David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


01 July 2013

Early readymades traced to Australia


It is now thought that Marcel Duchamp's two most famous readymades, the originals of which went missing shortly after they were made, found their way to Australia.

The first of these is Bicycle Wheel.
Bicycle Wheel is a readymade by Marcel Duchamp consisting of a bicycle fork with front wheel mounted upside-down on a wooden stool.
In 1913 at his Paris studio he mounted the bicycle wheel upside down onto a stool, spinning it occasionally just to watch it. Later he denied that its creation was purposeful, though it has come to be known as the first of his readymades. "I enjoyed looking at it," he said. "Just as I enjoy looking at the flames dancing in the fireplace." It was not until he began making readymades a few years later in New York that he decided Bicycle Wheel was a readymade.
The original from 1913 was lost, and Duchamp recreated the sculpture in 1951. Bicycle Wheel is said to be the first kinetic sculpture.

- wikipedia


The second is Fountain.
Fountain is a 1917 work widely attributed to Marcel Duchamp. The scandalous work was a porcelain urinal, which was signed "R.Mutt" and titled Fountain. Submitted for the exhibition of the Society of Independent Artists in 1917, Fountain was rejected by the committee, even though the rules stated that all works would be accepted from artists who paid the fee. Fountain was displayed and photographed at Alfred Stieglitz's studio, and the photo published in The Blind Man, but the original has been lost. The work is regarded by some art historians and theorists of the avant-garde, such as Peter Bürger, as a major landmark in 20th century art. Replicas commissioned by Duchamp in the 1960s are now on display in a number of different museums.
Shortly after its initial exhibition, Fountain was lost. According to Duchamp biographer Calvin Tomkins, the best guess is that it was thrown out as rubbish by Stieglitz, a common fate of Duchamp's early readymades.

- wikipedia

Following a lead...
   

 The Sydney Morning Herald (NSW : 1842 - 1954) Friday 6 March 1925 p 6 Article
... QUARTER SESSIONS. No. 1 Court.-Thomas Bath (part-heard). No. 2 Court.-Henry Davis, breaking, entering, and stealing; Raymond Alfred Summerhayes and Spencer Cornford, steal a motor cycle
...researchers from FIAPCE identified, in the archives of the Sydney Central Police, a 1924 photograph of the cycle thief Spencer Cornford behind whom the Bicycle Wheel (1913) and the Fountain (1917) can both be clearly seen.
     
Cornford served as a mechanic with the AIF in France during the Great War. Demobbed in Paris in 1918, he sailed from there to New York, serving his passage as a member of the crew. Having somehow 'souvenired' the famous artist's chair wheel in Paris, he then chanced upon the scandal of the second object when in New York. 

Spencer Cornford traced the urinal to the studio of the photographer Stieglitz and from there added it to his wartime travel collection - something queer to show his mates back home : "Over there, they call this art."

The whereabouts of these two objects is now, again, unknown.
       

 click image to enlarge
 detail
 A Person Looks At A Work Of Art/
 someone looks at something ...
 
 LOGOS/HA HA
       
    
             

27 June 2013

The Prince, the People & the Polls

       
LOGOS : The Speaking into Being of the World

HA HA :  from that same bag of grasping wind and gas, disruptive other sounds - burps, farts, laughter

LOGOS/HA HA : the imperfect Word, the broken Promise

bLOGOS/HA HA : a heap of such



detail
A Person Looks At A Work Of Art/
someone looks at something ...
 
LOGOS/HA HA
[I give you my word / that I will break my word)

            
.    .    .    .


FRIDAY, 22 MARCH 2013


Statement from Spokesperson for the Hon Kevin Rudd MP  

Mr Rudd has said consistently over the last 12 months that he would not challenge for the Labor leadership and that he would contest the next election as a local member of Parliament at the next election. That position has not changed. 

Furthermore, Mr Rudd wishes to make 100 per cent clear to all members of the parliamentary Labor Party, including his own supporters, that there are no circumstances
under which he will return to the Labor Party leadership in the future.

Posted by Kevin Rudd at 10:22    : posted at kevinruddmp

.    .    .    .

      
Today, after challenging and defeating Julia Gillard

"The truth is, if we're all being perfectly honest..."

  
- Kevin Rudd

      
.    .    .    .
              

At 9.15pm Julia Gillard makes her speech-in-defeat to the media.

After this we switch to SBS for the final episode of Borgen.

It opens with a quote from Machiavelli...
       

...then moves to a TV news report about the latest polls.


 detail
 A Person Looks At A Work Of Art/
 someone looks at something ...
 
 LOGOS/HA HA
   
      

26 June 2013

semioLOGOS/HA HA

    
Yesterday morning, we turned on the office radio to hear excited discussion about the merits or otherwise of a photo in the Australian Women's Weekly that pictures Julia Gillard knitting. Orgy of the semiologists (continued)...
     

     
 detail
 A Person Looks At A Work Of Art/
 someone looks at something ...
 
 LOGOS/HA HA
   
           
A favorite John Cage anecdote came to mind. We read it aloud, replacing Jean Erdman with Julia Gillard :
"Alan Watts gave a party that started in the afternoon, New Year’s Eve, and lasted through the night and the following day. Except for about four hours which we spent napping we were never without food or drink. Alan Watts lived near Millbrook. His cooking was not only excellent but elaborate. There was, for instance, I forget just when, a meat pie in the shape of a large loaf of bread. Truffles ran through the meat, which had been wrapped first in crepes and then in the crust, in which had been inscribed in Sanskrit “Om.” Joseph Campbell, Jean Erdman, Mrs. Coomaraswamy, and I were the guests. Jean Erdman spent most of the time knitting. Alan Watts, Mrs. Coomaraswamy, and Joseph Campbell conversed brilliantly about the Orient, its mythologies, its arts, and its philosophies. Joseph Campbell was concerned at that time about the illustration of his Zimmer book, Philosophies of India. He was anxious to find a picture which would include certain and several symbols, and though he had searched his own library and several public ones, he was still looking for the right picture.

I said, “Why don’t you use the one in Jean Erdman’s knitting book?” Joseph Campbell laughed because he knew I hadn’t even seen the picture.

Mrs. Coomaraswamy said, “Let me look at it.” Jean Erdman stopped knitting and gave her the book. Mrs. Coomaraswamy began interpreting the picture, which was of a girl in a sweater standing in a landscape. Everything, it turned out, referred precisely to the subjects with which Joseph Campbell was concerned, including the number in the upper right-hand corner."

John Cage,
Indeterminacy
      
        
detail
A Person Looks At A Work Of Art/
someone looks at something ...
 
LOGOS/HA HA


      

25 June 2013

Scene for a seminar

      
"So, you want to make something of yourself?"
     



 The artist Thomas Bede, as described by the Law.
 Sydney, 22 November 1928.


      
 detail
 A Person Looks At A Work Of Art/
 someone looks at something ...
 
 LOGOS/HA HA


      

23 June 2013

WSJ Rebus

      
The editors of West Space Journal, knowing our interest in the rebus, commissioned the one below for their Issue #1.

To see the underlying text click here
then click on the ? icon.
     

click image to enlarge
detail
A Person Looks At A Work Of Art/
someone looks at something ...
 
LOGOS/HA HA


      

21 June 2013

Just launched : West Space Journal

   
The opening editorial :

An ongoing, never ending editorial...

Welcome to Issue One of the West Space Journal. As mentioned in our About page, this is an experiment. This online space is intended to ebb and flow after its initial release, as content is added and expanded, and we’ve designed the structure of the site to be completely transformed at each quarterly issue.

Our first issue is broadly focused on the internet — the protocols and infrastructure that this journal exists on. What is the internet (currently)? How are artists and curators using it? Are we anticipating social change via new forms of connection, or playing a self-mythologising game of cultural catch-up? How does internet access converge with and cloud our offline perspectives? What are the tensions between the presented narratives and pragmatics of the online platform? We think that, globally, we’re at a type of breakpoint where many of these questions might have new answers, somewhere within the spectrum between Evgeny Morozov’s charge that “the internet” we believe in doesn’t exist (and won’t save us), and Ethan Zuckerman’s research into a digital cosmopolitanism that we’re yet to embrace.

Happy exploring!
    
click here for West Space Journal
click image to enlarge  

with apologies to Albert Tucker and his Explorers   

detail
A Person Looks At A Work Of Art/
someone looks at something ...

