David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
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Melbourne Museum of Printing (MMOP) is a working museum of typography and printing. Since 1993 the museums focus has been on the retention of traditional printing methods and equipment. Initially established as the Australian Type Company – containing a comprehensive collection of printing presses, typesetting machines, types and other print-related artefacts in addition to its Monotype-based typecasting machines and matrix collection. In due course, it became the last remaining typefoundry in Australia and should, by commercial norms, have closed in the early 1990’s when proprietor Michael Isaachsen turned the whole collection into a non-profit museum.
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Primitive Calculators ( website here ) will start around 4pm
