David Jones, artist and poet (1895-1974)  begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
 
          
        
          
        
We don't understand what's meant by we. 
Abstractly speaking, we don't understand what's meant by abstraction.
 Writing by Drawing. When Language Seeks Its Other
 (English version)
 Edited by Andrea Bellini and Sarah Lombardi
 Skira editore, Milan-Paris-Geneva
 English edition
 June 2020
 ISBN 9788857243504
 Hard cover
 21 × 29 cm
 312 pages
 PRICE
 CHF 75
This morning we received an email from FontHaus promoting a new font family from Los Andes Type : Abstract
 Abstract Complete Family
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Theatre of the AbstracTARs of Regard    
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
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