LOGOS/HA HA
  
   
    

20 June 2013

Take a chair (apart)


and/or

Re.(gard) a thing and/or its parts 
      
after Van Gogh's (Van Gogh's) Chair, 1888

after Picasso's Still Life with Chair Caning, 1912

comes this buster meta-re-de-composition,
for auction today at Sotheby's London :
Fernand Léger's Composition a la chaise (c. 1930)
          

     
after which, after WW2, Corporation America's  
The Office Chair, 1961
       


detail
A Person Looks At A Work Of Art/  
someone looks at something ...
 
LOGOS/HA HA

then, hereabouts, Theatre of the Actors of Regard performance en passant at the National Gallery of Victoria, 1975 :
          

 T.A.R. after Hugh Ramsay Jeanne, 1901  
         
     
now, upon a chair and/or its parts ...
     
detail
A Person Looks At A Work Of Art/  
someone looks at something ...
 
LOGOS/HA HA


     

18 June 2013

Headline

           
Sufficient unto the day is the evil thereof.
Matthew 6:34
    


detail
A Person Looks At A Work Of Art/  
someone looks at something ...
 
LOGOS/HA HA


      

15 June 2013

Mix Tape 1980s : Appropriation, Subculture, Critical Style

              
The Ian Potter Centre : National Gallery of Victoria 
until 1 September


online promo (detail) featuring Mike Brown's Manifestations 1982  
         
        
Split the diff :

1. NGV media release here
2. Robert Nelson /
'The Age' review here
3. Christopher Allen /
'The Australian' review here
     
detail
A Person Looks At A Work Of Art/
someone looks at something ...

LOGOS/HA HA

      

.  .  .  .
      


This is for the headsets loving the mix,
My people in the front, all covered in spit ...
      
The Nosebleed Section
Hilltop Hoods

Your correspondent was asked to compile a 1980s avant-garde and experimental music mixtape for this exhibition. The selection made is a personal one, a Melbourne one :
   
David Chesworth album cover : Tyndall / Brophy
       
David Chesworth
Who’s Asking?
        
Stelarc
AMPLIFIED BODY, LASER EYES & THIRD HAND
Sounds- Brainwaves, heartbeat, bloodflow, muscles and motor mechanism of the Third Hand. First performed at the Maki Gallery, Tokyo 2 March, 1986 Performance began when the body was switched on, and ended when the body was switched off. Sound Coordinator- K. Tazaki with medical equipment from Nihon Kohden.

Warren Burt
Samples II for orchestra (Ravel homage) (That which is neither a deconstruction nor an appropriation, neither bricollage nor post-modern)(1987)

House of Journalists
(Tony Clark as the narrator)
Il Palazzo
from William Furlong's AUDIO ARTS cassette :
ANTI-MUSIC : A SAMPLER

Ad Hoc
( James Clayden, Chris Knowles and David Wadelton  )
Blue From Beyond The Sea (excerpt)
from Artefacts Of Australian Experimental Music Volume II 1974–1983 : 
Shame File Music ‎– SHAM056

Red Megaphone
(John Nixon)
Untitled

Chris Mann, Warren Burt, Astra Choir
Artificial Languages Part 2.

SLAVE GUITARS 
formerly SLAVE GUITARS OF THE ART CULT
6

Olivier Messiaen
visited Melbourne in 1988 and notated the lyrebird for :
L'Oiseau-lyre et la Ville-Fiancée (The lyre bird and the bridal city)
from Éclairs sur l'au-delà… (lluminations of the Beyond…) 
1987-1991.
Sydney Symphony Orchestra conducted by David Porcelijn

Primitive Calculators
I Can't Stop It
    
      
         
We'll rip off our tops
and jump around in the front row.

The Nosebleed Section
Hilltop Hoods
           
 ART CULT tee shirt as seen in the front row
               

You know, I looked around, 
the faces I'd know,
I fell in love with the people
in the front row.

People In The Front Row
Melanie Safka
as sampled by Hilltop Hoods
    

above: as seen at Mix Tapes 1980s                          
click image to enlarge  

detail
A Person Looks At A Work Of Art/
someone looks at something ...

LOGOS/HA HA
       
     

12 June 2013

I CAME, I SAW...

           
Another Successful Performance
by
Theatre of the Actors of Regard
at
West Space Fundraiser
       

 detail
 A Person Looks At A Work Of Art/  
 someone looks at something ...
 
 LOGOS/HA HA