David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
Earlier today we were savouring this c.1890s French chromolithograph card.
FIAPCE
detail
A Person Looks At A Work Of Art/
someone looks at something...
A few hours later we read the following article.
Non, Merci! French Artists and Cultural Workers Reject Giant Jeff Koons Sculpture
In an open letter, 24 artists, curators, politicians, and more called for the costly and logistically complex project to be scrapped.
by Benjamin Sutton
Jeff Koons, “Bouquet of Tulips” (2016), polychromed bronze, stainless steel, and aluminum; sculpture dimensions: 34 ft 1 1/2 in, (38 ft 3 in with base); width: 27 ft 3/4 in; depth: 33 ft 4 3/8 in (image © Jeff Koons, courtesy Noirmontartproduction, 3D rendering of the work in situ)
HAND SPACE
detail
A Person Looks At A Work Of Art/
someone looks at something...
