02 November 2016

Monument to the End of the Brush (continued)

           
In 1832, at the age of eighty-two, Sengai erected a stone monument adjacent to his retirement residence at Shōkokuji, declaring his “farewell to brushes” (zeppitsu).

As always, a waka verse harbors various layers of meaning, but at the most literal level, Sengai declares that he has thrown his brushes (or his one symbolic brush) into Hakata Bay.

But Sengai’s declaration proved short-lived; he produced many more paintings in his remaining five years. 

I am also informed by Nakayama Kiichirō that in advance of the actual stone monument declaring his zeppitsu, Sengai had produced paintings of the proposed monument itself.

- extracts from The Stuff of Dreams by Henry D Smith II


      Into the Harbour of Sleeves
      Wet with waves as the ink-dyed sleeves
      Of a monk, I will cast away
      These brushes, the shame of my works
      Exposed in the wind and waves.

      Early Autumn of the year of the Dragon
      The End of the Brush
      Gai

Monument to the End of the Brush (continued)
TAR Observation Point :
Looking Towards Mount Brushmore


Theatre of the Actors of Regard  
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