looks at something...
  
LOGOS/HA HA


        

02 July 2023

TAR : This Annual Repost


This Annual Repost is first from 2021 then 2022 and now 2023 after last night's loss by The Bombers to top side Port Adelaide from a 55m kick delivered by Dan Houston after the siren.


click to play 

Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


      

31 May 2023

TAR (The Alternative Render) presents



 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA

     
    

30 May 2023

TAR (Trauma of the Arid ReplicaTAR) presents


‘The Persecution and Assassination of Pierre Bonnard as Performed by the Inmates of the Asylum of TAR Under the Direction of the Marquis de TAR’, usually shortened to Bonnard/TAR (pronounced : bon-ah-TAR), after a 1963 play by Peter Weiss.


 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA

     
       

28 May 2023

TAR presents The Ascendant Reversed



This is the “mark” that set off this MARK OF THE YEAR sequence of posts. In Australian Rules Football, it is usually the reach-for-the-stars “screamer” or spectacular “specie” that wins this annual award, Mark of the Year ... even as the player often then “crashes back to earth”.



This, however, on Friday night (Carlton v Sydney) is Blues star Charlie Curnow reversing that Triumph of Ascendency. Appropriate to the Sir Doug Nicholls Indigenous Round, Charlie takes his mark (“makes his mark”) at full stretch downward, groundward, sealing it upon the ground, “on country”.



Theatre of the Actors of Regard
presents
Tweaking Aussie Rules :
The Ascendant Reversed



Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


   

23 May 2023

a female gaze


Theatre of the Actors of Regard
present

detail
A Person Looks At A Work Of Art/
someone looks at something...

LOGOS/HA HA


* The female gaze is a feminist theory term referring to the gaze of the female spectator, character or director of an artistic work, but more than the gender it is an issue of representing women as subjects having agency. As such all genders can create films with a female gaze. Wikipedia



Theatre of the Actors of Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


    

09 May 2023

detail : my love has no beginning, my love has no end


Theatre of Amorous Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


   

14 February 2023

The Look of Love, on this very special day...

click image to enlarge 
Teatro dell'Amore e della Rivelazione 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
       
     
       

01 January 2023

re. Covers & Standards: A Guide to the Repertoire

   
Yesterday, @livres_hon posted a photo of a page of the new journal KAFAY LARDAY. It showed various responses to the question WHAT WOULD YOU CHANGE ABOUT THE ART WORLD?.

Elizabeth Pulie wrote: “If I could, I would change the art world’s relation to, and view of, the period of conceptual art that occurred in Lippard’s ‘six years’ between 1966 and 1972. In my view, the aims of the original conceptual artists were, broadly : to practice art conceptually, in dematerialised or ephemeral forms, to escape the institutions of the object, the market, the exhibition space and even “the artist” itself, as identity. Unfortunately, these aims seem to be badly known in the current moment: this is something I would change. I would change the fact that, as predicted by Kosuth, conceptual art forms became a ‘style’ in the post-conceptual era. I would change the fact of conceptual art’s romanticisation or poeticisation in much current art, in order that its less romantic origins be made clearer.”

This morning, we listened to The Music Show on Radio National. Andrew Ford in discussion with James Gavin, responding to Ted Gioia’s new book The Jazz Standards: A Guide to the Repertoire (2nd Edition).

Thus, this first drawing of 2023, headlined standards and covers; and the second, riffing on The Way You Look Tonight, original lyrics by Dorothy Fields.

TheaTAR and the Art Repertoire  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA