David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


31 December 2017

time-space-regard : The Year In Review



FIAPCE   
  detail
  A Person Looks At A Work Of Art/
  someone looks at something... 
         
  LOGOS/HA HA


30 December 2017

TAR, huh, yeah What is it good for


'TRIENNIAL', AT NGV INTERNATIONAL,
BY GILES FIELKE


Buried within the question recently explored by Felicity D. Scott, ‘Who is the festival for?’ is the rapidly fading possibility of the public.  ...

first published today at MEMO REVIEW
read full article here 


Giles Fielke is working on a PhD presenting a counter-modern history which looks at the artist organisation of discrete images, in the Art History department of The University of Melbourne. In particular his research focusses on works by Hollis Frampton and Harun Farocki and the question of the search. He is a founding member of the Artist Film Workshop <http://artistfilmworkshop.org> and regularly publishes writing on contemporary art and film

from emaj online journal of art


TAR ] Theatre of the Actors of Regard (
after Edwin sTARr
TAR, huh, yeah 
What is it good for
Absolutely nothing
TAR, huh, yeah
What is it good for
Absolutely nothing
Say it again, why'all
TAR, huh, good god
What is it good for
Absolutely nothing, listen to me ...
after songwriters Barret Strong and Norman Whitfield

detail
A Person Looks At A Work Of Art/
someone looks at something... 
         
LOGOS/HA HA


 

23 December 2017

TAR skat | Matrix Music


Such a pleasure this morning to listen again to Andrew Ford's Music Show celebration of the centenary of Ella Fitzgerald (1917-1996).
     
[Verse 2:]
Oh dear I wonder where my basket can be
(So do we, so do we, so do we, so do we, so do we)
Oh gee I wish that little girl I could see
(So do we, so do we, so do we, so do we, so do we)

Oh why was I so careless
With that basket of mine?
That itty bitty basket
Was a joy of mine!

[Chorus:]
A-tisket
A-tasket
I lost my yellow basket


                                                            click image to enlarge   
Won't someone help me
Find my basket
And make me happy again?

[Verse 3:]
(Was it green?) No, no, no, no
(Was it red?) No, no, no, no
(Was it blue?) No, no, no, no
Just a little yellow basket
A little yellow basket



FIAPCE  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


  

20 December 2017

TAR gaze


Perspectives on art and feminism 
Australian Centre for Contemporary Art

Melbourne
15 Dec 2017–25 Mar 2018
 
Nat and Ali | Hayley Arjona | Gillian Armstrong | Atong Atem | Cigdem Aydemir | Ali Gumillya Baker | Frances Barrett | Archie Barry | Vivienne Binns | Hannah Brontë | Madison Bycroft | Barbara Campbell | Sadie Chandler | Barbara Cleveland | Essie Coffey | Lip Collective | Megan Cope | Emma-Kate Croghan | Kate Daw | Linda Dement | Narelle Desmond | Sue Dodd | Kelly Doley | Hannah Donnelly | Mikala Dwyer | Jackie Wolf aka Jackie Farkas | Emily Floyd and Mary Featherston | Hissy Fit | Fiona FoleyDestiny Deacon and Virginia FraserSarah Goffman | Elizabeth GowerHelen Grace | Natalie Harkin | Sandra Hill | Another Planet Posters Inc. | Soda Jerk | Jillposters | Lyndal Jones | Kate Just | Deborah Kelly | The Kingpins | Maria Kozic | LEVEL | Samantha Lang | Eugenia Lim | Linda Marrinon | Janet Burchill and Jennifer McCamley | Megan McMurchy | Spence Messih | Tracey Moffatt | Margot Nash | Ann Newmarch | Claudia Nicholson | Técha Noble | Margot Oliver | Ruth O’Leary | Monica Pellizzari | Frances (Budden) Phoenix | Patricia Piccinini | Art Theory Productions | FRAN FEST Poster Project | The Cross Art Projects | Elizabeth Pulie | Clare Rae | Hannah Raisin | Virginia Fraser and Elvis Richardson | Alex Martinis Roe | Jacinta Schreuder | Tai Snaith | Linda Sproul | Giselle Stanborough | Embittered Swish | Desiree Tahiri | Sophie Takách | Salote Tawale | Natalie Thomas | Jeni Thornley | Lyndal Walker | Sarah Watt | Shevaun Wright

installation view photo by Jacqui Shelton 


Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


  

18 December 2017

Last stand at the WACA [ Australia to reclaim the Ashes )


Rain permitting ...


FIAPCE  
      detail
      A Person Looks At A Work Of Art/
      someone looks at something...
         
      LOGOS/HA HA 


   

16 December 2017

TARennial


DAVID JONES, ARTIST AND POET (1895-1974) BEGINS HIS PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) 
So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


 Image caption (by NGV) :

 Ron Mueck Mass 2016–17 (detail) 
 National Gallery of Victoria, Melbourne. 
 Commissioned by the National Gallery of Victoria, Melbourne 
 © Ron Mueck. 
 Generously gifted by the Felton Bequest, 2017

 Regard caption (by Theatre of the Actors of Regard) :

 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


15 December 2017

NGV TRIENNIAL opens today

NGV promotional image  


Theatre of the Actors of Regard projection-space  
   detail
   A Person Looks At A Work Of Art/
   someone looks at something... 
         
   LOGOS/HA HA

 

14 December 2017

Test Cricket


Day 1 at the WACA

Australia v Edo Period Japan

Otagaki Rengetsu bowling from the Prindiville Stand End ...
FIAPCE  

  
 There's a bit in it for the quicks. 
 Jim Maxwell 


© Eadweard Muybridge Sports Photography  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


  

13 December 2017

"It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." "It looks so real." : The Looking

Forgiven :


Collection : Bendigo Art Gallery  
Artist
Date
(Circa 1888) 
Medium
Oil on canvas 
Object Type
Credit Line
Gift of the Hon. W.I. Winter-Irving, M.L.C., 1889. 
Accession No
1889.1
The truer the illusion, 
the falser the illusion - 
the hype of real.

 Theatre of the Actors of Reality
 National Gallery of Australia until 18 Feb 2018

 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


  

11 December 2017

Voidoids of TAR


Urban Dictionary: Voidoid
A voidoid is any such person who belongs to the Blank Generation!
 

KNULP  
Alex Gawronski with oversaturated void prosthesis at KNULP fundraiser auction on Saturday.


Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA