Before and after another from 1980 :
- James Foxx, 'Metamatic' -
Metamatic is an album by John Foxx, released in 1980.
It was his first solo album following his split with Ultravox the previous year. A departure from the mix of synthesizers and conventional instruments on Systems of Romance, his last album with the band, Metamatic included a more hard-edged electronic sound.[4] The name 'Metamatic' comes from a painting machine by kinetic artist Jean Tinguely, first exhibited at the Paris Biennial in 1959. - Wikipedia
Theatre of the Actors of Regard
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
Meta
From Wikipedia, the free encyclopedia
Meta (from the Greek preposition and prefix meta- (μητά-)
meaning "after", or "beyond") is a prefix used in English to indicate a concept which is an abstraction from another concept, used to complete or add to the latter.
meaning "after", or "beyond") is a prefix used in English to indicate a concept which is an abstraction from another concept, used to complete or add to the latter.
Original Greek meaning
In Greek, the prefix meta- is generally less esoteric than in English; Greek meta- is equivalent to the Latin words post- or ad-. The use of the prefix in this sense occurs occasionally inscientific English terms derived from Greek. For example: the term Metatheria (the name for the clade of marsupial mammals) uses the prefix meta- merely in the sense that the Metatheriaoccur on the tree of life adjacent to the Theria (the placental mammals).
About (its own category)
In epistemology, the prefix meta- is used to mean about (its own category). For example, metadata are data about data (who has produced them, when, what format the data are in and so on). In a database, metadata are also data about data stored in a data dictionary and describe information (data) about database tables such as the table name, table owner, details about columns, – essentially describing the table. Also, metamemory in psychology means an individual's knowledge about whether or not they would remember something if they concentrated on recalling it. The modern sense of "an X about X" has given rise to concepts like "meta-cognition" (i.e. cognition about cognition), "meta-emotion" (i.e. emotion about emotion), "meta-discussion" (i.e. discussion about discussion), "meta-joke" (i.e. joke about jokes), and "metaprogramming" (i.e. writing programs that manipulate programs).[citation needed]
In a rule-based system, a metarule is a rule that governs the application of other rules.[1]
On Higher Level Of Abstraction
Any subject can be said to have a meta-theory, a theoretical consideration of its properties, such as its foundations, methods, form and utility, on a higher level of abstraction. In linguistics, a grammar is considered as being expressed in a metalanguage, language that operates on a higher level in order to describe properties of the plain language (and not itself).
Meta is also gaining currency as an adjective, as well as a prefix, as in the work of Douglas Hofstadter.
Cyclogravure, by Jean Tinguely, 1959
automatic (adj.)
"self-acting, moving or acting on its own," 1812, from Greek automatos, used of the gates of Olympus and the tripods of Hephaestus (also "without apparent cause, by accident"), from autos "self" (see auto-) + matos "thinking, animated"(see automaton). Of involuntary animal or human actions, from 1748, first used in this sense by English physician and philosopher David Hartley (1705-1757). In reference to a type of firearm, from 1877; specifically of machinery that imitates human-directed action from 1940.Laughing Woman of TAR, 1961
aboard the metamatic Cyclogravure by Jean Tinguely, 1959
Metamatic is an album by John Foxx, released in 1980. It was his first solo album following his split with Ultravox the previous year. A departure from the mix of synthesizers and conventional instruments on Systems of Romance, his last album with the band, Metamatic included a more hard-edged electronic sound.[4] The name 'Metamatic' comes from a painting machine by kinetic artist Jean Tinguely, first exhibited at the Paris Biennial in 1959. - Wikipedia
with Le Méta-matic n°17, Jean Tinguely making Méta-marks for the randomly arranged André Malraux and the Officials of TAR at L'inauguration de la Première Biennale de Paris 'QUAND L'ART DEVIENT MÉCANISÉ', 2 October 1959.