David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


31 March 2014

Red Corner

           
Theatre of the Actors of Regard  
presents

MEMBERSHIP :
 
Together Let Us Regard The Red Right Angle
    

Show your support for the Gallery and become a Member today. You’ll get exclusive offers, special Members-only tours, learn more about art and get great value from regular visits to the Gallery.
           
detail
A Person Looks At A Work Of Art/
someone looks at something ... 

LOGOS/HA HA
   

      

30 March 2014

In Search of Lost Time


Anyone who remembers...
       

            
detail
A Person Looks At A Work Of Art/
someone looks at something ... 

LOGOS/HA HA
   

      

27 March 2014

Regarding : an outburst of infectious laughter


Logos 
Speaking (Order, Law) Into Being

HA HA
mis-Speaking Into Being
 
bLOGOS/HA HA
Here we go again...

The following is from yesterday's Question Time in the House of Representatives. 

The goings-on are in part a response to Prime Minister Tony Abbott's surprise announcement of the previous day in which he unilaterally reinstated Knighthoods and Damehoods above all other Honours awarded in Australia. 

The SPEAKER is Bronwyn Bishop.
       
- - - - - - - - - - - - - - - - - - -
       
Honourable members interjecting— 

The SPEAKER: We seem to have a new tactic of having an outburst of infectious laughter—which I suspect may become disorderly—and I suspect it might begin with the member for Franklin. The member for Franklin is warned.

Mr Burke: I rise on a point of order, Madam Speaker.

The SPEAKER: It had better be a proper point of order.

Mr Burke: Madam Speaker, are you ruling people out of order because they are laughing?

The SPEAKER: The member will resume his seat. The member for Franklin will leave the chamber under standing order 94(a).

The member for Franklin then left the chamber.
 

Mr Shorten interjecting—

Mr Abbott: The Leader of the Opposition referred to what he called 'the royal comedy channel'. I think that is offensive and he should be asked to withdraw.

The SPEAKER: To assist the House, the Leader of the Opposition will withdraw.

Mr Shorten: I withdraw the comment. I did not mean to offend the Prime Minister. I completely withdraw.

Opposition members interjecting—

The SPEAKER: The Prime Minister has the call, and you can regard yourselves as universally warned.
   
         
detail
A Person Looks At A Work Of Art/
someone looks at something ... 

LOGOS/HA HA
   

      

24 March 2014

Theatre of the Actors of Regard at MELBOURNE NOW (7)

       
      
Normal Performance of Regard
by Theatre of the Actors of Regard
Documentation of Normal Performance of Regard
by Peter Tyndall 

         
at NGV-Australia (Federation Square)
6-9pm Friday 14 March 2014

         
The Witness commissioned Actor One.
Actor One commissioned Actor Two.
Actor Two commissioned Actor Three.

In this way, none of the interventionists knew who among them was a normal Actor of Regard and who a paid professional performing the prescribed Act of Regard.

The script was issued on the day : 
just act normally
      

    
Perhaps someone in this tableaux is one of the commissioned Actors? Maybe they all are?
   

        
It never occurred to the Witness that the shoe-
maker might be someone else's Actor. "Would you like to make a shoe?", she asked. The wall text said My name is ... and I'm a shoemaker. So, sure, why not?

Tab A to Tab B then thread the lace and tie. 

The Witness asked the shoemaker, "When did you first think to yourself, 'I want to make shoes'?" At this the shoemaker broke character and admitted to not being a shoemaker but a fill-in paid actor, a lawyer odd-jobbing. 
      

      
What about this group? Maybe one or more of them are the Actors?  
       
Later, The Witness was told this was a different group of TAR participants, seen here after that other synchronous performance.

At 9pm the Witness and Three Actors met for the first time. 
   

left to right : Actor Three, Actor Two, Actor One

They shared their experiences : of watching a security official looking closely at a wall (see: The Daruma Muralists); of dissolving into looking; of suspecting others of suspecting them to be Actors.

Regarding the latter, the Witness told them of some people returning to report that, since they had been informed that some among them were Actors, now everyone appeared to them as possibly Actors.
        

detail
A Person Looks At A Work Of Art/
someone looks at something ... 

LOGOS/HA HA
   

      

21 March 2014

Theatre of the Actors of Regard at MELBOURNE NOW (6)

       

Normal Performance of Regard
by Theatre of the Actors of Regard
Documentation of Normal Performance of Regard
by Peter Tyndall

        
at NGV-Australia (Federation Square)
6-9pm Friday 14 March 2014

This TAR performance by Staff of the NGV
  


... not so different to that below, just minutes later.

TAR perform :
SOS  ] Seeing Our Selfies ( Let There Be Image
       


Both tableaux as if under the imperative of some ancient stage directive.
    
     
      
 detail
 A Person Looks At A Work Of Art/
 someone looks at something ... 

 LOGOS/HA HA
   

      

20 March 2014

Theatre of the Actors of Regard at MELBOURNE NOW (5)

         
      
Normal Performance of Regard
by Theatre of the Actors of Regard
Documentation of Normal Performance of Regard
by Peter Tyndall

        
at NGV-Australia (Federation Square)
6-9pm Friday 14 March 2014

The Witness was talking with Actor One about the Big Bang being the two carbon arcs of a cosmic cine-projector sparking together to begin the projection upon our mind-streams of the great meta-movie "Let There Be Light". (see: From Genesis to the Brothers Lumière)
   

     
It seemed a little ironic, therefore, that the NGV screen upon which this blog has appeared throughout the time of Melbourne Now was on this occasion sans image.

Caterina the curator called David the techie.

The Witness documents their archetypal TAR Act : STABAT REGARDER

It begins :
 ] We behold ( Through a glass, darkly
   

   
This is the iconic Stabat Mater scene : grieving figures (Mary and John The Evangelist) to either side of the Four Right Angles of the Apocalypse upon which The Logos is projected and Labelled.
      

This version is by the Master of Catherine of Cleves, 1438 

Loss of Light : Black Screen
] To Be ( Created in the Image of Darkness
Resurrection, reincarnation, resuscitation or reboot?


courtesy : mini-cine 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something ... 

 LOGOS/HA HA
   

      

19 March 2014

Theatre of the Actors of Regard at MELBOURNE NOW (4)

         
      
Normal Performance of Regard
by Theatre of the Actors of Regard
Documentation of Normal Performance of Regard
by Peter Tyndall

        
at NGV-Australia (Federation Square)
6-9pm Friday 14 March 2014
       
TAR unplanned Act : Cousin Paula arrives shortly after 6pm, expecting a public lecture. She gives to the TAR documentor a photo made by his Aunt Elva at Crusoe Reservoir, Kangaroo Flat, in the early 1960s.
   


TAR tableau vivant :  
"Boys. We're here. It's over. Come back."
        
On 'Hannah Gadsby's OZ' (ABC TV) last night, there was that same pose again. Aussies at war in Europe, 1915, looking back at us across time and water : "Boys. Come over here. You're wanted".
   
http://museumvictoria.com.au/collections/items/1719020/poster-boys-come-over-here-you-re-wanted-australian-world-war-i-1915
poster : Museum of Victoria   
 detail
 A Person Looks At A Work Of Art/
 someone looks at something ... 

 LOGOS/HA HA