David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
Just looking, thanks.
Theatre of Advice Refused
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Galvanised Tee Bars
200mm x 200mm x 10mm (Pre-order only)
Purchase quality lintels from Melbourne’s recommended retailer
For high-quality lintels in Melbourne, visit Frank Z Building &
Garden Supplies for everything you need. We supply an array of
lintels in a range of materials and sizes, so whatever you’re
building, we’ll have something to suit.
FIAPCE
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Theatre of the Actors of Regard
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Daylesford & District Historical Society
presents
POSTCARD IMAGES
Theatre of the Actors of Regard
presents
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We, gathered at the 2017 National Constitutional Convention, coming from all points of the
southern sky, make this statement from the heart:
Our Aboriginal and Torres Strait Islander tribes were the first sovereign Nations of the
Australian continent and its adjacent islands, and possessed it under our own laws and customs.
This our ancestors did, according to the reckoning of our culture, from the Creation, according
to the common law from ‘time immemorial’, and according to science more than 60,000 years
ago.
This sovereignty is a spiritual notion: the ancestral tie between the land, or ‘mother nature’,
and the Aboriginal and Torres Strait Islander peoples who were born therefrom, remain
attached thereto, and must one day return thither to be united with our ancestors. This link is
the basis of the ownership of the soil, or better, of sovereignty. It has never been ceded or
extinguished, and co-exists with the sovereignty of the Crown.
How could it be otherwise? That peoples possessed a land for sixty millennia and this sacred
link disappears from world history in merely the last two hundred years?
With substantive constitutional change and structural reform, we believe this ancient
sovereignty can shine through as a fuller expression of Australia’s nationhood.
Proportionally, we are the most incarcerated people on the planet. We are not an innately
criminal people. Our children are aliened from their families at unprecedented rates. This
cannot be because we have no love for them. And our youth languish in detention in obscene
numbers. They should be our hope for the future.
These dimensions of our crisis tell plainly the structural nature of our problem. This is the
torment of our powerlessness.
We seek constitutional reforms to empower our people and take a rightful place in our own
country. When we have power over our destiny our children will flourish. They will walk in
two worlds and their culture will be a gift to their country.
We call for the establishment of a First Nations Voice enshrined in the Constitution.
Makarrata is the culmination of our agenda: the coming together after a struggle. It captures
our aspirations for a fair and truthful relationship with the people of Australia and a better
future for our children based on justice and self-determination.
We seek a Makarrata Commission to supervise a process of agreement-making between
governments and First Nations and truth-telling about our history.
In 1967 we were counted, in 2017 we seek to be heard. We leave base camp and start our trek
across this vast country. We invite you to walk with us in a movement of the Australian people
for a better future.
The Uluru Statement from the Heart was released 26 May 2017 by delegates to an Aboriginal and Torres Strait Islander Referendum Convention held near Uluru in Central Australia.
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We've been watching the Australian Open tennis
on TV. On high rotation throughout has been the APT Luxury Travel advertisement 'Live Fully' - made with some irony, wethinks.
click images for fuller scenes
The music used for APT's 'Live Fully' comes from
Major Lazer's 'Live Free' (2013)
... just this bit :
Look at me
I just can't believe
What they've done to me
We could never get free
I just wanna be I just wanna dream
The 'Live Free' video clip features a homeless man wearing a NIKE ] Just Do It! ( TENNIS tee-shirt.
click image for fuller scene
Live Free - unabridged
Never got love from a government man
Heading downstream till the levee gives in
What can i do to get the money
We ain't go the money, we ain't gettin' out
Heading downstream till the levee gives in
And my dreams are wearin' thin
All I need's relief
I need I need some sympathy
Look at me
I Just can't believe
What they've done to me
We could never get free
I just wanna be
Look at me
I just can't believe
What they've done to me
We could never get free
I just wanna be
I just wanna dream
All of my life been wadin in
Water so deep now we got to swim
Wonder will it ever end
How long how long till we have a friend
Comin' down, feelin' like a battery hen
Waves won't break till the tide comes in
What will I do in the sunrise
What will I do without my dreams
Look at me
I Just can't believe
What they've done to me
We could never get free
I just wanna be
Look at me
I Just can't believe
What they've done to me
We could never get free
I just wanna be
I just wanna dream
We're all together in the same boat
I know you, you know me
Baby, you know me
We're all together in the same boat
I know you, you know me
Baby, you know me
We're all together in the same boat
I know you, you know me
Baby, you know me
I Just wanna dream
Songwriters: Dave Taylor / Thomas Wesley Pentz / David Donnell Longstreth / Amber Coffman
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Theatre of the Advertisements of Regard
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Hitoshi's Quirk allows him to mentally control people who verbally respond to him and, as a result, they will be forced to do whatever he wants. However, this Quirk will not activate if he does not will the brainwashing on the responder.
Though he can have multiple people under his brainwashing at once, he has stated that trying to brainwash multiple people simultaneously could cause him to fall unconscious. He is also unable to have his victims do things that require some kind of advanced brain function, like writing a name from their memory.
Using a megaphone or anything that makes his voice artificial will not allow his quirk to activate, which is why his Artificial Vocal Chords only modify the tone of his voice, and nothing else.
Theatre of the Actors of Response
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Theatre of the Actors of Repose
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見るところ花にあらずと云ふことなし、
思ふところ月にあらずと云ふことなし。
tokoro hana ni arazu to iu koto nashi,
omou tokoro tsuki ni arazu to iu koto nashi
There is nothing you can see
that is not a flower,
There is nothing you can think
that is not the moon.
Classical Japanese Database
Translation #172 : Reginald Horace Blyth
Matsuo Basho
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Artist
(1916–1985)
Title
KA (Loud Laughter),
1962
Medium
Works on paper,
Frozen ink on paper on frame
Size
96 x 143 cm. (37.8 x 56.3 in.)
Price
Price on Request
Movement
Japanese Art
FIAPCE
FIAPCE -1979-
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Artnet auction records
Artist
Title
‘Haha’ (Mother)
, 1962
Medium
India Ink on Japan paper, on hardboard
Size
102.2 x 134 cm. (40.2 x 52.8 in.)
Description
*
Sale
*
Estimate
*
Price
*
m o t h e r
m a t e r
m a t r i x
m e t a
H A H A
m o t h e r
m a t e r
m a t r i x
m e t a
H A H A
Theatre of the Actors of Regard
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Yosa Buson (1716-1784) Theatre of the Actors of Regard
Ad Reinhardt (1913-1967)
Theatre of the Actors of Regard
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Deux et deux font cinq.
Alphonse Allais
Création : 1 janvier 1895
Bibliothèque nationale de France
Theatre of the Actors of Regard
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Detective Swan Laurence (Samuel Labarthe) and his secretary Marlène Leroy ( Élodie Frenck) in Les petits meurtres d'Agatha Christie.
Theatre of the Actors of Regard
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On 18 December we posted here about Clement Meadmore: The art of mid-century design
at the Ian Potter Museum of Art, Melbourne, focussing on a 1956 work we'd not previously encountered :
Clement Meadmore, 1956
To that we added this by FIAPCE :
Theatre of the Actors of Regard
Now, from the summer heap sorting, we add this from 2014. Archetypes live, OK!
click image to enlarge
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Regarding meta-matter :
What sort of question(s) is
"What's the matter?"?
What sort of answer(s) is
"What sort of question is that?"?
At the end of this clip, Clement Meadmore says,
"I guess, to me, the common denominator of all this is a matter of looking."
Theatre of the Actors of Regard
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