David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


18 June 2019

TARfest19 : Behavioural Awareness Officers Quell Screaming Teens


 [Intro: Suffa]
 For my people in the front
 In the nosebleed section

 [Hilltop Hoods : The Nosebleed Section]

 [Verse 1: Suffa]
 This is for the heads that's loving the mix
 My people in the front, all covered in spit
 Batter's in the box, Suffa to pitch
 Hilltop Hoods all up in this bitch...

courtesy AAA_ArtArchiveAustralia  
 [Verse 2: Suffa] ...
 This is a comeback, tongue that’s sharp like a thumbtack
 It's so tight James is saying, "Give my funk back"
 One track, eight track, ADAT, residual noise
 Man, fuck that, we clean with the digital toys
 I'm the Apache, you're failing to match me
 Throw your hands in the air like you're hailing a taxi
 And move to the funk flow, you stepping? Are you drunk, bro?
 This is for my peeps and the freaks in the front row

 [Verse 3: Suffa]
 People don’t complain if Suffa’s in here
 And you’re in the front row all covered in beer
 And club owners don't say, 
    "The place is wrecked, it's your fault"
 If the roof is on fire, it's an electrical fault
 Man, I bet you all bolt when I bring it live
 Like Friday night footy, in my hoody I can hide...


    Theatre of the Authors of Reaction  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


   

15 June 2019

Three Words


 Each Friday at 5pm in Daylesford, Victoria ...

 ... protest continues against the offshore detention
 of refugees to Australia. 

 Last evening, 
one driver shouted,                 
"It's just three words."  
   Theatre for the Advancement of Refugees  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


   

14 June 2019

Open letter to the Prime Minister, Leader of the Opposition, Members of Parliament :



The Australian Federal Police raids on the home of News Corporation Australia journalist Annika Smethurst and on the offices of the Australian Broadcasting Corporation represent a grave threat to press freedom in Australia.

We welcome the Prime Minister’s stated commitment to freedom of the press and openness to discuss the concerns that have been raised.

A healthy democracy cannot function without its media being free to bring to light uncomfortable truths, to scrutinise the powerful and inform our communities. Investigative journalism cannot survive without the courage of whistleblowers, motivated by concern for their fellow citizens, who seek to bring to light instances of wrongdoing, illegal activities, fraud, corruption and threats to public health and safety.

These are issues of public interest, of the public’s right to know. Whistleblowers and the journalists who work with them are entitled to protection, not prosecution. Truth-telling is being punished.

The raids, a raft of recent national security laws, and the prosecutions of whistleblowers Richard Boyle, David McBride and Witness K all demonstrate the public’s right to know is being harmed. Truth-telling is being punished.

It is also clear from the global response to the recent raids that Australia’s proud reputation around the world as a free and open society is under threat.

We urge Parliament to legislate changes to the law to recognise and enshrine a positive public interest protection for whistleblowers and for journalists. Without these protections Australians will be denied important information it is their right as citizens to have.

We urge you to take prompt action to protect our democracy for all Australians.

Signed,

Michael Bachelard, The Sydney Morning Herald/The Age; Richard Baker, The Age; Mark Baker, Melbourne Press Club; Barrie Cassidy, ABC; Phillip Coorey, The Australian Financial Review; Annabel Crabb, ABC; David Crowe, The Sydney Morning Herald/The Age; Miranda Devine, The Daily Telegraph; Malcolm Farr, news.com.au; Adele Ferguson, The Age/The Sydney Morning Herald; Marina Go, Director, The Walkley Foundation; Michelle Grattan, The Conversation; Peter Greste, Alliance for Journalists’ Freedom; Claire Harvey, The Sunday Telegraph; Tim Lester, Seven Network; Isabel Lo, Media Diversity Australia: John Lyons, ABC; David Marr, Guardian Australia; Chris Masters, Investigative Journalist; Kate McClymont, The Sydney Morning Herald; Nick McKenzie, The Age; Karen Middleton, The Saturday Paper; Katharine Murphy, Guardian Australia; Paul Murphy, MEAA; Laurie Oakes, Retired Political Journalist; Kerry O’Brien, Chair, The Walkley Foundation; Matt Peacock, ABC Alumni; Mark Riley, Seven News; Leigh Sales, ABC; Niki Savva, The Australian; Tory Shepherd, The Advertiser; Marcus Strom, MEAA; Sandra Sully, Ten News; Lenore Taylor, Guardian Australia; Paige Taylor, The Australian; Hedley Thomas, The Australian; Laura Tingle, ABC; Peter Tyndall, bLOGOS/HA HA; Lisa Wilkinson, The Project


To co-sign this letter go to :




    free pencil movement    
    detail
    A Person Looks At A Work Of Art/
    someone looks at something... 
         
    LOGOS/HA HA


   

11 June 2019

Mechanical Headline


TARhaus : 
Poème Rire Défectueux 
- après Wolfgang Sievers

    Auction Information  

    Sale LJ8303
    26 June 2019 - 6:00pm
    Leonard Joel
    333 Malvern Rd, South Yarra 3141
 

Viewing
Saturday 22 & Sunday 23 June, 10am-4pm 
Wednesday 26 June, 9am-4pm

Online Catalog


Lot 47
WOLFGANG SIEVERS (1913-2007)
Milkbottle Patternmaker, Australian Glass Manufacturers,
   Spotswood, Victoria 1956
silver gelatin photograph
titled, dated and signed verso
50 x 40cm
   Provenance
   The collection of Deidre Cook

   Other Notes
   © National Library of Australia 
   Estimate $600-800


    photograph by Wolfgang Sievers  
 Thoughts turn in rearrangement to 
 Raoul Hausmann's
 Mechanischer Kopf (Der Geist Unserer Zeit)
 Mechanical Head (The Spirit of Our Time)" 
 c. 1920 



    Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


   

06 June 2019

The Anatomy Lesson of a Free Press


Students of Theatre of the Actors of Regard (STAR) would have immediately recognised this scene and its ongoing lesson.


photo : ABC News- Brendan Esposito  

Scott Morrison says the recent AFP raids on journalists were "at complete arm's length" from his Government, but leading journalists say police were operating within laws created by the state — laws that will have a chilling effect on whistleblowers.

PM denies Government ordered AFP raids on journalist, ABC - AM ...



Rembrandt van Rijn  
In Rembrandt's 'The Anatomy Lesson of Doctor Nicolaes Tulp' (1632), above, we observe the investigative doctor interrogating the matter and meanings of 'an arm's length'.

Mr Lyons has revealed details of the warrant’s broad scope, which seeks: “Handwritten/digital notes, diary/ies, correspondence — internal, external, emails & other electronic forms of messaging, minutes, reports, briefing documents, assessments, graphics, sketches, photographs or imagery/vision — drafts & final, story pitch planning logs, broadcast and online schedules, raw or unedited footage in its entirety, journalist’s piece to camera, scripts drafts and finals including voiceovers, story boards/plans, status updates, website content, documents classified as ‘secret’ together with any manual, instruction, password or other thing that assists to gain access to or interpret or decode any of the above things.”


Federal Police raid ABC offices in Sydney over 2017 story about Afghanistan, a day after Annika Smethurst search 

Below, the lesson re. "add, copy, delete or alter" : photojournalists at FreakingNews.com got the steal on the full story of The Lesson after an arms length raid by the 1632 Dutch Federal Police.

FreakingNews.com after Rembrandt van Rijn  

Kerry O'Brien says AFP raids on the ABC and Annika Smethurst 'go to the heart of democracy'

https://www.abc.net.au/news/2019-06-06/kerry-obrien-says-democracy-is-at-stake-after-afp-raids/11184764


 PHOTO- AFP officers sit with the ABC legal team and an IT 
 specialist (centre) overlooking the search for emails and data. 
 (ABC News- Brendan Esposito)
    Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


   

05 June 2019

Song to a See Gull


                              after Joni Mitchell

    click to enlarge  
  detail
  A Person Looks At A Work Of Art/
  someone looks at something... 
         
  LOGOS/HA HA


   

04 June 2019

Passage to the See


                     left bank poet,
                     right bank gourmand --
                     the river.

                              after Yosa Buson


  Yosa Buson (1716-1784)                               collection FIAPCE  

    Theatre of the Actors of Regard  
  detail
  A Person Looks At A Work Of Art/
  someone looks at something... 
         
  LOGOS/HA HA


   

02 June 2019

UBU BOY


              Seek and ye shall not find. 
              Find and ye shall not seek.
              - The Seekers (sic)

           
                  see : ventri-kundaLOGOS/HA HA


Theatre of the Actors of Regard     
    detail
   A Person Looks At A Work Of Art/
   someone looks at something... 
         
