David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


16 October 2018

] adverTARsment (


Unlock the Art Market with Christie’s Education Scholarships

The Christie’s Education Reginald Browne joint scholarship offers tuition fees and living expenses for one student enrolled in each of the master’s programs.


Theatre of the Actors of Regard  
detail
A Person Looks At A Work Of Art/
someone looks at something... 
         
LOGOS/HA HA
  

Christie’s Education is unique as the only academic institution wholly owned by an auction house.
All programs at Christie’s Education have been developed to provide focused and intensive training for students looking to start a career in the art world. master’s students also get the opportunity to complete an integrated art world internship as part of their coursework.
Christie’s Education is committed to facilitating access to their programs and expanding opportunities to students from all backgrounds. To support this endeavor, The Christie’s Education Trust, in conjunction with Christie’s Education Inc., is offering a joint tuition and living expenses scholarship for one student in each of the master’s degree programs at Christie’s Education, New York in 2019–2020:
To be eligible for consideration students must:
  • meet the admissions requirements for the relevant master’s degree program
  • be able to demonstrate financial need, which will be assessed based on requested details of income, other financial information and plans for financing studies.
These scholarships are also available for master’s programs at Christie’s Education, London campus.
Scholarship applications must be received by April 30, 2019.
For more information, visit christies.edu.
For gainful employment disclosures, visit christies.edu/gedt.

13 October 2018

The See in Spring



 Sea in Spring, Yosa Buson (1716–1783)


FIAPCE  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


  

12 October 2018

Shape of Regard



Shape of Light: 100 Years of Photography and Abstract Art at Tate Modern until 14 October.


Theatre of the Actors of Regard  
 Installation view of the exhibition
 Shape of Light: 100 Years of Photography and Abstract Art
 at Tate Modern, London
 showing Nathan Lerner's Light Tapestry top left,
 and  Otto Steinert's Luminogram II centre right.
 Photo: © Tate / Sepharina Neville.


Theatre of the Actors of Regard  
 Installation view of the exhibition 
 Shape of Light: 100 Years of Photography and Abstract Art 
 at Tate Modern, London 
 showing Sigmar Polke's Untitled (Uranium Green) 1992. 
 Hans Georg Näder © The Estate of Sigmar Polke / 
 VG Bild-Kunst Bonn and DACS London, 2018. 
 Photo: © Tate / Seraphina Neville.

Shape of Regard at TAR Modern...


Theatre of the Actors of Regard  
detail
A Person Looks At A Work Of Art/
someone looks at something... 
         
LOGOS/HA HA


  

10 October 2018

TAR Shredder feat. Banksy



click image to TAR 

Theatre of the Actors of Regard  
detail
A Person Looks At A Work Of Art/
someone looks at something... 
         
LOGOS/HA HA


  

08 October 2018

Polly Borland: Polyverse


Polly Borland: Polyverse presents new and recent work by the celebrated Australian-born, Los Angeles–based artist. While perhaps most widely known for her portraits of prominent figures including Queen Elizabeth II and musician Nick Cave, many works included in the exhibition explore more surreal imagery in which magnetic visual qualities embody a distorted, punkish humour. Through […]

READ MORE 

NGV AUSTRALIA, FEDERATION SQUARE

LEVEL 3, CONTEMPORARY ART & DESIGN

28 SEPTEMBER 2018 - 3 FEBRUARY 2019

Theatre of the Actors of Regard  
detail
A Person Looks At A Work Of Art/
someone looks at something... 
         
LOGOS/HA HA


  

06 October 2018

the existential intersecTAR



Continuing ACCA’s ongoing series of significant solo exhibitions by leading international artists, ACCA is excited to present a major show by Irish-born, London-based artist Eva Rothschild.

Curated by Max Delany and Annika Kristensen,
Eva Rothschild: Kosmos brings together new sculptural commissions with recent work spanning the last decade of the artist’s diverse yet distinct practice. Shaped by a myriad of influences from minimal art of the 1960s and 70s to classical architecture, spiritualism and pop-culture, Rothschild has developed an international reputation for sculptural works that are both striking and spare, as sharp geometric forms morph into flamboyant, enigmatic compositions. Stripped of excess, Rothschild’s abstract arrangements draw the mind into spaces where power, ritual, the architectural and the existential intersect.


 Eva Rothschild, 
 Crystal healing 2018, 
 fibreglass, polyurethane, jesmonite, paint, concrete plinth, 
 247.0 x 30.0 x 30.0 cm, 
 installation view, 
 Australian Centre for Contemporary Art, Melbourne. 
 Courtesy the artist and 303 Gallery, New York. 
 Photograph: Jacqui Shelton

Theatre of the Actors of Regard  
detail
A Person Looks At A Work Of Art/
someone looks at something... 
         
LOGOS/HA HA


  

02 October 2018

Ghosts of TAR


Recently overthrown Australian Prime Minister Malcolm Turnbull, who has since resigned from Parliament, yesterday described fellow-felled hangers-on Tony Abbott and Kevin Rudd as 'miserable ghosts'. It rings true.


From the TAR files, snapped from the 27 August ABC Four Corners episode 'A Form of Madness' (another quote from Turnbull), former Prime Minister Tony Abbott stands in a Parliament House interior courtyard before an artwork by Akio Makigawa.


Theatre of the Actors of Regard  
detail
A Person Looks At A Work Of Art/
someone looks at something... 
         
LOGOS/HA HA