David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


02 February 2022

Sign is the sign of allsign.


On this day, one hundred years ago :

Ulysses is a modernist novel by Irish writer James Joyce. It was first serialized in parts in the American journal The Little Review from March 1918 to December 1920 and then published in its entirety in Paris by Sylvia Beach on 2 February 1922, Joyce's 40th birthday. It is considered one of the most important works of modernist literature and has been called "a demonstration and summation of the entire movement." According to Declan Kiberd, "Before Joyce, no writer of fiction had so foregrounded the process of thinking".

- Wikipedia

Thought is the thought of thought. Tranquil brightness. The soul is in a manner all that is: the soul is the form of forms. Tranquillity sudden, vast, candescent: form of forms.

- James Joyce's ‘Ulysses’

           
Lot 66:           James Joyce Ulysses 1/750 1st edition

Title:              Ulysses

Author:         Joyce, James

Place:            Paris

Publisher:    Shakespeare and Company

Date:            1922

Description:
[8], 732, [1] pp. 24x18 cm. (9½x7¼"), original blue paper wrappers lettered in white, with integral turnovers present; custom, and fairly old, half morocco slipcase & chemise. No. 255 of 750 copies printed on handmade paper, from a total run of 1000 copies. First Edition, First Printing.

A nice, untrimmed copy in the original wrappers of arguably the greatest work of literature of the twentieth century. This is one of the earliest copies from the press - the 750 copies printed on handmade paper were the first copies printed, and the numbering began with 251 - this copy at 255 would have been the fifth to have been completed. Furthermore, according to publisher Sylvia Beach's record of sales, #255 is listed as one of the very first copies to have been sold, being bought on February 9th, 1922. "Ulysses" can be viewed as the pinnacle of the Modernist movement, and its impact on all subsequent western literature is unmistakable. Such writers as Virginia Woolf, John Dos Passos, William Faulkner, Samuel Beckett, Malcolm Lowry, and Anthony Burgess have all paid tribute to Joyce's influence. According to James Spoerri, "This fortunate combination of printer [Maurice DarantiƩre and publisher [Sylvia Beach] resulted in the appearance of 'Ulysses' as a book whose physical aspect is particularly suited to its content. It is a fair and inviting volume, the blue and white of its covers subtly evocative of the Greece whose epic it so closely parallels." Slocum & Cahoon A17. Bookplate of Ad &Ben Schulberg affixed to inside of front wrapper.

Lot Amendments:

Condition:
Later slipcase worn, repairs to spine and joints; original wrappers with some rubbing to edges, splitting at joints, spine with some wear and portion repaired; a rare copy untrimmed and in the original wrappers.


  Peter Tyndall : Dagger Definitions, Pamela Hansford
  Published by Greenhouse (Melbourne), first edition 1987

Unsheathe your dagger definitions. Horseness is the whatness of allhorse. Streams of tendency and eons they worship. God: noise in the street: very peripatetic. Space: what you damn well have to see. Through spaces smaller than red globules of man's blood they creepycrawl after Blake's buttocks into eternity of which this vegetable world is but a shadow. Hold to the now, the here, through which all future plunges to the past.

- James Joyce's ‘Ulysses’

Theatre of the Anniversaries of Regard   
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