David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


12 January 2021

Composer to conduct The See of Regard


Canute
The See of Regard
] calma (

collection FIAPCE  
Canute
The See of Regard
] agitata (


Theatre of the Actors of Regard  
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  A Person Looks At A Work Of Art/
  someone looks at something...
  
  LOGOS/HA HA
     

  

       

10 January 2021

TAR On Parade | Draw the curtain


  Theatre curtain for Parade, 1917, by Pablo Picasso


Theatre of the Actors of Regard  
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  A Person Looks At A Work Of Art/
  someone looks at something...
  
  LOGOS/HA HA
     

  

       

09 January 2021

On Parade



Theatre of the Actors of Regard  
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  A Person Looks At A Work Of Art/
  someone looks at something...
  
  LOGOS/HA HA
     

  

      

08 January 2021

Famous Chess Games : Duchamp v Eve Babitz


The Queen's Gambit   

Theatre of the Applaud of Regard  
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  A Person Looks At A Work Of Art/
  someone looks at something...
  
  LOGOS/HA HA
     

  

     

07 January 2021

Famous Chess Games : Duchamp v Sisyphus

    


Theatre of the Actors of Regard  
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 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
     

  

     

06 January 2021

TAR re. TAR (Teddy Watkins)


It's heap-sorting time : this from The Age (2009.11.11)


Theatre of the Actors of Regard  
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 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
     

  

      

05 January 2021

Bridge of Sighs


if

then

if shit

then mud

if the reflecting under-can of Manzoni

then the bog-free aspiration of Rengetsu

The Buddhist nun, poet and potter Otagaki Rengetsu (1791-1875),
her chosen name Rengetsu translates as Lotus Moon.
The lotus begins life in the dark settlement of obscuration, in mud,
then grows towards the clearer water realm above,
and, beyond that, reaches and opens for the bright moon of the enlightened mind.
Her name reflects her aspiration, so too her vessels formed of mud 
and fire.

if


then


if


then

if


then

detail
A Person Looks At A Work Of Art/
someone looks at something...
  
LOGOS/HA HA
      

   

04 January 2021

regarding The Unbearable Likeness of Being


A penny for y/our thoughts re. Ian Burn's Mirror piece 
(1967) and Jeff Koons' mirror surfaces, from his Rabbit (1986) to the NGV's recent $25million reflecTAR folly.

 regarding TARists as specific-bonding detail


Mirror productions in general. About self-projection and self-reflection. About ] being ( created in the image and likeness of God, in the image and likeness of...

About image. About projection-space and the projectionauts of TAR.

'the image is not an idea. It is a radiant node or cluster...a VORTEX, from which, and into which, ideas are constantly rushing'

Ezra Pound
Fortnightly Review, 1 September 1914
as quoted by John Bown, Framing W.B. Yeats and Samuel Beckett: How and Why Two Writers Used Fine Art/Its theories in their Texts


About likeness. A recent encounTAR with this staging of money-mirror-light-reflection-regard.


At just 200 pixels wide, our first impression reckoned the reflecting surface to be the base of a Piero Manzoni can of Artist's Shit. Not so, but alike.

Beholding pattern - to be and to hold. Regard as radiant node!
                         Mirror mirror in my hand
                         who's the est-est in the land?

 Piero Manzoni beholds can (1963)    foto Giovanni Ricci (1963)
 Kid Kubist beholds block (1951)                      foto Reg v. Brock
 a penny for y/our thoughts
 regarding The Unbearable Likeness of Being
Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
     

  

   

02 January 2021

One and Free ] Australia In Lockdown ( continues


Yesterday, Australia poet laureate Scott Morrison PM announced that, to recognise the ancient and continuous Aboriginal presence in this land, one word would be changed in the national anthem Advance Australia Fair : young and free changes to one and free. One crumb.

https://www.pm.gov.au/media/australians-one-and-free    

Meanwhile, where it matters most, his government disregards the Uluru Statement From the Heart :

We, gathered at the 2017 National Constitutional Convention, coming from all points of the southern sky, make this statement from the heart:



Our Aboriginal and Torres Strait Islander tribes were the first sovereign Nations of the Australian continent and its adjacent islands, and possessed it under our own laws and customs. This our ancestors did, according to the reckoning of our culture, from the Creation, according to the common law from ‘time immemorial’, and according to science more than 60,000 years ago. 

This sovereignty is a spiritual notion: the ancestral tie between the land, or ‘mother nature’, and the Aboriginal and Torres Strait Islander peoples who were born therefrom, remain attached thereto, and must one day return thither to be united with our ancestors. This link is the basis of the ownership of the soil, or better, of sovereignty. It has never been ceded or extinguished, and co-exists with the sovereignty of the Crown. 

How could it be otherwise? That peoples possessed a land for sixty millennia and this sacred link disappears from world history in merely the last two hundred years? 

With substantive constitutional change and structural reform, we believe this ancient sovereignty can shine through as a fuller expression of Australia’s nationhood. 

Proportionally, we are the most incarcerated people on the planet. We are not an innately criminal people. Our children are aliened from their families at unprecedented rates. This cannot be because we have no love for them. And our youth languish in detention in obscene numbers. They should be our hope for the future. 

These dimensions of our crisis tell plainly the structural nature of our problem. This is the torment of our powerlessness. 

We seek constitutional reforms to empower our people and take a rightful place in our own country. When we have power over our destiny our children will flourish. They will walk in two worlds and their culture will be a gift to their country. 

We call for the establishment of a First Nations Voice enshrined in the Constitution. 

Makarrata is the culmination of our agenda: the coming together after a struggle. It captures our aspirations for a fair and truthful relationship with the people of Australia and a better future for our children based on justice and self-determination. 

We seek a Makarrata Commission to supervise a process of agreement-making between governments and First Nations and truth-telling about our history. 

In 1967 we were counted, in 2017 we seek to be heard. We leave base camp and start our trek across this vast country. We invite you to walk with us in a movement of the Australian people for a better future.

One and Free The Refugees ] Australia In Lockdown ( continues 

members of RARD (Rural Australians for Refugees. Daylesford) continue the vigil to FREE THE REFUGEES
Theatre of the Actors of Regard & Ripolin Bros. 
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 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
     

  

    

01 January 2021

Ready to roll


FIAPCE foto  
At the beginning of  To Be Alone with You (Nashville Skyline, 1969), Bob Dylan asks producer Bob Johnston "Is it rolling, Bob?"
  
Theatre of the Actors of Regard  
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 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA