David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


02 December 2017

Not necessarily stoned, but beautiful


Instagram changing place on Blueprint for Living

with Jonathan Green on RN ( listen here )

Extract from this morning's conversation :

Jonathan Green : Emily, in the museum setting this is a really interesting thing because you’re putting on shows for people to see and now you’re pushing these ideas of ‘instagram moments’ you’re sculpting what places like Museum of Victoria are putting on for people on social media.

Emily Siddons (producer, exhibitions Museum Victoria) :
We are, yes, and I guess what we’ve found to be most impactful is the way in which people consume information and what they expect out of a museum or a gallery, indeed, and I guess they’ve always been beautiful places, they’ve always had amazing architecture and housed really incredible objects but what we’re really trying to play with now is you used to be more of a passive observer where you really weren’t allowed to take photos a lot of the time and now we’re trying to encourage that and we’re trying to engage them in an active dialog and how do we do that in a way that is really playful and fun and exciting?


J. Well, you’re changing your experience.


E. We are, we are. In fact we don’t refer to our exhibitions as exhibitions any more, we now talk about them as experiences and how can we really play on that engagement and surprise audiences and yes we have even built-in a ‘selfie-moment’…

J. Uh oh…

E. …into, well it’s a bit of a commentary on ‘a selfie-moment’.

J. Ah, it’s ironic.

E. Yes, it will be interesting to see how it lands. It’s part of an exhibition, a very experimental exhibition we’re developing. 

J. But you want people to be in your space, experiencing your exhibition, but then translating that to social media. Bingo! for you is for that post to appear as you planned it, as you intended it.

E. Exactly.

collection : FIAPCE  
ARE YOU EXPERIENCED?

[Verse 1]
If you can just get your mind together
Then come on across to me
We'll hold hands, and then we'll watch the sunrise
From the bottom of the sea

[Chorus]
But first, are you experienced?
Have you ever been experienced?
Well, I have

[Verse 2]
I know, I know you probably scream and cry
That your little world won't let you go
But who in your measly little world
Are you trying to prove that
You're made out of gold and, eh, can't be sold

[Chorus]
So uh, are you experienced?
Have you ever been experienced?
Well, I have

[Verse 3]
Let me prove to you
Trumpets and violins I can hear in distance
I think they're calling our names
Maybe now you can't hear them, but you will (haha)
If you just take hold of my hand

[Chorus]
Oh, but are you experienced?
Have you ever been experienced?
Not necessarily stoned, but beautiful



FIAPCE     
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


  

01 December 2017

Everyone at Once or What the Worm Saw


A bird's-eye view is an elevated view of an object from above, with a perspective as though the observer were a bird, often used in the making of blueprints, floor plans, and maps.
      
It can be an aerial photograph, but also a drawing. Before manned flight was common, the term "bird's eye" was used to distinguish views drawn from direct observation at high locations (for example a mountain or tower), from those constructed from an imagined (bird's) perspectives. Bird's eye views as a genre have existed since classical times. The last great flourishing of them was in the mid-to-late 19th century, when bird's eye view prints were popular in the United States and Europe.
- Wikipedia  
LONDON — Sometimes, curatorial conceit need be nothing more than a conceit, a frame that occasions the presentation of stellar art. While lacking a sharp concept, the exhibition Everything at Once offers a bird’s-eye view of the global contemporary art scene’s ascendance, convergence, and rupture.
- full article here  
 Anish Kapoor, “At the Edge of the World II” (1998)
 photo by Jack Hems
, © Anish Kapoor, courtesy Lisson Gallery

Theatre of the Actors of Regard   

 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


   

29 November 2017

2017 West Space Fundraiser


Nick Austin, Glenn Barkley, Jack Brown, Lauren Burrow, Trevelyan Clay, Georgina Cue, Vittoria di Steffano, Hana Earles, Clementine Edwards, Emily Floyd, Briony Galligan, Agatha Gothe-Snape, Ry Haskings, Greatest Hits, Heidi Holmes, Raafat Ishak, Lucina Lane, Merryn Lloyd, Alex Martinis Roe, Kym Maxwell, SannĂ© Mestrom, John Nixon, Ruth O'Leary, Taree Mackenzie, Nicholas Mangan, Nik Pantazopoulos, Nell Pearson, Oscar Perry, Joshua Petherick, Jason Phu, Patrick Pound, Lisa Radford & Masato Takasaka, Ander Rennick, Kiron Robinson, Christopher Sciuto, David Sequeira, Kieren Seymour, Nicholas Smith, Peter Tyndall, Grace Wood and Simon Zoric. 


Catalogue available as an online store here.


edition by FIAPCE  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


 

28 November 2017

'cause baby won't you look at you now


It all started out so well for this baby boomer 
Baby Bomber actor of regard...
                                                            FIAPCE

 1952 portrait of the artist of TAR by Reg V. Brock 
 at his View Point photography studio, Bendigo

"You Must Have Been a Beautiful Baby"
words by Johnny Mercer
version below by Bobby Darin

Oh … you know, you know, you know, you know …

You must a been a beautiful baby
You must a been a beautiful child
When you were only startin'
To go to kindergarten
I bet you drove those other childs wild!

Oh yeah … oh yeah … oh yeah …
An' when it came to winnin' blue ribbons
Well ... I bet you taught the other kids how
Well, I can see the judge's eyes
As they handed you the prize
I bet you took the cutest bow!

Yeah! You must a been a beautiful baby
'cause baby won't you look at you now

Oh yeah ... oh yeah ... oh yeah ...

You must a have been a beautiful baby
You must a have been a beautiful child
When you were only startin'

To go to kindergarten
I know you drove the other childs wild
An' I wasn't even there

An' when you came to winnin' blue ribbons
Hey … I know you taught those other kids how
Well, I can see the judge's eyes
As they handed you the prize
I know you made the cutest bow!

Yeah! You must a been a beautiful baby
‘cause baby won't you look at you now
Oh, I mean … I mean … oh, beautiful …
Oh, beautiful ...
Oh, beautiful ...

Oh, beautiful ...
Oh, beautiful ...
Oh, beautiful ...

Aah, I know you're beautiful … too beautiful for words ...


    Yeah! You must a been a beautiful baby
    ‘cause baby won't you look at you now...
click image to enlarge 

           recent portrait of the artist with TAR branding iron 
           by Graeme Harrison at FIAPCE Bonzaview studio

        detail
        A Person Looks At A Work Of Art/
        someone looks at something... 
         
        LOGOS/HA HA 


26 November 2017

Chin Music


Australia v England
at the Gabba, Brisbane
first match of The Ashes 2017/18
day 4


FIAPCE  
           detail
           A Person Looks At A Work Of Art/
           someone looks at something... 
         
           LOGOS/HA HA 


   

19 November 2017

Let There Be TAR !


There were fifteen million artists 
Learning how to paint 
You could hear their brushes brushing 
And this is what they had to say 
Let there be Light! 
Paint! 
Painted Light! 
Lighted Paint! 
Let there be ART! 



FIAPCE -1977- 

Let there be TAR!
Theatre of the Actors of Regard 



FIAPCE -1977- 
            detail
            A Person Looks At A Work Of Art/
            someone looks at something... 
         
            LOGOS/HA HA 


18 November 2017

Ghost Theatre


Ghost Theatre of the Actors of Regard
Australian Centre for Contemporary Art, Melbourne.

click image to enlarge  
Kader Attia, Ghost 2007/2017, installation view, 
Australian Centre for Contemporary Art, Melbourne.
Courtesy the artist and Galerie Nagel Draxler, Berlin/Cologne 
© the artist. Photograph: Jacqui Shelton

exhibition closes tomorrow, 19 November 2017

detail
A Person Looks At A Work Of Art/
someone looks at something...

LOGOS/HA HA



  

17 November 2017

Living Standard


The Australia Council for the Arts has released
new research which shows the average income of a practising professional artist in Australia declined by about 4 per cent between 2008 and 2015.
    

Theatre of the Accountants of Regard   
How much money do artists make?

•   In 2014-15 Australian artists earned a gross income of $48,400 on average — about 4 per cent less than when the survey was last conducted in 2007-08

•   But they tended to generate their income from a variety of sources
  
•   On average they made about $18,800 from their creative work, $13,900 from art-related work (usually teaching), and $15,700 from a non-arts-related job
  
•   A third of the artists surveyed said they were happy with that balance, while the rest wanted to spend more time creating

•   All types of artists face challenges meeting their minimum income requirements, but visual artists earn amongst the lowest incomes of any artists, despite being one of the most highly educated groups in the workforce.


FIAPCE  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


  

15 November 2017

YES


Result of national survey announced today :
Australia has voted 62% YES | 38% NO in favour
of same-sex marriage


 Ar Culyte prepares to present the cultural standard     

FIAPCE (-1977-)
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


 

14 November 2017

The humours | of TAR


How can comedy be used to reveal more serious concerns about race, gender and politics?

- MUMA promo headline question


Theatre of the Actors of Regard 
Rather than offering a compendium of funny art, 
The humours looks at some of the underlying strategies – physical movement, dialogue, exaggerations of scale and absurdity – that artists work with when using humour as a tool for provoking thought.

- MUMA promo synopsis

TAR  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA  



  NEWTRINO magazine Vol.6 No.2  September 1975 (Melb Uni)

Theatre of the Angst Ridden  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA