TAR, huh, yeah What is it good for

'TRIENNIAL', AT NGV INTERNATIONAL,
BY GILES FIELKE

Buried within the question recently explored by Felicity D. Scott, ‘Who is the festival for?’ is the rapidly fading possibility of the public.  ...

first published today at MEMO REVIEW
read full article here 


Giles Fielke is working on a PhD presenting a counter-modern history which looks at the artist organisation of discrete images, in the Art History department of The University of Melbourne. In particular his research focusses on works by Hollis Frampton and Harun Farocki and the question of the search. He is a founding member of the Artist Film Workshop <http://artistfilmworkshop.org> and regularly publishes writing on contemporary art and film

from emaj online journal of art


TAR ] Theatre of the Actors of Regard (
after Edwin sTARr

TAR, huh, yeah 
What is it good for
Absolutely nothing
TAR, huh, yeah
What is it good for
Absolutely nothing
Say it again, why'all

TAR, huh, good god
What is it good for
Absolutely nothing, listen to me ...

after songwriters Barret Strong and Norman Whitfield

detail
A Person Looks At A Work Of Art/
someone looks at something... 

         

LOGOS/HA HA