David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


10 January 2020

Concept of Permanence


Gauging the Possibilities of Impermanence at the New MoMA

MoMA’s recent expansion embodies the tension between the ways in which cultural spaces can offer visitors comfortable narratives and on the other, how they can suggest the potential for radical inclusiveness by iteration, reinvention, and reinstallation.

 Laura Raicovich   January 9, 2020

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 HERE

   

The Perm is Back


 Ali Oshinsky (below with perm)   February 2019 

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 HERE
  
Theatre of the Actors of Regard  
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