David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


11 March 2015

bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble bLubble

   
Theatre of the Actors of Regard

presents

20,000 Words Under The See

] after Jules Verne & Salvador Dali (
       

   
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA

     
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA

     
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA

     
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA

     



10 March 2015

For the Terms of Our un|Natural Lives

      
Govt admits Australians can (do the) 
sidestep mandatory metadata retention
Do the Sidestep

Do the Mandate

Do the Metadata

Do the Data Retention
        

FIAPCE  c. 1978   
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA
 [ Black Square/Square Dance ]

Land of a Thousand Dances

One, two, three
One, two, three
Ow! Uh! Alright! Uh!

Got to know how to Pony
Like Bony Moronie
Mash Potato
Do the Alligator
Put your hand on your hips, yeah
Let your backbone slip
Do the Watusi
Like my little Lucy

Ow! Uh!

Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na
Need somebody help me say it one time!
Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na

Wow!
Ow!
Uh!
You know I feel alright?
Hah!
Feel pretty good, y'all
Uh-hah!

Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na
C'mon y'all, let's say it one mo' time!
Na, na-na na-na
Na-na na-na
Na-na na-na na-na
Na-na na-na

Ohh!

Dancin' in the alley
With Long Tall Sally
Twistin' with Lucy
Doin' the Watusi
Roll over on your back
I like it like that
Do that Jerk, oh
Watch me work, y'all

Ow! Do it!
Wow! Do it!
Watch me do it
Ohh, help me!
Ohh, help me!
Ohh, help me!
Ohh, help me!


Come in all you jesters
Enter all you fools
Sit down no-no
Vulgar ghouls
Trip the light fantastic
Dance the swivel hips
Coming to conclusions
Button up your lips

Walking, walking
In the rain.

            

FIAPCE  -2015-   
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA
     
     
       

07 March 2015

Sydney : Where Art Happens

                     
Thirty days hath September
April, June, and November.
All the rest have thirty-one
Except in February, twenty-eight
        
But in leap year we assign
February, twenty-nine.



Twenty-nine less six
Still leaves twenty-three :
That's quite enough for Art Month
Sy-dn-ey.


Theatre of the Actors of Regard (Sydney)  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA


   

06 March 2015

LOGOS/HA HA in the bully pulpit : PARLIAMENT with FILTER MOUTHPIECE

                 
Parliament of Australia 
House of Representatives 
Motion : 
Attorney General - Attempted Censure

Hansard, page 59 -
25 February 2015

Bill Shorten (Maribyrnong, Australian Labor Party, Leader of the Opposition)

I seek leave to move:

That the House censures the Attorney-General:

(1)for launching an unprecedented attack on the Australian Human Rights Commission designed to undermine its independence;

(2)for treating an independent statutory office holder with contempt; and

(3)for directing the Secretary of the Department of Attorney-General to offer an inducement to the President of the Australian Human Rights Commission in return for her resignation.

Leave not granted.

I move:

That so much of the standing and sessional orders be suspended as would prevent the Leader of the Opposition from moving the following motion forthwith:

That the House censures the Attorney-General:

(1)for launching an unprecedented attack on the Australian Human Rights Commission designed to undermine its independence;

(2)for treating an independent statutory office holder with contempt; and

(3)for directing the Secretary of the Department of Attorney-General to offer an inducement to the President of the Australian Human Rights Commission in return for her resignation.

Prime Minister of Australia, lying is not insider nonsense. It is proof that the Attorney-General and his government have failed the test of leadership. Yesterday you plumbed a new depth in using the power of the executive branch—


Tony Abbott (Warringah, Liberal Party, Prime Minister)

Madam Speaker, this is a suspension motion. It is not a censure motion, and it is not permitted under the standing orders to accuse people of lying.

Mrs Bronwyn Bishop (Speaker)
The Leader of the Opposition has the call, and the point the Prime Minister makes is true. Address your marks to the censure motion and desist from unparliamentary language. In fact, withdraw.

Honourable members interjecting

Bill Shorten (Maribyrnong, Australian Labor Party, Leader of the Opposition)

Yesterday and today we have seen a shocking attack by the most powerful man in Australia upon the president—

Mrs Bronwyn Bishop (Speaker)

I will have silence. The Leader of the Opposition will resume his seat.

Tony Abbott (Warringah, Liberal Party, Prime Minister)

Madam Speaker, he has used an unparliamentary term, and he should withdraw it.

Mrs Bronwyn Bishop (Speaker)
 
I ask the honourable Leader of the Opposition to withdraw.

Bill Shorten (Maribyrnong, Australian Labor Party, Leader of the Opposition)

I withdraw.

Yesterday and today we have seen the Attorney-General and the rest of his government reach a new and shocking low. When people like the Attorney-General or the Prime Minister of Australia, with all of the power of government, use their positions to bully and intimidate independent statutory office holders then we should suspend standing orders to discuss this matter. The actions yesterday—and as much as the Prime Minister and Attorney-General want to say it is not the real issue—when powerful men in remarkable positions of strength use their authority not to lead the nation but to attack critics then we have a severe problem with the strength of our community and our government in this country.

I understand that the Prime Minister, the Attorney-General and members of the government may not approve of the President of the Human Rights Commission's report, but what I do not understand is that, rather than dealing with the issues in the report, what they have done is attack her character. They have attacked her character. What we also saw yesterday was the embarrassing and scandalous situation where the President of the Human Rights Commission was forced to sit two people down from the Attorney-General, a target as the Attorney-General turned on her and attacked her. Then we saw she had to put up with the assassination of her character by the Attorney-General and by this man. We have seen an assassination of character. This is the tool in trade. I believe Australians are sick and tired of an angry Tony Abbott. I believe Australians are sick and tired of the constant overreach of the Prime Minister of Australia.

Being Prime Minister of Australia is a remarkable privilege. It is a bully pulpit to be able to advocate ideas.

Mrs Bronwyn Bishop (Speaker)
   
I would remind the Leader of the Opposition that this is a suspension motion.

Bill Shorten (Maribyrnong, Australian Labor Party, Leader of the Opposition)
       
Yes. But what we mean is, whilst it is a bully pulpit, it is not a pulpit for bullies, and that is what we are seeing with this government. We should suspend standing orders because what we have seen with this attack on the President of the Human Rights Commission is a new low by the most powerful man in Australia against an upright, proper and decent woman. We have seen in this attack by the Prime Minister the classic overreach of the angry Prime Minister. He says that he does not like what she has written, so therefore she must resign.

We have seen word games played by this government. When is a resignation not a resignation? When Tony Abbott and George Brandis ask for it. When is an inducement not an inducement? When these ministers and the Attorney-General offer it. The President of the Human Rights Commission understood perfectly well what was happening when the secretary of the department came along and said, 'I'm sorry to tell you this, but the Attorney-General's lost confidence in you; the government's lost confidence in you.' You cannot sack this statutory office holder. There is a clear implication if you say to this independent statutory office holder, 'the government has lost confidence in you, but you cannot be sacked'; there is only one course of action being asked for by these powerful people—the Attorney-General and his leader, the Prime Minister—it is clearly putting pressure on her to resign.

Then we hear about the embarrassing spectacle that no job was offered. Today the foreign minister gave a strong and appropriate defence of the Secretary of the Attorney-General's Department. She certainly defends the secretary of the department; she said he is a very truthful person. We agree. We think he is a truthful person. What we do not believe is that we are hearing the truth from the Attorney-General or from this Prime Minister.

You can just see the decision-making in the inner sanctum of this government—at least the bits that we have not seen already leaked. They would have sat around and said: 'We want this woman gone. We want her out of the position.' That is what they would have said. You can see them saying: 'George, send a messenger to get rid of the messenger. Send her the message that we no longer have confidence but if she does the right thing and fits in with the agenda of this government we will find her a job somewhere else.' Unfortunately for this government and its bullying ways, the President of the Australian Human Rights Commission was not playing ball.

Prime Minister, I think you underestimate many Australians when you dismiss this matter as an 'insider issue'. I think there are a lot of Australians who have been appalled by your conduct and your character assassination of this President of the Australian Human Rights Commission. I think you have reminded a lot of Australians what they deep-down feel about you, that you are a—

Mrs Bronwyn Bishop (Speaker)

I would remind the Leader of the Opposition that this is a suspension motion.

Bill Shorten (Maribyrnong, Australian Labor Party, Leader of the Opposition)

It is a suspension of standing orders motion. Thank you, Madam Speaker.

Mrs Bronwyn Bishop (Speaker)

Then kindly refer to it.

Bill Shorten (Maribyrnong, Australian Labor Party, Leader of the Opposition)

It is important to suspend standing orders because Australia has been reminded of the character of this Prime Minister and of this Attorney-General. Never could we have imagined such a scenario. I know there are good members of the government—perhaps not those who are yelling out—who are deeply uneasy at this open attack on an independent statutory office holder.

I congratulate the member for Wentworth, who has come out and been supportive of Gillian Triggs. I also acknowledge that the foreign minister seems to have some quiet confidence in Gillian Triggs. And I know there are more of you out there—probably even more than supported the spill motion. This is why we have to support the suspension of standing orders motion.

