David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
mound, mountain, heap, mind...
'I have made a heap of all that I could find.'
DAVID JONES, ARTIST AND POET (1895-1974) BEGINS HIS PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
mount (n.1) "hill, mountain," mid-13c., from Anglo-French mount, Old French mont "mountain;" also perhaps partly from Old English munt "mountain;" both the Old English and the French words from Latin montem (nominative mons) "mountain," from PIE root *men- (2) "to stand out, project" (source also of Latin eminere "to stand out;" Sanskrit manya "nape of the neck," Latin monile "necklace;" Old Irish muin "neck," Welsh mwnwgl "neck," mwng "mane;" Welsh mynydd "mountain").
mental (adj.) early 15c., "pertaining to the mind," from Middle French mental, from Late Latin mentalis "of the mind," from Latin mens (genitive mentis) "mind," from PIE root *men- "to think" (source also of Sanskrit matih "thought, mind," Gothic gamunds, Old English gemynd "memory, remembrance;" see mind(n.)). Meaning "crazy, deranged" is from 1927, probably from combinations such as mental hospital.
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A Person Looks At A Work Of Art/
someone looks at something...
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