bLOGOS/HA HA: The Perfect Collection

David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.

09 February 2021

The Perfect Collection

The Macallan 1926 Fine & Rare 60 Year Old currently holds the world record for the most expensive bottle of whisky ever sold. It is widely regarded as the pinnacle in rare whisky collecting, with scarcely any having experienced the satisfaction and pleasure of owning a bottle so unique and of unparalleled reputation.

The Macallan 1926 Fine and Rare 60 Year Old will be available within the second part sale of The Perfect Collection by Mr. Gooding along with an incredible selection of sought-after vintages from the Fine & Rare series. If you would like to take part and share in this historic occasion, please keep an eye out for updates on when The Perfect Collection: Part Two will take place in 2021.

- from Whiskey Auctioneer

Our staff are not whiskey drinkers. It's the above article's carefully composed photo of the whiskey connoisseur

David Cox in formal regard that engages our own finer appreciation : this classic TAR subject-light-object and its complex composition detail.

Above the provided eyeline is a row of five evenly-spaced white light spheres, each with a golden circle-of-circles equaTAR. see : binary-world lighting systems.

These lights lead our attention toward a heavy curtain. It is open just enough to reveal another golden circle divider bordering a round mirror into which the front-of-house orbs plunge in reflection. And in there, a blurry posture of regard.

It directs our focus back out to its sharper source.

The formal actor sees a different scene to the one we see. He beholds a white gloved HAND SPACE display, akin, say, to a white cube exhibition of an On Kawara painting.