David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


Showing posts with label Theatre of he Actors of Regard. Show all posts
Showing posts with label Theatre of he Actors of Regard. Show all posts

27 March 2021

Mirror Ball Mistaken For A PiƱata At Annual Collectors Club Dinner

  
   

Now we are about to begin, and you must attend; and when we get to the end of the story, you will know more than you do now about a very wicked hobgoblin. He was one of the worst kind; in fact he was a real demon. One day he was in a high state of delight because he had invented a mirror with this peculiarity, that every good and pretty thing reflected in it shrank away to almost nothing. 

illustration by Edmund Dulac
On the other hand, every bad and good-for-nothing thing stood out and looked its worst. The most beautiful landscapes reflected in it looked like boiled spinach, and the best people became hideous, or else they were upside down and had no bodies. Their faces were distorted beyond recognition, and if they had even one freckle it appeared to spread all over the nose and mouth. The demon thought this immensely amusing. If a good thought passed through any one's mind, it turned to a grin in the mirror, and this caused real delight to the demon. All the scholars in the demon's school, for he kept a school, reported that a miracle had taken place: now for the first time it had become possible to see what the world and mankind were really like. They ran about all over with the mirror, till at last there was not a country or a person which had not been seen in this distorting mirror. They even wanted to fly up to heaven with it to mock the angels; but the higher they flew, the more it grinned, so much so that they could hardly hold it, and at last it slipped out of their hands and fell to the earth, shivered into hundreds of millions and billions of bits. Even then it did more harm than ever. Some of these bits were not as big as a grain of sand, and these flew about all over the world, getting into people's eyes, and, once in, they stuck there, and distorted everything they looked at, or made them see everything that was amiss. Each tiniest grain of glass kept the same power as that possessed by the whole mirror. Some people even got a bit of the glass into their hearts, and that was terrible, for the heart became like a lump of ice. Some of the fragments were so big that they were used for window panes, but it was not advisable to look at one's friends through these panes. Other bits were made into spectacles, and it was a bad business when people put on these spectacles meaning to be just. The bad demon laughed till he split his sides; it tickled him to see the mischief he had done. But some of these fragments were still left floating about the world, and you shall hear what happened to them.

Hans Christian Anderson
The Snow Queen : A Tale in Seven Stories
First Story : Which Deals with a Mirror and its Fragments

...and you shall hear what happened to them. 

Earlier that evening, before the awful mistake...
Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
     

     

25 February 2021

TARyatids of the Parentheseion


The Laughing TAR 
of near and far
marched to the top of the hill


They marched on down again


Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
     

     

       

24 February 2021

Marching Song


The Laughing TAR 
of near and far
marched to the top of the hill

They marched on down again

And when they were up, they were up


And when they were down, they were down


And when they were only half-way up


They were neither up nor down

Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
     

     

     

14 August 2020

Void-filler



Le Vide : regard of a photograph of a detail of an exhibition by Yves Klein at Galerie Iris Clert, Paris, April 1958
from an ABC News report yesterday :
Theatre of the Actors of Regard   
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA

  

10 August 2020

Rocks TAR


As they say in the classics,

'Well, there’s painting rocks 

and then there’s painting rocks, okay.'

 

There's painting rocks...


Theatre of the Actors of Rocks  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


...and then there's painting rocks.


Theatre of the Actors of Rocks  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


 Ceci n'est pas un Rock Festival, okay.

Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA
  
 
  

09 August 2020

subitism [ see also : subiTARism )


The term subitism points to sudden awakening, the idea that insight into Buddha-nature, or the nature of mind,[1] is "sudden,"[2] c.q. "in one glance," "uncovered all together," or "together, completely, simultaneously," in contrast to "successively or being uncovered one after the other."[3] It may be posited as opposite to gradualism, the original Buddhist approach which says that following the dharma can be achieved only step by step, through an arduous practice. Wikipedia


Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...
  
 LOGOS/HA HA


  

02 March 2020

Red Label : Manhole Cover



Theatre of the Actors of Regard 

detail
A Person Looks At A Work Of Art/
someone looks at something...
  
LOGOS/HA HA


05 August 2019

shirtfronTAR

TOP DEFINITION

A brutal shoulder charge in Australian Rules Football (AFL) where a player instead of tackling an opponent, bumps them forcefully in the chest. Often leads to heavy concussions due to incidental contact to the head.
"Look, I'm going to shirtfront Mr Putin ... you bet I am."   - Tony Abbott, Australian prime minister to Russian President in October 2014
#afl #violence #concussion #politics #abbott #russia 
by Hack404 October 13, 2014

________________________________________________

CONFRONTING CONTEMPORARY ART : 
ABSTRACT PAINTING AND OP-ART

10.30AM SAT 17 AUG 2019
QAG | LECTURE THEATRE | FREE - BOOKINGS REQUIRED
What have you always wanted to know about contemporary art, but been too afraid to ask? In this interactive seminar, Dr Mark Pennings, Senior Lecturer, Visual Arts, Queensland University of Technology, takes
a close look at the abstract paintings within the Australian Collection and mesmerising Op-Art works featured in the ‘Geometries’ exhibition.
photo : QAGOMA 

Theatre of Abstract Regard 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


   

16 September 2018

TAR* here Jack!


We read with compounding interest the Rex Butler article Tom Roberts, Shearing the Rams in memo review yesterday.

 Tom Roberts
 Shearing the Rams 1890
 Oil on canvas (lined onto board)
 121.9 x 182.6 cm
 Signed and dated l.l. Tom Roberts/1890
 Felton Bequest 1932
 National Gallery of Victoria


 Original frame by Melbourne frame-maker John Thallon.

Approaching his conclusion, Rex writes 

But what is the meaning of this young girl holding the tarbrush and catching our eye at the quiet centre of the painting, I kept asking myself? (And it was increasingly being speculated, against previous scholarship, that she was even the model for the slightly older boy to her left holding the shorn fleece.) Why did she seem after all the hidden secret to the painting?

Click go the shears, boys, click click click

And then it clicked. Roberts' late addition of first a girl with a broom and then turning that broom into a tarbrush was a last-minute nod to the act of painting his picture ... That tin into which she is about to dip her brush in order to seal any small wound inflicted by the shearers on the sheep is strikingly like the palette and paintbrush Roberts used to make his painting.

Actually 

In other words, what we are actually looking at in Shearing the Rams is nothing less than the various stages in the long process of Roberts making his painting.

various stages : a view from the TAR pit 

In other words, what we are actually looking at in Shearing the Rams is nothing less than the various stages in the long process of our re|making ourselves as pain|things, a Theatre of the Actors of Regard*. 
TAR* here Jack! 

a postscript jot c.1980

"One day in the early 1970s, I was looking at Tom Roberts' famous painting Shearing the Rams (1890) at the National Gallery of Victoria.

Beside me were three women.

The figure of the youth with a tar brush 
('...tar here Jack'), the only figure in the painting recognizing 

the presence of the painter constructing the painting and us re-constructing the painter's painting, who 
I had always thought to be a young boy, was being addressed by the three women standing beside me.



On either side of a very old woman were what I guessed to be perhaps this woman's nieces**.  It was she who had been the youth with the tar brush. 
Now, some eighty years later, she was looking at 
this painting, answering her nieces' questions, remembering the time the artist painted this painting."

**Have just found this online video... 


click the arrow above to watch video or go to here

... in which family members Dorothy and Gayle Ambrose describe this one and only visit by 'the tar boy' Susan Bourne with her daughter-in-law and sister-in-law to the NGV to see her younger actor-self in Tom Robert's Shearing the Rams, as witnessed by your TAR correspondent :

click image to enlarge  

Theatre of the Actors of Regard  
detail
A Person Looks At A Work Of Art/
someone looks at something... 
         
LOGOS/HA HA
    
Q. Where did your grandmother first see the original painting?
A. (Dorothy Ambrose) Well, she saw it in the gallery in Saint Kilda. It was the National Gallery, I think. And she was seventy, at least. And her daughter-
in-law and her sister-in-law took her to see it. And 
she stood in front of it and looked at it and said, 
"There I am." And she hadn't seen it ever before. And she only saw it the once."

Susan Bourne died in 1979.

Theatre of the Actors of Regard   
detail
A Person Looks At A Work Of Art/
someone looks at something... 
         
LOGOS/HA HA


09 September 2018

monumenTAR


Babel...
Tatlin, Flavin...
TAR...


 Vladimir Tatlin, Monument to the 3rd International (1917-)
  

 Dan Flavin, monument 1 for V. Tatlin, 1964
  
  

Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA



01 August 2018

Proverbs of TAR : to act is to sin


Jack Donaghy (Vice President of East Coast Television and Microwave Oven Programming For General Electric) : Jonathan, who is this?
Jonathan (Jack's secretary) : Oh,it's Bucky Bright, sir. He was a major tv star in the '40s,'50s and the fall of 1972, and he's your Republican celebrity for the McCain dinner.
Jack : Uh-huh,good to see you.
What happened to Bruce Willis?
Jonathan : He insists on singing.
Jack : Jim Belushi?
Jonathan : He insists on singing.
Jack : Good god. When did the party become so boring? The Democrats have all the good celebrities.
Kenneth Parcell (NBC page) : Mr.Donaghy, this was delivered to -- son of a married couple, Bucky Bright!
Jack : You know who this is?
Kenneth : Who doesn't?
Jack : Most people. 
But let me ask you a question, Kenneth.
If Mr. Bright here told you to vote Republican, would you do it?
Kenneth : Oh,no,sir, I don't vote Republican or Democrat. Choosing is a sin, so I always just write-in the Lord's Name.
Jack D : That's Republican - we count those.

30 Rock : Season 2, Episode 12 : 'Subway Hero'


Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


   

30 July 2018

TAR at TarraWarra : MEDIA PREVIEW & PICTURE OPPORTUNITY


TarraWarra Biennial 2018
FROM WILL TO FORM

Exhibition curated by Emily Cormack

3 August – 6 November 2018

WHAT: An opportunity to interview the curator, Emily Cormack and selected artists in the Museum before the official opening. To capture pictures of curator, artists, performances and artwork installed in this exhibition. 

WHEN: Friday 3 August 2018, 10 to 10.50am before the opening, 11am to 1pm

WHERE: TarraWarra Museum of Art, 313 Healesville-Yarra Glen Road, Healesville   http://www.twma.com.au/getting-here/

WHO: Curator: Emily Cormack

ARTISTS: Belle Bassin, Dale Harding, Bridie Lunney, Mike Parr, artists from Erub Arts
Please advise if you would like to interview other TarraWarra Biennial 2018 artists not listed above.

Below : Claire Lambe, Witnessing Bacon 2018, wool, silk and cotton tapestry; digital prints; bronze basin, dimensions variable
Courtesy of the artist; Sarah Scout Presents, Melbourne; and Francis Bacon Studio at Dublin City Gallery The Hugh Lane, Dublin, Ireland

Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


   

12 February 2017

campanoLOGOS/HA HA


the MUMA OSW show 
+
the ACT COALition panto 
______________________

=  the ringinginging of bells 

for instance, from 2008, another event at Monash Uni :

    

Paul Ramirez Jonas and a moment of regard from the conference Out of Bounds : Art, Faith & Religiosity held earlier this year at Monash University (Faculty of Art & Design). The object of Paul's attention derives from the keynote paper by Janine Antoni: When the Object Looks Back


Theatre of the Actors of Regard 
AAA_Art Archive Australia 
photo by FIAPCE 
 detail 
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA