David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


12 April 2013

Strutting The Boards

       
Set design for Theatre of the Actors of Regard, circa 1979.
                    

       
On the wall, in a Puppet Culture Framing System, The Incandescent Electric Light : Adoration of the Black Square by White Art Cult Family
          

 collection Ballarat Fine Art Gallery                                      -1979-  
 
 detail
 A Person Looks At A Work Of Art/

 someone looks at something ...


 LOGOS/HA HA

 (Puppet Culture Framing System)
                 
       
           

10 April 2013

Prepared Hammers

         
bLOGOS/HA HA is always interested in|visible means of support and the musics thereof - the tensioning of machine-heads, the plucking of strings, the striking of hammers... Slave Musics
          
Here is the (repeatable) score to a ...

Prepared Hammers event # 
LE PORTRAIT DE LA PRIMA DONNA
    
Place framed projection-space
LE PORTRAIT DE LA PRIMA DONNA
on floor and leaning against wall

   

   
Above that  
- hold prepared nail to wall with one hand  
- hold prepared hammer in other hand 
- fix regard at point of hammerfall  

Duration : preset period or as long as possible
      

Below is a lithographic record of this tableau vivant - LE PORTRAIT DE LA PRIMA DONNA - as performed for Theatre of the Actors of Regard by a member of the preCagean percussion collective Prepared Hammers

 Paul Gavarni (Sulpice-Guillaume Chevalier)                      1858 

  
 detail
 A Person Looks At A Work Of Art/

 someone looks at something ...


 LOGOS/HA HA

 [LE PORTRAIT DE LA PRIMA DONNA)
    

 

       

08 April 2013

Slave Bingo Barrel Music

           

     
The Slave Bingo Barrel Girl
Divines the Number of the Next Slave Song
This time it's No. 6
      

 
She wraps Metal Nail Band No.6 around the barrel 
        
 metal 'nails' strike metal tuning strips  

... then grinds out the music.



Slave Audience Sing-Along :

Roll Out The Barrel
Let's Have A Barrel o' Fun
                                

  Yes, it's a cover of the ANAM original.
   see also :
         Slave Pianolas
             Slave Grinders
                 Slave Pianos
                     Slave Bingo Barrels
                         Slave Guitars

 detail
 A Person Looks At A Work Of Art/

 someone looks at something ...


 LOGOS/HA HA



  

07 April 2013

Today is SUNDAY

        

 click image to enlarge   
         
 And these things write we unto you 
 that your joy may be full    
 1 John 1 : 4
            
 detail
 A Person Looks At A Work Of Art/

 someone looks at something ...


 LOGOS/HA HA

       
        
       
      

03 April 2013

A Warp In Creation/HA HA

            
Couldn't believe our warped ears! 

Talk about LOGOS! 
Talk about Speaking the World Into Being! 
Talk about Spokesmen of the Catholic Church! 

Warp in creation, indeed!

The extract below is from Q & A (ABCTV) on Monday night.  Video and full transcript here

This, even as the biggest Royal Commission in Australian legal history begins today, The Royal Commission into Institutional Responses to Child Sexual Abuse.
       
     
AUDIENCE MEMBER: Sure. It is quite brief. My statement is to the Archbishop. You can accept evolution and creationism and yet you can't accept homosexuality as a - kind of a lifestyle, if you will. I’m going to avoid the use of the word choice because it really isn't one.

ARCHBISHOP MARK COLERIDGE: No, I understand that.

AUDIENCE MEMBER: And my second point, you touched briefly about marriage. We are talking about a socio-legal thing. I am not asking for you to ordain over my marriage, for example, but why should your beliefs impact on my ability to be perhaps taken in front of a justice and for them to preside over my marriage?

ARCHBISHOP MARK COLERIDGE: Yeah, well, just first point I’d say is I’d distinguish completely between sexual orientation and lifestyle. They are not necessarily the same thing. Lifestyle is chosen, sexual orientation is not. That's an important distinction.

TONY JONES: So, sorry, can we just confirm what you’re saying there? So if it is not chosen, that means God has created it?

ARCHBISHOP MARK COLERIDGE: No, not necessarily at all. It can be - it can be a warp in the creation to use that rather unfortunate expression.

   
TONY JONES: It couldn't just be part of God's plan?

ARCHBISHOP MARK COLERIDGE: No, I - that’s not...

TONY JONES: Is that impossible from your point of view?

ARCHBISHOP MARK COLERIDGE: It is impossible from my point of view. Yeah. Yeah. What I...

TONY JONES: So I have got to hear Josh on this.

ARCHBISHOP MARK COLERIDGE: Okay.

JOSH THOMAS: Well, obviously I don't think I am a warp in God's plan. Obviously I reject the - I reject that. What he is saying is, right, marriage in our country is not a religious institution. We’re talking about changing the law.

ARCHBISHOP MARK COLERIDGE: Yep.