No government minister should be proud of the last 48 hours. No government minister should be proud of the absolute plumbing of the depths and this attack on this respected, independent person. What is it about the Abbott government and the Attorney-General that they do not understand the separation of powers? What is it about this government that, when the President of the Australian Human Rights Commission comes down with a report that the government does not like, all of a sudden the independent office holder must go?

Please, members of the government, Attorney-General and Prime Minister, do not treat Australians as mugs and say: 'No resignation was sought and no alternative job was offered'. We can play the word games, Mr Prime Minister. You can talk about how 'no inducement was given'. Your messenger said to the President of the Human Rights Commission, 'the government no longer has confidence in you'—there you go, character assassinating again.

But they knew they could not sack this office holder, so the clear implication of saying to Gillian Triggs, 'The government has no confidence in you,' is 'You must resign'. That is the clear implication. Then, they said: 'We will look after you. We will find you a special role.' Now the government has said today in parliament, 'There was no special role offered'. Yet, yesterday, the Secretary of the Attorney-General's Department said there was a role offered.

The foreign minister was left to hang out a bit today when she said, 'no special role was offered'. Yet it was in Hansard yesterday that the secretary of the department said there was. Someone is not telling the truth here, and I believe it starts with the Attorney-General and it starts with the Prime Minister.

What the government needs to understand is that, rather than shooting the messenger as they are doing here, they should be taking heed of the message. I believe that many Australians, be they Liberal or Labor supporters, or any other party, they have— (Time expired)

Mrs Bronwyn Bishop (Speaker)

Is the motion seconded?

Mark Dreyfus (Isaacs, Australian Labor Party, Shadow Attorney General)

I second the motion and reserve my right to speak.

Christopher Pyne (Sturt, Liberal Party, Leader of the House)

The government will not be supporting a suspension of standing orders from the Leader of the Opposition, because the Australian people expect us to get on with the job of good government in this country. That is what the Australian people expect us to do in this place. They do not expect us to get down in the chum bucket—

Ms Butler interjecting

Mrs Bronwyn Bishop (Speaker) 
   
The member for Griffith will desist and is warned.

Christopher Pyne (Sturt, Liberal Party, Leader of the House)

We are not going to hop into the chum bucket with 'Beltway Bill'—
       
and so on...         
   
unaltered advertisement  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA
     
          
              

05 March 2015

Image conscious :

   
figure floating in pictorial space

as seen by

         

click image to enlarge  
(2)  figure floating in pictorial space

       as seen by
   
         detail
         A Person Looks At A Work Of Art/
         someone looks at something...

         LOGOS/HA HA
        
      
          

04 March 2015

Image conscious ] I AM AFRAID (


iconophobia : 

fear of images
fear of images on book covers
fear of images on book covers on blogs...

theoriconophobia : 

fear of looking at images
fear of looking at images on book covers
fear of looking at images on book covers on blogs...

metatheoriconophobia : 

fear of awareness of looking at images
fear of awareness of looking at images on book covers
fear of awareness of looking at images on book covers on blogs...
     
 I AM AFRAID : Catholicism and Fear.
 by Dr. J. Catarinich.
 Australian CATHOLIC TRUTH SOCIETY No. 1060 (1948)

 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA
     
         
         

03 March 2015

Image conscious (2)


Following yesterday's desperate speech bubble...
             
...this morning's emails brought this film screening announcement from West Space, Melbourne :
              

Living Museum of the West Film Screening Part 1:

Join us for the screening of two films: Dial H-I-S-T-O-R-Y and In Comparison, with a short film from the Living Museum archive, at the Living Museum of the West. 

SUNDAY 15 MARCH, 2015. 2-5PM


2:00pm
Dial H-I-S-T-O-R-Y  - Johan Grimonprez
Belguim, 1997, colour, 68 min.
Programmed by Jessie Scott.

Buckle-up for Dial H-I-S-T-O-R-Y, the acclaimed hijacking documentary that eerily foreshadowed 9-11.We meet the romantic skyjackers who fought their revolutions and won air time on the passenger planes of the 1960's. By the 1990s, such characters are apperently no more, replaced on our TV screens by stories of state-sponsored suitcase bombs. Director Johan Grimonprez investigates the politics behind this change, at the same time unwrapping our own complicity in the urge for ultimate disaster. Playing on Don DeLillo's riff in the novel MAO II, What terrorist gain, novelists lose and The home is a failed idea, he blends archive hijackings with sureal and banal themes of junk food, pet statistics, disco and his quirky home movies. David Shea wrote that the suberb soundtrack to film's rollercoaster through history, best described in the words of one hijacked Pepsi executive as: “running the gamut of many emotions: from surprise to shock, to fear, to joy, to laughter and then again, fear.”

