David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.

collection FIAPCE

Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA


Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
after LOuis Prima and Keely Smith
with Sam Butera & the Witnesses
Everywhere I gO
I see the figure O
Figure O, figure O, figure O
What wOuld I see
with_ut y_u?
What wOuld I see
with_ut me?
Cos, I ain't gOt nO bOdy
nO bOdy, nO bOdy
nO bOdy, nO bOdy
nO bOdy, nO bOdy

Everywhere I gO
I hear the figure O
Figure O, figure O, figure O
What wOuld I hear
with_ut y_u?
What wOuld I hear
with_ut me?
Cos, I ain't gOt nO bOdy
nO bOdy, nO bOdy
nO bOdy, nO bOdy
nO bOdy, nO bOdy

TAR tour speaker with Hakuin enso scrolls
Everywhere I gO
I am the figure O
Figure O, figure O, figure O
What wOuld I do
with_ut y_u?
And, what wOuld I be
with_ut me?
Cos, we ain't gOt nO bOdy
nO bOdy, nO bOdy
nO bOdy, nO bOdy
nO bOdy, nO bOdy

Benjamin Rabier's duck-rabbit dance solution
Everywhere we gO
We TAR the figure O
Figure O, figure O, figure O
We can't get alOng
withOut yOu
Can't get alOng
withOut yOu
Cos, we ain't got no bOdy
] no bOdy, no bOdy (
] no bOdy, no bOdy (
] no bOdy, no bOdy (

Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
Le Vide : regard of a photograph of a detail of an exhibition by Yves Klein at Galerie Iris Clert, Paris, April 1958from an ABC News report yesterday :
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
We are stardust
We are golden
- Woodstock (Joni Mitchell)
The Rule of Three :
Last week
we were sent this image of a work from 1985, soon for exhibition in Sydney. A modern gold leaf ikon : Sellotape Man (one of three) with a yellow tie, in blissful regard.
Theatre of the Actors of Regard
Two days ago
an elderly neighbour recounted his dream of a golden brain on a black pedestal and suggested we might like to picture it.
This morning
at the door, an unexpected gift.

Three Acts of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
Marcel Duchamp, Rotorelief, 1949
Marcel Duchamp, Rotorelief No. 5 – Poisson Japonais Tibetan woman with Buddhist prayer wheels

Tibetan prayer wheel discTAR wheel Theatre of the Actors of Regard
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
As they say in the classics,
'Well, there’s painting rocks
and then there’s painting rocks, okay.'
There's painting rocks...

Theatre of the Actors of Rocks
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
...and then there's painting rocks.
Theatre of the Actors of Rocks
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
Ceci n'est pas un Rock Festival, okay.
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
The term subitism points to sudden awakening, the idea that insight into Buddha-nature, or the nature of mind, is "sudden," c.q. "in one glance," "uncovered all together," or "together, completely, simultaneously," in contrast to "successively or being uncovered one after the other." It may be posited as opposite to gradualism, the original Buddhist approach which says that following the dharma can be achieved only step by step, through an arduous practice. Wikipedia

Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
24 June 2020 : THE AGE :
Yesterday, Tony Burke, Shadow Minister for the Arts on
We’ve just found out why no one even knows whether they are even eligible for the so-called support package for arts and entertainment workers. The guidelines brief is still sitting on the Minister’s desk waiting for his signature.
This is a sector that was almost completely shut down by Government decisions in March. But for three months they insisted the sector - which employs hundreds of thousands of people - was getting enough support and didn’t need a rescue package.
That eventually became untenable. So after more than 100 days of dithering they finally announced a $250m support package on June 25.
The package has some problems but Labor welcomed the extra investment. The sector needs all the support it can get.
But more than six weeks later, nothing has happened. Not a dollar has been spent. No guidelines for the grants and loans have been released. No one knows whether they will even be eligible to apply.
Once the guidelines are approved it could take another 12 weeks until any grants or loans are approved. That means November.
So, November..... That is eight months after this crisis began and this entire sector was almost completely shut down.
We asked the Office of the Arts about the delay in a Senate committee yesterday. They told us they had finished the guidelines - and were waiting on Minister Paul Fletcher to approve them.
While the sector is desperately waiting for help the guidelines are sitting on the minister’s desk just waiting for his signature. No worries minister, it’s not like it’s urgent or anything.
This is sadly typical of this Government: the delivery never matches the announcement, the reality never matches the promise. Australia’s arts and entertainment sector workers deserve much better than this.
Theatre of the Accountants of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
paint-writ ship
on a wordless see
JAANUS : Paintings or prints of this boat usually include a special and auspicious poem which reads the same when read backwards from the end:
nagakiyo no/ tou no nemuri no/ mina mezame/ naminori fune no/ oto no yokikana
長き夜の/ 遠の眠りの/ 皆目覚め/ 波乗り船の/ 音のよきかな
'Awakening from a deep sleep after a long night,
I seem to hear the sweet sound of a boat
sailing through the waves.'
Wikipedia : A picture of the ship forms an essential part of traditional Japanese New Year celebrations. According to custom, placing a Takarabune woodblock print beneath a pillow on the night of 2 January may induce a lucky dream – a sign that the year to come will be fortunate. In the event of an unpleasant dream, the print may be disposed of by tossing it into a river.
The custom of putting a picture under the pillow started around the Muromachi period. It was initially popular among the nobility, and spread to commoners during the later Edo period. Street vendors sold cheap woodblock prints, intended for single use.
bLOGOS/HA HA : the LOGOS/HA HA image below is from a staffer's dream of the late 1980s.
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA