David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia. (2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
"Sweep away thoughts!" means one must do zazen. Once thoughts are quieted, the Original Face appears. Thoughts can be compared to clouds. When clouds vanish, the moon appears. The moon of suchness is the Original Face. Thoughts are also like the fogging of a mirror. When you wipe away all condensation, a mirror reflects clearly. Quiet your thoughts and behold your Original Face before you were born!
— Daito
Cease practice based On intellectual understanding, Pursuing words and Following after speech. Learn the backward Step that turns Your light inward To illuminate within. Body and mind of themselves Will drop away And your original face will be manifest.
— Dogen
You cannot describe it or draw it, You cannot praise it enough or perceive it. No place can be found in which To put the Original Face; It will not disappear even When the universe is destroyed.
This glossy 8x10 arrived out of the blue with several others placed inside an old folded movie poster.
Recognised as a classic Theatre of the Actors of Regard document worthy of further regard, Henry Weatherfield & Associates were commissioned to sign-write it as it now appears.
Theatre of the Actors of Regard yesterday presented Three Act Regard (Part 1) in which the first regard brought forth laughter at the appearance of a Label Flower.
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Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
Today, another represenTARtion of the “Flower Sermon” offered by Guatama Buddha to his followers at Vulture Peak. There, it is said, he twirled a flower...
“At this, they all remained silent. Only the venerable Kashyapa broke into a smile. The World-Honored One said: “I have the eye treasury of the true Dharma, the marvelous mind of nirvana, the true form of no-form, the subtle gate of the Dharma. It does not depend on letters, being specially transmitted outside all teachings. Now I entrust Mahakashyapa with this.”
The scroll shown here is by Yosa Buson from the collection of Henry Weatherfield & Associates.
[Wikipedia : Yosa Buson or Yosa no Buson (与謝 蕪村, 1716 – January 17, 1784) was a Japanese poet and painter of the Edo period. Along with Matsuo Bashō and Kobayashi Issa, Buson is considered among the greatest poets of the Edo Period.)
The exhibition 'Photography and the Performative' at Sydney University's Chau Chak Wing Museum, displays a work by Imants Tillers, If I close my eyes. His instagram website describes it thus :
Curated by Katrina Liberiou, the show explores the intersection between photography and performance.
Imants Tillers If I close my eyes (2021) 189 Polaroids 1980–1982, nos. 112966–113161 10.7 x 8.9 cm (each); 75 x 239 cm (overall) University of Sydney Art Collection
This conceptual work comprises 189 Polaroids made between 1980 and 1982. Tillers carried a camera with him during his daily life and documented those he encountered, asking his sitters to close their eyes. Interspersed with these portraits are landscape scenes depicting the view from his flat overlooking Sirius Cove.”
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‘Taking After Redon’ re-imagines ‘If I close my eyes’ with the views of Sirius Cove replaced by views of Odilon Redon’s ‘Les yeux clos’ (Closed Eyes) c.1890.
This Annual Repost is first from 2021 then 2022 and now 2023 after last night's loss by The Bombers to top side Port Adelaide from a 55m kick delivered by Dan Houston after the siren.
‘The Persecution and Assassination of Pierre Bonnard as Performed by the Inmates of the Asylum of TAR Under the Direction of the Marquis de TAR’, usually shortened to Bonnard/TAR (pronounced : bon-ah-TAR), after a 1963 play by Peter Weiss.
This is the “mark” that set off this MARK OF THE YEAR sequence of posts. In Australian Rules Football, it is usually the reach-for-the-stars “screamer” or spectacular “specie” that wins this annual award, Mark of the Year ... even as the player often then “crashes back to earth”.
This, however, on Friday night (Carlton v Sydney) is Blues star Charlie Curnow reversing that Triumph of Ascendency. Appropriate to the Sir Doug Nicholls Indigenous Round, Charlie takes his mark (“makes his mark”) at full stretch downward, groundward, sealing it upon the ground, “on country”.
Theatre of the Actors of Regard presents Tweaking Aussie Rules : The Ascendant Reversed
detail A Person Looks At A Work Of Art/ someone looks at something...
LOGOS/HA HA
* The female gaze is a feminist theory term referring to the gaze of the female spectator, character or director of an artistic work, but more than the gender it is an issue of representing women as subjects having agency. As such all genders can create films with a female gaze. Wikipedia
Elizabeth Pulie wrote: “If I could, I would change the art world’s relation to, and view of, the period of conceptual art that occurred in Lippard’s ‘six years’ between 1966 and 1972. In my view, the aims of the original conceptual artists were, broadly : to practice art conceptually, in dematerialised or ephemeral forms, to escape the institutions of the object, the market, the exhibition space and even “the artist” itself, as identity. Unfortunately, these aims seem to be badly known in the current moment: this is something I would change. I would change the fact that, as predicted by Kosuth, conceptual art forms became a ‘style’ in the post-conceptual era. I would change the fact of conceptual art’s romanticisation or poeticisation in much current art, in order that its less romantic origins be made clearer.”
Thus, this first drawing of 2023, headlined standards and covers; and the second, riffing on The Way You Look Tonight, original lyrics by Dorothy Fields.