David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
A recent visitor...
observed and here returning observation in the eucaLabel Tree immediately outside the Bonzaview office of bLOGOS/HA HA
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After the success of last year's Alpha Beta Best sports day and the finale All In ComPosition (Community Position) E FOR EMPTY
... our local chapter of Theatre of the Actors of Regard met again yesterday to expand upon their previous effort. This time as the tableau vivant EMPTY OF ESSENCE
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Lance Armstrong has admitted to bullying, lying and drug taking in his attempt to win the human race.
image courtesy Theatre of the Actors of Regard
A spokesperson for Human Racers P/L has rejected expressions of concern that other races will copy the Armstrong example.
On the evidence of the promotional document below, we think it may already be too late.
COPIEZ! COPIEZ TOUJOURS...
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Advertisement
Cadre ancien en bois massif
de forme ovale
Description :
Caractéristiques de l'objet
Occasion: Objet ayant été utilisé. Objet présentant quelques marques d'usure superficielle, entièrement opérationnel
et fonctionnant correctement. Il peut s'agir d'un modèle de
démonstration ou d'un objet retourné en magasin après une courte période
d'utilisation. Consulter la description du vendeur pour avoir plus de
détails sur les éventuelles imperfections. *Afficher la définition de tous les états
Dimensions :
extérieur 49 x 39 - intérieur 40 x 29
S'accroche à l'arrière par une cordelette d'origine également
Attaches at the back by an original cord.
(J'ai mis un cache sur le visage de la personne en photo par discrétion)
(I have put a mask on the face of the person in the photograph, for discretion)
Livraison et expédition :
Ce vendeur n'envoie pas d'objet vers : Australia

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Today, a classic LOGOS/HA HAism.
This to-act-is-to-sin drawthing was made last year, but it seems applicable here.
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Reading an item about the current state of bushfires in Australia, the ABC newsreader said,
"... with a watch and A.C.T. warning in progress... a watch and act, rather..."
ABC TV NEWS24 - midday 12 January 2013
What to do?
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As part of its Sunday nights Arts Doco season,
ABC TV1 last night screened SIDE BY SIDE.
For almost one hundred years there was only one way to make a movie — with film.
Movies were shot, edited and projected using photochemical
film. But over the last two decades a digital process has emerged to
challenge photochemical film-making.
SIDE BY SIDE, a new documentary produced by Keanu Reeves, takes
an in-depth look at this revolution. Through interviews with directors,
cinematographers, film students, producers, technologists, editors, and
exhibitors, SIDE BY SIDE examines all aspects of filmmaking — from
capture to edit, visual effects to color correction, distribution to
archive. At this moment when digital and photochemical filmmaking
coexist, SIDE BY SIDE explores what has been gained, what is lost, and
what the future might bring.
Gale Ann Hurd and James Cameron as
The Supreme Goddess as Void with projection-space for image
At one point, Kenu Reeves put to James Cameron (The Terminator, Aliens, Avatar) a concern that some express about digital and cgi composition losing touch with The Real Thing.
Cameron's reply...
It started simply enough.
CHILD ACTOR LOOKS AT BLOCK

image courtesy Theatre of the Actors of Regard
Then, suddenly, too late...
"Quicksand!"
It's true! "C'est la veritable"
And that, my dears, is how it happened. OK?
ANTIPAINTHING LOOKS AT AK
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For the background to this go to the ever wonderful BibliOdyssey
One of our favorite exhibition titles from 2012 was
Ten Years of Things
at the University of Queensland Art Museum.
As a bonus, the printed invitation characterised this exhibition as an Actor of Regard:
"Ten Years of Things looks at
the open-ended approach artists are taking to..."
Today, the latest issue of Art Monthly Australia arrived. Of interest to bLOGOS/HA HA is an article by Ruark Lewis :
Anubhava & the politics of things
An Index for Max Lieberman
A definition of anubhava provided by Max Lieberman is quoted in a footnote:
Anubhava is an ancient Indian Sanskrit word that means direct knowledge through experience or realisation. It also refers to intuition, feeling, emotion and consciousness.
bLOGOS/HA HA is interested in such ideas and experience - of direct perception unmediated by conception.
Rather than here risking an unhelpful reduction of the Lewis index, you might wish to read it yourself (Art Monthly) and visit the Max Lieberman website (here) from where this drawing is reproduced.
One Hundred Years of ] looking at ( Things
bLOGOS/HA HA has a small collection of French rebus - from res, Latin for thing. We are surprised that this form is so little known among the Anglo artists and writers of whom we've enquired.
Here, from the archive of our Paris Bureau, as mentioned recently, is a rebus from around a century ago.
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Stepping outside the office door, back into the World Of Things, t|here it all is again.
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And again...
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We had to re-post this!
It's from local permacultural earthlings
(l-r) Patrick, Zephyr, Meg and Woody :
Artist As Family
click below for their blog
Also check out Patrick's permapoesis

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HAPPY NEW YEAR TO ALL
FROM THE STAFF OF
bLOGOS/HA HA
Susie & Peter dance-in the New Year
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