David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


29 July 2018

I am curious ] TAR (


from :
The persistence of curiosity 
in documentary profiles
by Joanna Di Mattia
July 27, 2018
The Monthly


final para : 
One biographical documentary can never capture the complexity of an entire life. Even the best examples of the genre are incomplete in some way. We might do better to take McQueen’s advice – 
“If you want to know me, just look at my work.” 
McQueen doesn’t just tell but shows us who the designer was. In the end, his counsel holds the key to best understanding all the lives we encounter in these films – inside their creations, their work, lies something closest to the truth of who they are.

TAR might add :
If you want to know you, just look at your looking.

  Alexander McQueen and Kate Moss backstage at his spring/summer 
  2001 show. Photograph: © Ann Ray


Theatre of the Actors of Regard  
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 A Person Looks At A Work Of Art/
 someone looks at something... 
         
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