JOSH THOMAS: So you can understand when this man says why are we fighting against religion in this square, why people get a bit annoyed when you challenge us wanting to change the law, which is completely irrelevant to your life. It is completely irrelevant to everything you do.

ARCHBISHOP MARK COLERIDGE: No, it’s not. See, Josh, it’s not irrelevant to my life because it’s not irrelevant to the basic functioning of society as a whole. It is not irrelevant to the common good.

JOSH THOMAS: What common good? What is happening?

ARCHBISHOP MARK COLERIDGE: Because I...

JOSH THOMAS: When I kiss my boyfriend goodnight and I tell my boyfriend that I love him and he says, “I love you too” and we fall asleep hugging each other. What about that is hurting you?

ARCHBISHOP MARK COLERIDGE: No, nothing is...

JOSH THOMAS: I don’t understand.

ARCHBISHOP MARK COLERIDGE: Nothing is hurting me personally but marriage is not just between two individuals.

JOSH THOMAS: But surely...

ARCHBISHOP MARK COLERIDGE: It is, in fact, something that goes to the heart of what makes for human flourishing in any society. That's been the wisdom of the ages...

JOSH THOMAS: Well, no, it’s not any society.

ARCHBISHOP MARK COLERIDGE: ...and the wisdom of the ages, in my view...

JOSH THOMAS: Not everyone here.

ARCHBISHOP MARK COLERIDGE: ...has something to contribute to shaping the common good therefore we will continue to speak with our voice and other voices are welcome to contribute.

TONY JONES: I think that’s - I say it’s been a great discussion. I see that a number of people have their hands up but I’m afraid we’re out of time.
     
 detail
 A Person Looks At A Work Of Art/

 someone looks at something ...


 LOGOS/HA HA



      

01 April 2013

The Laugh That Ki__ !

          
No surprise that today, being both Easter AND April Fools Day, bLOGOS/HA HA should pull from our Library of Black Laughter LE RIRE QUI TUE__
        

       
Trouble in the hood!



The cover meta-painthing is by Ray Ducatez.
    


 detail
 A Person Looks At A Work Of Art/

 someone looks at something ...


 LOGOS/HA HA



      

29 March 2013

INRI

           
Today is Good Friday. 

Jesus of Nazareth aka Jesus The Christ aka 
The Word of God aka The Logos :

19 And Pilate wrote a title, and put it on the cross. And the writing was Jesus Of Nazareth The King Of The Jews.
     
20 This title then read many of the Jews: for the place where Jesus was crucified was nigh to the city: and it was written in Hebrew, and Greek, and Latin.
         
21 Then said the chief priests of the Jews to Pilate, Write not, The King of the Jews; but that he said, I am King of the Jews.
       
22 Pilate answered, What I have written I have written.

    -  King James Bible : Gospel of John 19, 19-22
        

 detail
 A Person Looks At A Work Of Art/

 someone looks at something ...


 LOGOS/HA HA



      

27 March 2013

Darkness into Beauty

     
Closing today, Darkness into Beauty by Tibetan artist Tenzing Rigdol at Rossi & Rossi, London.

Below are two images from the exhibition. To see the others click here.
               


 Premise #1, 2012
 Collage
 75 x 50 cm (29 ½ x 19 ¾ in)
         

 detail : click image to see full image

  Alone, Exhausted and Waiting, 2012
  Collage-Silk brocade/scripture
  122 x 396 cm (48 x 156 in)

             
    
 detail
 A Person Looks At A Work Of Art/

 someone looks at something ...


 LOGOS/HA HA


           
              
            
          
         

23 March 2013

The Laverty Collection : Contemporary Australian Art

          
Selected works from The Laverty Collection go to auction tomorrow at the Museum of Contemporary Art, Sydney.

Among these, the final working drawing for this work now in the collection of the Art Gallery of Western Australia.
      

click image to enlarge 
 detail
 A Person Looks At A Work Of Art/

 someone looks at something ...


 LOGOS/HA HA


It was first exhibited at Art Projects in 1983 - see exhibition invitation below - then in Vox Pop at the National Gallery of Victoria.


click image to enlarge 
 Here, for auction, is the final study.
  Peter Tyndall :  -1980-1983-  
 detail
 A Person Looks At A Work Of Art/

 someone looks at something ...


 LOGOS/HA HA 

        
     
       

22 March 2013

Archibald Prize Proves Popular with Public

       
Once again, the nation waits with baited breath
      

as the Trustees of the Art Gallery of NSW
      
       
prepare to announce
     

     
to bLOGOS/HA HA and other mass media
    
          
the winner of this year's Archibald Prize.
     

May I have the envelope, please.


 click image to enlarge
      
The winner of this year's Archibald Prize for portraiture is a vast and inclusive self-portrait by Theatre of the Actors of Regard, namely
         
detail
A Person Looks At A Work Of Art/
someone looks at something ...
 
LOGOS/HA HA