With a touch of the double deities too : created in the Image of
David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
18 June 2009
Projection-Space Thriller (1)
With a touch of the double deities too : created in the Image of
17 June 2009
Alison Croggon : her Pascall Prize speech
Theatre Notes (15 June 2009):
My acceptance speech for the Geraldine Pascall Prize for Critical Writing is now online at the Geraldine Pascall Foundation site. The important bit:
But I also see some sparkles in the gloom. There are a lot of smart young bloggers in Australia, hungrily seeing art and responding to it. And artists themselves are vocal in demanding more and better responses to their work. The internet has stepped into the breach. Theatre Notes was the first theatre blog in Australia, but these days it’s by no means the only one. Melbourne in particular has a rich and lively culture of theatre blogging. This prize means a lot to me in many ways, but a major reason is that it demonstrates conclusively that blogging is not just the province of bored teens. And I hope it will encourage not only me, but the talented younger critics I see developing around me. They need encouraging. As we all know, criticism is no easy career choice. It sometimes feels thankless, and it requires the skin of a Sherman tank.
16 June 2009
Change Your Point Of View - Save 30%
Change your point of view
Is that all?
In this Sign, Conquer


15 June 2009
Regarding ADD/SUBTRACT
It's like having an extensive filter set for "See through a glass, darkly" and an inadequate set for "See through a glass, clearly".
..( reprocessed from here )
11 June 2009
Paint - Auto = Projection-Space Splatter Act

Snow + Auto = Projection-Space Stencil Act
+
Paint - Auto = Projection-Space Splatter Act
=
detail
A Person Looks At A Work Of Art/
someone looks at something ...
LOGOS/HA HA
10 June 2009
Snow + Auto = Projection-Space Stencil Act
08 June 2009
A Bonza Queen's Birthday Commemoration
The Official Party arrived early afternoon, by which time H.M.Supporter had taken his leave. The rain looked like setting in. Miss Hazel aged 7, accompanied by R & S and her canine companion Toby aged 3 months, when told of that sage local insisted upon the immediate production of a Commemoration.
04 June 2009
For Those About To Blog ( We Salute You )
Congratulations to Alison Croggon, winner of this year's Pascall Prize for criticism. bLOGOS/HA HA first read this news not online, not in a blog, but in the smudge and wrinkle of the daily paper as is our habit.
As well as recognising the admirable contribution of Ms TN's theatre notes this award also brings a greater focus and further normalises (duh!) a means of production so easily available to all (sic). For those who already blog or who regularly follow their own blog favourites this is all very what's-the-big-deal? bLOGOS/HA HA though new as a blog contributor is frequently surprised at those in the Arts and Media who never or rarely visit a blog site yet express frustration at the paucity of reviews in Hard Print, as if that is still the only legitimate slate.
Yesterday, Mark Holsworth at Melbourne Art & Culture Critic also addressed this topic.
The impact of blogs is growing. Contrary to the mainstream media blogs are not simply source of gossip and unsubstantiated claims. Many blogs contain first hand reports from educated and informed correspondents. Many blogs appear to be the very essence of traditional journalism. In the golden age of print journalism there would be a writer at every play, exhibition and concert. Now, in the dying days of print journalism unless a blogger reviews it, it is unlikely to be reviewed...Also yesterday, re-reading some of Alison Croggon's writing:
( full article here )
When bL read this,
My feeling is that if you're uninterested in Beckett, you're uninterested in art. And yet of all artists, he is surely the least compulsory: no one took more responsibility for his writing - poems, prose, criticism, plays - while making the least claims for it. "I produce an object," he said of his plays. "What people make of it is not my concern." He might have agreed with the poet Paul Celan, who said that his work was "a message in a bottle, sent out in the - not always greatly hopeful - belief that somewhere and sometime it could wash up on land, on heartland perhaps". Beckett's uncompromising, strangely tender bleakness has the kind of truthfulness which makes him, of all playwrights, the least biddable to the commercial vulgarities of theatre.bL remembered this image of a LOGOS in a bottle
Review: Beckett's Shorts ( full article here )
Thursday, April 23, 2009
from the bLOGOS/HA HA sub-heap Theatre of the Actors of Looking, via the digital online archive of the Library of Congress.
02 June 2009
Melbourne's Latest Dance Craze
01 June 2009
BLACK-DAYLITE : "Make me feel it's real!"
A while back bLOGOS/HA HA ran a sequence regarding mirrors, including black mirrors.
Here's a companion piece: BLACK-DAYLITE ("G.E. makes you feel it's real!") featuring a White Happy Family and their give-the-dog-a-bone Projection-Space machine.