Dial H-I-S-T-O-R-Y addresses the mass media manipulation by, and complicity with terrorism. The gratuitous facilitation of ISIS' grotesque, sophisticated, layered propaganda across all forms of media, with its call backs to Abu Graib and Guantanamo and deployment of seductive, radical and pop-culture iconographic such as the black flag, are verily admired by the media (recognising their own offspring), but remain largely uncritiqued as media objects, by artists or others. Grimonprez's Dial H-I-S-T-O-R-Y deploys that old chestnut: using the medium to critique the medium. Have we in fact lost the ability to do this: as our use of media, video in particular, becomes more ubiquitous and sophisticated, has our ability to see it diminished?

3:30pm
Screening of Go West Yound Women1986, taken from the Living Museum  of the West archive. With interviews with director and cast the film documents the opening of a local musical that described the story of women working in the munitions industry. Programmed by Kerrie Poliness.

4:00pm
In Comparison – Harun Farocki
Germany, 2009, (DVD-R of) 16mm, color, 61 min

Programed by Nic Tammens.

“I wanted to make a film [In Comparison] about concomitance and contemporary production on a range of different technical levels. So I looked for an object that had not changed too much in the past few thousand years. This could have been a shoe or a knife, but a brick becomes part of a building and therefore part of our environment. So the brick appears as something of a poetic object. I follow its mode of creation and use in Africa, India, and Europe."[1]

When a film abstains from being didactic, to introduce it with wordy convictions puts one at risk of saying too much.

In lieu of this, we might prepare by thinking: what is an image? what is society? what is the relationship between film and society? what is an institution? what is the relationship between the social and environment? what is the nature of work? and what is human within any of this?

Harun Farocki (1944-2014) was born in what was German Czechoslovakia during WWII. His beginnings as a filmmaker is marked by his expulsion from the German Film and Television Academy in 1969 when Farocki and fellow classmate Hartmut Bitomsky were ejected on the grounds of their political activism. Farocki supported himself by working for the West German television service and as a film critic, serving as the editor for FilmKritik from 1974 to 1984. In addition to making over 120 films he produced work for the purpose of exhibition in museums and galleries where his work has been extensively exhibited internationally.

Location: The Living Museum of the West is located at Pipemakers Park, Van Ness Avenue, Maribyrnong. Melway Map 28 B10.


Theatre of the Actors of Regard   
 detail
 A Person Looks At A Work Of Art/
 someone looks at something...

 LOGOS/HA HA
     
   
        

02 March 2015

Image conscious

     
Another great image by the great Bruce Petty.   

Prime Minister Tony Abbott, leader...
      

The Age / Sydney Morning Herald  
detail
A Person Looks At A Work Of Art/
someone looks at something...

LOGOS/HA HA
     
     
      

01 March 2015

Read All About It : MEDIA BREAKTHROUGH


A few days ago we visited the scene below.
     

Theatre of the Actors of Regard  
Being both meta- minded and keen appreciators of the disruptive French 'breakthrough' play, when we at bLOGOS/HA HA attend 'Waiting for The Times', we cannot but imagine the unseen reader there suddenly breaking through that 'fourth wall' to confront us.

Here are a few such instances, from Emile Zola's famous 13 January 1898 open letter J'accuse...! published on the front page of L'Aurore... to the 7 January 2015 shootings at the Paris offices of Charlie Hebdo :

13 January 1898, J'accuse...! 
     - wikipedia entry here


           
1900 - : the new century opens with breakthrough à la mode at The Times/Le Temps, La Libre Parole, La Liberté, Le Figaro, L'Autorité, L'Intransigeant, Le TAR, Le Grand National...
      
      
1901 - : Ã‰galité and constant popular revolution.
Let's everyone practise the media breakthrough ...


as the meta- gets even better :
          

            
27 November 1960, Dimanche :
Yves Kline takes the newspaper breakthrough to a new level with his Leap into the Void presented to the world on the front page of his one-day Paris paper, Dimanche.
          


1978 : the tradition continues with the Reiser
cover of The Best Covers of Charlie Hebdo :
        

       
1978 : madder, meta-, other : a second collection of 1407 Charlie Hebdo covers we'd previously been spared. Cabu respects the breakthrough tradition, too.



Now the TAR are behind. So, back cover, rear view.


   
7 January 2015 : Cabu and other Charlie Hebdo personel are shot dead by Islamic extremists. This 'breakthrough' picture on the cover of Les Echos :
         

detail
A Person Looks At A Work Of Art/
someone looks at something...

LOGOS/HA HA