David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


25 November 2020

Four Melbourne exhibitions


Japan, Japan, Japan, ....

 Kevin Lincoln at Niagara Galleries
click to enlarge  
  Kevin Lincoln, Untitled, 2020 

 Rosslynd Piggott at Sutton Gallery

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  Rosslynd-Piggott, Gift - folded-quince, 2019/2020 
  photo Andrew Curtis

 Criss Canning at Smith & Singer
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  Criss Canning, Memories of Oshino, 2020
   © Criss Canning/Copyright Agency, 2020

  Stephen Bram at Anna Schwartz Gallery2

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  Stephen Bram, Untitled, 2019             
  photo Christian Capurro

 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
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