David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


18 May 2016

HAND SPACE presents


R E D ] L A B E L ( R E G A R D



AAA_Art Archive Australia  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 
          
 
        

17 May 2016

S atie one-fiftie x840


Happy Birthday Erik Satie 
             150 today 
                              timeless everyday...


           
Here, in your honour, we're listening to a 24 hour online performance of TAR conversations and other sounds recorded amid the 840 repetitions of Vexations.

Published on Apr 14, 2016
Erik Satie : Vexations for piano ( 1893 ) 
Nicolas Horvath live at the Entrepot Gallery in Monte-Carlo the 15th and 16th April of 2011. Lasting 24 hours without any pause or break. This is the longest non stop piano piece ever to be filmed on the internet.

                

 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 
          
   

       

16 May 2016

Theatre of the Actors of Regard presents TARTAR Source

   

       detail
       A Person Looks At A Work Of Art/
       someone looks at something...

 
      LOGOS/HA HA 
          
   
       

15 May 2016

Word Made Flesh


LOGOS / AGNUS DEI / LAMB OF GOD

HOC EST ENIM CORPUS MEUM 
HIC EST ENIM CALIX SANGUINIS MEI 
       
This is my body
This is my blood

     

Theatre of the Actors of Regard 
HAND SPACE priest at the alTAR
                    
This is my word
This is my flesh

        

FIAPCE 
This is my Label
This is my TAR

 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 
          
   
       

14 May 2016

The Way

       
Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 
                
        

               

12 May 2016

The MotorvaTAR*

    

    *1970 Vehicle of Choice 
    Theatre of the Actors of Regard

    detail
    A Person Looks At A Work Of Art/
    someone looks at something...

    LOGOS/HA HA 
          
   
       

10 May 2016

I AM [ describable ] and I VOTE !

click image to enlarge  

    
DualismUs v DualisThem 
          
POLS-TAR RESEARCH  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 
          
   
       

08 May 2016

A Praise to Double Disillusion


Today, the Australian Prime Minister of Babel, Malcolm Turnbull will go to the Governor General to request a double dissolution.

The Given : LOGOS,The Word as SPOKEN into being 

The Intended Given :
 The Word as SPOKEN into being, but...

The Received : The Word as HEARD into being, but...

The Translator (sic) : traduttore tradittor  ...is a traitor

The Unintended Received : LOGOS/HA HA aka Miss Herd
     

Translated from the Inglish by Charles Baudelaire  

This week, we've been enjoying the new Brian Eno album The Ship. It ends with a sweet version of 
The Velvet Underground's "I'm Set Free". A double disillusion just might help towards that...

[Verse 1]
I've been set free and I've been bound
To the memories of yesterday's clouds
I've been set free and I've been bound
And now

[Chorus]
I'm set free
I'm set free
I'm set free to find a new illusion

[Verse 2]
I've been blinded but
Now I can see
What in the world has happened to me
The prince of stories who walk right by me
And now

[Chorus]

[Verse 3]
I've been set free and I've been bound
Let me tell you people
What I found
I saw my head laughing
Rolling on the ground
And now

[Chorus]
I'm set free
I'm set free
I'm set free to find a new illusion
 
AAA _ Art Archive Australia    
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 
          
   
       

07 May 2016

sTAR RATe : Farley Granger


 Your votes are in...

 Farley Granger 4 contribution to Theatre of the Actors of Regard

    detail
    A Person Looks At A Work Of Art/
    someone looks at something...

    LOGOS/HA HA 
          
   
       

06 May 2016

Brutalist Block Party




     
Brutalist Block Party is a May-long program of talks, workshops, lunches, dinners, social situations and a weekly produce market – presented by Assemble Papers and Open House Melbourne in a vast concrete-fronted warehouse in Clifton Hill. It’s a celebration of the under-celebrated – an homage to the site’s Brutalist heritage and to post-war architecture everywhere; a convivial nod to the spirit of community at the heart of this architectural approach.
       

The program unfurls amidst Brutalist Bollards and Pillars of Contention – a specially commissioned spatial installation by Practise Studio Practise. The Brutalist Bar ensures that the brutalist banter continues before, during and after each event.

Brutalist Block Party is part of a broader Open House Melbourne program called ’What’s the beef with Brutalism?’ – a series of screenings, talks and tours that consider people’s beef with a Béton brut, explore the social significance of the style, and consider what is the new, new brutalism?
    

Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA