David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


19 February 2016

"What you mean ‘bout that, what the ground represent?"


So weird to wake up - still white, yes - with this insistent earworm courtesy Kendrick Lamar by way of Boris Gardiner...
       
Every nigger is a star, ay, every nigger is a star
Who will deny that you and I and every nigger is a star?
         
...to then sing it, to be sung it, all day.

After yesterday's highly addictive A New Ground by Henry Purcell ("Here the Deities approve" Z.339/3) and with the "every nigger is a star" earworm still at the mindophone it seems an appropriate moment to record here Lamar's question to 2Pac on "Mortal Man", the last track of To Pimp A Butterfly :

        

[Outro: Kendrick Lamar & 2Pac]

[Kendrick Lamar]
"I remember you was conflicted
Misusing your influence
Sometimes I did the same
Abusing my power, full of resentment
Resentment that turned into a deep depression
Found myself screaming in the hotel room
I didn’t wanna self destruct
The evils of Lucy was all around me
So I went running for answers
Until I came home
But that didn’t stop survivor’s guilt
Going back and forth trying to convince myself the stripes I earned
Or maybe how A-1 my foundation was
But while my loved ones was fighting the continuous war back in the city, I was entering a new one
A war that was based on apartheid and discrimination
Made me wanna go back to the city and tell the homies what I learned
The word was respect
Just because you wore a different gang color than mine's
Doesn’t mean I can’t respect you as a black man
Forgetting all the pain and hurt we caused each other in these streets
If I respect you, we unify and stop the enemy from killing us
But I don’t know, I’m no mortal man, maybe I’m just another nigga”


Shit and that’s all I wrote
I was gonna call it Another Nigga but, it ain’t really a poem, I just felt like it’s something you probably could relate to. Other than that, now that I finally got a chance to holla at you, I always wanted to ask you about a certain situa--, about a metaphor actually, you spoke on the ground. What you mean ‘bout that, what the ground represent?


[2Pac]
The ground is gonna open up and swallow the evil

[Kendrick Lamar]
Right

[2Pac]
That’s how I see it, my word is bond. I see--and the ground is the symbol for the poor people, the poor people is gonna open up this whole world and swallow up the rich people.
Cause the rich people gonna be so fat, they gonna be so appetising, you know what I’m saying, wealthy, appetising. The poor gonna be so poor and hungry, you know what I’m saying it’s gonna be like… there might be some cannibalism out this mutha, they might eat the rich

[Kendrick Lamar]
Aight so let me ask you this then...

           
The Ground is a key term and reference for many, which is why we were so interested to hear it focussed on in this Kendrick Lamar album. 

Here, we sometimes use that term for the undifferentiated matrix of interconnectedness out of which and into which...


Theatre of the Actors of Regard  

 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 



       

18 February 2016

permapoesis : reclaiming the economies of regard


here today


Patrick Jones : Theatre of the Actors of Regard  

The Gnu Glove Puppets : Towards A New Ground 
           

Henry Purcell : Published in "Musick's Hand-Maid", 1689  

 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 



       

17 February 2016

Be-hold!



 D T Suzuki & John Cage (1962) Theatre of the Actors of Regard
 Some Kid (1952) Theatre of the Actors of Regard
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 

 
 
       

16 February 2016

Polly Krome + The Gnu Glove Puppets


Sweet Gloves
"When Catherine de' Medici came to France by way of marriage, she brought with her several trends from her native Florence, including cooking utensils and techniques, Italian architecture, and beauty rituals. Italy in the 16th century was a fragrant place where perfume was used to scent skin as well as all articles of clothing. Catherine arrived in France with her personal perfumer, René le Florentin, and a vast collection of custom perfumes. 
She promptly introduced perfumed gloves–or sweet gloves–to the French court, where men and women wore them as the ultimate emblem of prestige. Leather was the most popular choice for sweet gloves, but scenting a leather glove was no easy feat. To start with, the leather tanning process at the time used animal excrement, which gave the finished product a smooth finish but a repulsively rancid odor. This was why leather glove makers had turned to perfume to mask the less than luxurious smell in the first place."

- extract from 

HOW CATHERINE DE MEDICI MADE GLOVES LACED WITH POISON FASHIONABLE

Julia Davis / Atlas Obscura  12 February 2016




Polly Krome + The Gnu Glove Puppets
         


That's Polly out front in the mosh pit...



Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 

   
     
      

15 February 2016

model model

         

courtesy AAA_Art Archive Australia  


 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 
                             
   
           

14 February 2016

I Am Curious (Yellow + Black)

                   
Curious about why contemporary art looks
the way you do?

   
Then this may be for you :


               
Curious about why contemporary art looks the way it does?
          
Ask all the questions you ever wanted to know about contemporary art but were too afraid to. This new lecture series is an open and casual forum for looking critically at the art of our time.
       
Tap into Contemporary Art  
is a new series of informal lectures and discussions exploring what is contemporary art.
Don’t know your Fluxus from your elbow? 
Confused about why contemporary art looks the way it does? 
Learn the basics, ask questions and gain insight in a fun, yet informative fashion. This entry-level series offers the curious art mind a space to develop confidence and new understandings. 
Complete with a glass of beer at the MCA Cafe. 
DATES & PRICES 
Single Tickets $20/$15 MCA Members and Concessions*
Veolia Lecture Theatre, Level 2
 
Package tickets Buy all 4 sessions for $75/60 MCA Members and Concessions*
    
Meet Gill Nicol, Director, Audience Engagement for the 18 February session, which takes an insightful look at ‘Britishness’ in contemporary art. Book in for all four 
sessions here. 


Theatre of the Actors of Regard at MCA  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 

Tap into Contemporary Art & Collecting 
What is a collection and why do institutions collect things? This talk takes you on a journey to investigate why collections of art look the way they do? 
Complete with a glass of beer at the MCA Cafe. 
DATES & PRICESThursday 20 Oct, 6-7.730pmVeolia Lecture Theatre, Level 2  
Single Tickets $20/$15 MCA Members and Concessions*
Veolia Lecture Theatre, Level 2
 
Package tickets Buy all 4 sessions for $75/60 MCA Members and Concessions*
This is the fourth event in this series 
Image: Kerrie Poliness, Red Matter wall drawing #2, 1994, Red fibre tipped pen on wall, Installation view, MCA Collection, Museum of Contemporary Art, 2015. Purchased with assistance of Dr Edward Jackson AM and Mrs Cynthia Jackson AM, 1995. Image courtesy and © the artist. Photograph: Maja Baska
           

Theatre of the Actors of Regard at MCA  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 
           
           
                   

12 February 2016

Everything's On The Table : unfakeable fake Melbourne

           

© ML fakefotos  

                © ML fakefotos  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 
     
Posted that late at night. Next morning in "The Age" (Melbourne) this is the featured cartoon, FAKE VISION et al, by Andrew Dyson :

Andrew Dyson - The Age  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 
       
         
              

11 February 2016

the loudest is the weakest

               
bL/HA still can't get too much of this great album

 Kendrick Lamar : To Pimp a Butterfly (2015)

[Verse 1]
I could spot you a mile away
I could see your insecurities written all on your face

So predictable your words, I know what you gonna say
Who you foolin'? Oh, you assuming you can just come and hang
With the homies but your level of realness ain't the same

Circus acts only attract those that entertain
Small talk, we know that it's all talk

We live in the Laugh Factory every time they mention your name

- from 'You Ain't Gotta Lie (Momma Said)
       

 Kendrick Lamar in the Oval Office with President Obama earlier 
 this year. In December, Barack Obama said in an interview that 
 'How Much a Dollar Cost' was his favourite song of 2015.

 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 

           
          

10 February 2016

Julian Dashper & Friends

            
Rita Angus, Billy Apple, Daniel Buren, Fiona Connor, Julian Dashper, Colin McCahon, Dane Mitchell, Milan Mrkusich, John Nixon, John Reynolds, Peter Robinson, Marie Shannon, Imants Tillers, Peter Tyndall, Jan van der Ploeg and Gordon Walters. Curator : Robert Leonard.

continues at City Gallery Wellington NZ until 25 April 2016

               

         
The front cover of the exhibition catalog features a Julian Dashper tribute (band) to New Zealand's most famous artist, Colin McCahon.

The image below is scanned from the catalog, where the caption given is :

Judge Charlotte Huddleston with Dane Mitchell's Collateral 2009, in the 2009 Trust Waikato National Contemporary Art Award, Waikato Museum, Hamilton. © Fairfax Media
       
Here at bLOGOS/HA HA, regarding this image rings many bells. Theatre of the Actors of Regard, of course. Most deeply, it returns us to the ground, the tradition, the lineage we link to in our blog header:
DAVID JONES, ARTIST AND POET 1895-1974 BEGINS HIS PREFACE TO THE ANATHEMATA :
 'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.

Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA 

           
                 

08 February 2016

Happy New Year 2016

         
Happy Losar

Happy Spiral Point of Unceasing Return
(Show me your Original Mask)



Happy Year of the Monkey Mind - Ooops!
Mind monkey or monkey mind, from Chinese xinyuan and Sino-Japanese shin'en 心猿 [lit. "heart-/mind-monkey"], is a Buddhist term meaning "unsettled; restless; capricious; whimsical; fanciful; inconstant; confused; indecisive; uncontrollable" - Wikipedia.

PT  1995  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA