David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


17 August 2020

I TAUT I TAW



collection FIAPCE  

 I DID. I DID! 


Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
   
  
  

16 August 2020

The Great Divide | Dualismus



Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
  
  
  

15 August 2020

EnsO SOng

after LOuis Prima and Keely Smith

with Sam Butera & the Witnesses



Everywhere I gO 

I see the figure O


Figure O, figure O, figure O


What wOuld I see

with_ut y_u?

What wOuld I see

with_ut me?


Cos, I ain't gOt nO bOdy

nO bOdy, nO bOdy

nO bOdy, nO bOdy

nO bOdy, nO bOdy


TARist encyclical ] after Rembrandt


Everywhere I gO 

I hear the figure O


Figure O, figure O, figure O

 

What wOuld I hear

with_ut y_u?

What wOuld I hear

with_ut me?


Cos, I ain't gOt nO bOdy

nO bOdy, nO bOdy

nO bOdy, nO bOdy

nO bOdy, nO bOdy



TAR tour speaker with Hakuin enso scrolls


Everywhere I gO 

I am the figure O


Figure O, figure O, figure O


What wOuld I do 

with_ut y_u?

And, what wOuld I be 

with_ut me?


Cos, we ain't gOt nO bOdy

nO bOdy, nO bOdy

nO bOdy, nO bOdy

nO bOdy, nO bOdy


Benjamin Rabier's duck-rabbit dance solution


Everywhere we gO

We TAR the figure O


Figure O, figure O, figure O


We can't get alOng 

withOut yOu

Can't get alOng 

withOut yOu


Cos, we ain't got no bOdy

] no bOdy, no bOdy (

] no bOdy, no bOdy (

] no bOdy, no bOdy (


Theatre of the Actors of Regard   
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA

  
  

14 August 2020

Void-filler



Le Vide : regard of a photograph of a detail of an exhibition by Yves Klein at Galerie Iris Clert, Paris, April 1958
from an ABC News report yesterday :
Theatre of the Actors of Regard   
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA

  

13 August 2020

TAR dust


We are stardust
We are golden

- Woodstock (Joni Mitchell)


The Rule of Three :

 

Last week

we were sent this image of a work from 1985, soon for exhibition in Sydney. A modern gold leaf ikon : Sellotape Man (one of three) with a yellow tie, in blissful regard


Theatre of the Actors of Regard   

Two days ago

an elderly neighbour recounted his dream of a golden brain on a black pedestal and suggested we might like to picture it.



This morning

at the door, an unexpected gift.


Three Acts of Regard   
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA

  
   

11 August 2020

TAR wheel (after Duchamp & Dharma)


  Marcel Duchamp, Rotorelief, 1949
Marcel Duchamp, "Rotorelief No. 5 – Poisson Japonais" (recto) (GIF via televandelist.com)
  Marcel Duchamp, Rotorelief No. 5 – Poisson Japonais 
  Tibetan woman with Buddhist prayer wheels
  Tibetan prayer wheel disc
TAR wheel                               Theatre of the Actors of Regard 
Theatre of the Actors of Regard   
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA

  

10 August 2020

Rocks TAR


As they say in the classics,

'Well, there’s painting rocks 

and then there’s painting rocks, okay.'

 

There's painting rocks...


Theatre of the Actors of Rocks  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


...and then there's painting rocks.


Theatre of the Actors of Rocks  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


 Ceci n'est pas un Rock Festival, okay.

Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
  
 
  

09 August 2020

subitism [ see also : subiTARism )


The term subitism points to sudden awakening, the idea that insight into Buddha-nature, or the nature of mind,[1] is "sudden,"[2] c.q. "in one glance," "uncovered all together," or "together, completely, simultaneously," in contrast to "successively or being uncovered one after the other."[3] It may be posited as opposite to gradualism, the original Buddhist approach which says that following the dharma can be achieved only step by step, through an arduous practice. Wikipedia


Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


  

08 August 2020

Yes, Minister : PAY ARTISTS LAST


24 June 2020 : THE AGE :

Arts sector to share in $250m in loans, grants as part of COVID-19 package
Arts Minister Paul Fletcher   


 
Yesterday, Tony Burke, Shadow Minister for the Arts 
on
We’ve just found out why no one even knows whether they are even eligible for the so-called support package for arts and entertainment workers. The guidelines brief is still sitting on the Minister’s desk waiting for his signature. 

This is a sector that was almost completely shut down by Government decisions in March. But for three months they insisted the sector - which employs hundreds of thousands of people - was getting enough support and didn’t need a rescue package.

That eventually became untenable. So after more than 100 days of dithering they finally announced a $250m support package on June 25.

The package has some problems but Labor welcomed the extra investment. The sector needs all the support it can get.

But more than six weeks later, nothing has happened. Not a dollar has been spent. No guidelines for the grants and loans have been released. No one knows whether they will even be eligible to apply.

Once the guidelines are approved it could take another 12 weeks until any grants or loans are approved. That means November.

So, November..... That is eight months after this crisis began and this entire sector was almost completely shut down.

We asked the Office of the Arts about the delay in a Senate committee yesterday. They told us they had finished the guidelines - and were waiting on Minister Paul Fletcher to approve them.

While the sector is desperately waiting for help the guidelines are sitting on the minister’s desk just waiting for his signature. No worries minister, it’s not like it’s urgent or anything.

This is sadly typical of this Government: the delivery never matches the announcement, the reality never matches the promise. Australia’s arts and entertainment sector workers deserve much better than this.
Theatre of the Accountants of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA

    
  

07 August 2020

to be calm


paint-writ ship
on a wordless see 
  
  Takarabune, Ike Taiga                       collection FIAPCE  
  

JAANUS : Paintings or prints of this boat usually include a special and auspicious poem which reads the same when read backwards from the end: 

nagakiyo no/ tou no nemuri no/ mina mezame/ naminori fune no/ oto no yokikana

長き夜の/ 遠の眠りの/ 皆目覚め/ 波乗り船の/ 音のよきかな 

'Awakening from a deep sleep after a long night, 
I seem to hear the sweet sound of a boat 
sailing through the waves.'

Wikipedia : A picture of the ship forms an essential part of traditional Japanese New Year celebrations. According to custom, placing a Takarabune woodblock print beneath a pillow on the night of 2 January may induce a lucky dream – a sign that the year to come will be fortunate. In the event of an unpleasant dream, the print may be disposed of by tossing it into a river.

The custom of putting a picture under the pillow started around the Muromachi period. It was initially popular among the nobility, and spread to commoners during the later Edo period. Street vendors sold cheap woodblock prints, intended for single use.

bLOGOS/HA HA : the LOGOS/HA HA image below is from a staffer's dream of the late 1980s.
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA