David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
On 18 December we posted here about Clement Meadmore: The art of mid-century design
at the Ian Potter Museum of Art, Melbourne, focussing on a 1956 work we'd not previously encountered :
Clement Meadmore, 1956
To that we added this by FIAPCE :
Theatre of the Actors of Regard
Now, from the summer heap sorting, we add this from 2014. Archetypes live, OK!
click image to enlarge
detail
A Person Looks At A Work Of Art/
someone looks at something...
