David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia. (2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
Shocking new information has come to light that as many as one million Tibetan children & youth – as young as 6 years old – are being held in China's colonial boarding schools, removed from their parents, families, culture, and religion, and faced with intense political indoctrination.
Please take action to demand Chinese leaders stop the use of colonial boarding schools in occupied Tibet.
Tibet Action Institute's report shares heartbreaking stories from survivors and witnesses about the brutal impact of China's colonial boarding schools.
One anonymous witness told them, "I know of children aged four to five who don’t want to be separated from their mothers. They are forced to go to boarding schools. In some cases, the children cry for days, sticking to their mother’s laps, begging not to be sent away."
This spine-chilling practice is similar to historic residential schools for indigenous children in Canada, the US, and Australia that aimed to destroy their indigenous language, culture, and identity. We can’t let this happen again.
We're now developing plans and resources for Tibet groups to build more urgent action about China's colonial boarding schools to ensure Tibetan children are not forgotten.
Thanks for all that you do to support Tibet.
Mandie, Lobsang, Pema, Terluz and the team at Tibet Network
The high court in the UK overturned a ruling earlier this year and judged in favor of the US in appeal to extradite Julian Assange. Since 2012 he has lived under asylum and imprisonment, and his health has deteriorated. He suffered a stroke in prison and would not be able to survive the conditions he would be held under if sentenced to 175 years in prison in the US.
Today, freedom of press is under attack and journalists’ safety is at stake, as the powerholders circle and suppress those who provide real information in defense of social justice. Assange represents the fairness of press, which is the most important foundation to guarantee the development of a healthy society. It is only with this foundation that we can measure human rights in a society. Without freedom of press, the entire society’s human rights will be damaged.
In October 2016 Julian Assange gave me a treadmill as a present when he was at the Embassy of Ecuador in London. Today I decided to make a video of myself running on the treadmill and would like to call for everyone’s involvement through uploading short videos of running on a treadmill on the Internet. With this performance, we can show our concern with human rights and freedom of press, as well as our pursuit of social justice. Please upload your videos with #RunForOurRights and #Treadmill.
Three Sundays ago in New York, members of the Broadway theatre community gathered in tribute to Stephen Sondheim.
Together they sang 'Sunday' from 'Sunday in the Park with George.'
ALL
Sunday, By the blue,
Purple, yellow, red water On the green,
Purple, yellow, red grass Let us pass Through our perfect park,
Pausing on a Sunday By the cool,
Blue, triangular water On the soft,
Green, elliptical grass As we pass
Through arrangements of shadows Towards the verticals of trees
Forever ...
By the blue
Purple, yellow, red water On the green
Orange violet mass Of the grass In our perfect park,
Made of flecks of light And dark,
And parasols ... GEORGE
(Hums as he works) Bumbum bum bumbumbum Bumbum bum ... ALL People strolling through the trees Of a small suburban park On an island in the river On an ordinary Sunday Sunday, Sunday, Sunday
Below, Lin-Manuel Miranda reads from 'Look, I made a hat : Collected Lyrics (1981-2011)'.
"This is the only lyric I've written that consists of one long incomplete sentence. I wanted it to be like the descriptive caption you might read in a museum next to the painting."
"I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physical fact, but more as a way to smooth out any irregularities my speech might have."
OUT OF SIGHT is an interactive 'sculpture' by internationally recognized American conceptual artist Lawrence Weiner. The OUT OF SIGHT marelle (or hopscotch in French) is a curved structure that suggests a fluid and engaged journey of forward motion for participants.
Participants are encouraged to move along the OUT OF SIGHT pathway and activate the ideas within OUT OF SIGHT in their own expressive way. The core OUT OF SIGHT phrases are: - ASSUMING A POSITION - PRESUME A DESTINATION & - ONE CAN ONLY IMAGINE THE POWERS THAT BE - & IMAGINED THINGS CAN BE ALTERED TO SUIT - SPIT INTO THE WIND HOPE FOR THE BEST - THE DESTINATION IS STRAIGHT ON - OUT OF SIGHT
Materials will be provided to encourage viewers to consider further these playful statements in the context of their own lives. OUT OF SIGHT is not only a work of art but also acts as a metaphorical framework for the journey of self-discovery and empowerment, enlivening the experience of anyone who encounters it.
OUT OF SIGHT is an artwork that celebrates the potential within all of us to connect with ourselves and with other in a process of shared exploration.