David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
After yesterday's post (and even as the 2016 Melbourne Art Fair is cancelled) there's been a clamour from the Art Cult faithful for more Ar Cul.
From c.1976, long before the recent fashion for artistic finger nail decoration, here's a Hand Space Theatre publicity still : white page mise-en-scène projection screen and a white painted finger actor with black-on-white Ar Cul nail mask.
AAA_Art Archive Australia
detail
A Person Looks At A Work Of Art/
someone looks at something...
LOGOS/HA HA