   LOGOS/HA HA


   

31 May 2019

Octopus 19: Ventriloquy || Gertrude Contemporary


bLOGOS/HA HA has long been interested in ventriloquismIn the Mystery of God's Voice projected ] without movement of lips ( through 
us, Imago Dei, His Creature Screens. 

    
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GERTRUDE CONTEMPORARY
Octopus 19 : Ventriloquy
Curated by Joel Stern

Initiated in 2001, the Octopus series of exhibitions supports ambitious curatorial practice, through engaging an invited curator annually to develop a project that draws upon their research interests and provides a platform for new forms of exhibition making. In 2019 Gertrude is delighted to be working with Joel Stern. 

Opening : Friday 31 May, 6pm - 8pm 

Gertrude Contemporary || 21-31 High Street, Preston South 

Exhibition Dates : 1 June - 20 July 

Exhibiting Artists : Ceri Hann | Danielle Freakley | Eric Demetriou | Gabriella D'Costa | Jacqui Shelton (with Alice Heyward and Megan Payne)  |  Jake Moore | Makiko Yamamoto | Mel Deerson and Briony Galligan | MP Hopkins | Simon Zoric | Steven Rhall 

Performances by : Ash Kilmartin | James Rushford and Rachel Yezbick | Jacqui Shelton, Alice Heyward and Megan Payne | Jake Moore, Kate Brown | Mel Deerson and Briony Galligan | Melody Paloma | MP Hopkins | Sonia Leber and David Chesworth | more TBA


Anarchronism Effects : Opening weekend performance program

Performance Dates Saturday 1 June, 2-4pm

Gertrude Contemporary || 21-31 High Street, Preston South

This performance program, Anarchronism Effects, explores the way ventriloquy performs a dislocation of body from voice in time and in space. The program borrows its title from scholar Sarah Kessler's research into 'ventriloquial materiality' and ventriloquism's "enduring anachronism—its at once anticipatory and antiquated appearance." Anarchronism Effects features new performances created for Octopus 19: Ventriloquy by Ash Kilmartin | Mel Deerson and Briony Galligan | Melody Paloma | MP Hopkins.

Ash Kilmartin will perform You, as a paragraph, a monologue for mediated voice, engaging the ventriloquial tropes of possession, dislocation, and the excessive physicality of (the at times seemingly autonomous and absurd) speaking voice.

Melody Paloma will de- and re-code a suite of Code Poems by Hannah Weiner, master ventriloquist and psychic host to corporeal and non-corporeal bodies alike, in collaboration with retired seafarers Neil Butt and Leigh Webster.

Mel Deerson and Briony Galligan will traverse the theater curtain separating heaven from hell.

MP Hopkins will read through himself some texts about speaking/voice/language and hear himself doing this reading to himself.

    
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ventriLOGOS/HA HA 

plus a few things from the Puppet Culture heap


Theatre of the Actors of Regard  
 cast member (early1960s)        


Theatre of the Actors of Regard  
 rehearsal studio with Untitled Puppet Paintings (-1976-)


Theatre of the Actors of Regard  
 De Profundis or Ubu Casts His Voice
 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


   

28 May 2019

The Art of Camouflage | Move on, please. Nothing to be seen here.


 etymoLOGOS/HA HA 

Borrowed from French camouflage, from camoufler (“to veil, disguise”), alteration (due to camouflet "smoke blown in one's face") of Italian camuffare (“to muffle the head”), from ca- (from Italian capo (“head”)) + muffare (“to muffle”), from Medieval Latin muffula, muffla (“muff”), from Frankish *molfell (“soft garment made of hide”) from *mol (“softened, forworn”) (akin to Old High German molawēn (“to soften”), Middle High German molwic (“soft”)) + *fell (“hide, skin”), from Proto-Germanic *fellą (“skin, film, fleece”), from Proto-Indo-European *pel(e)(w)-, *plē(w)- (“skin, hide”). Akin to Old High Germanfel (“fell, skin, hide”), Old English fell (“fell, skin, hide”). Alternate etymology traces the Italian and Medieval Latin words to Middle High German mouwe, mōwe (“sleeve”) (German Muff (“muff”), Dutch mouw (“sleeve”)) from Proto-Germanic *mawwō (“sleeve”) + fell (“skin”). More at mulch, fell.



 Theatre of the Army of Regard  
  detail 
  A Person Looks At A Work Of Art/ 
  someone looks at something... 

  LOGOS/HA HA