David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
GERHARD RICHTER: REGARDING RICHTER FLOOR TALK – NATURE
1.30PM SUN 4 FEB 2018
GOMA | GALLERY 1.1 THE FAIRFAX GALLERY | TICKETED
Join Abigail Bernal, Assistant Curator, International Art, QAGOMA, for a short talk in the exhibition exploring Richter's relationship to the art historical conception of Nature.
A valid 'Gerhard Richter: The Life of Images' exhibition ticket is required to attend this program | No bookings required.
Theatre of the Actors of Regard
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
