David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


27 December 2018

Cup of Destiny


Ota NANPO (1749-1823)
Cup of Destiny - lyrics


collection FIAPCE 

Amyl and the Sniffers (2016-
Cup of Destiny - lyrics

[Chorus]
I drank from the right glass
I’m takin’ the right path
But it is testing me
I'll have the last laugh
Down at the work task
They’ll get the best of me
Oh, the cup of destiny
I drank from the right glass
I'm takin' the right path
But it is testing me
I'll have the last laugh
Down at the work task
They’ll get the best of me
Oh, the cup of destiny

[Verse]
Well you never really know it till it hits ya
You see it in your face, an old school picture
You pour yourself one every night
It doesn't mean that you're wrong or right
Look at the bottle, look at the glass
There is your future, there is your past

It all makes sense when you get some
It doesn't matter if you're old or all done



 Amy Taylor at Gizzfest Dec 9 - photo WDZIEKONSKI

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 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


23 December 2018

Best Wishes from our Tengu In Residence and all the team at bLOGOS/HA HA


 Fumi Uchida (1842-1910)     Tengu of the Actors of Regard

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 A Person Looks At A Work Of Art/
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19 December 2018

Three Regards



 Cy Twombly
 Three studies from the Temeraire
 1998-1999
 Art Gallery of New South Wales


 click image to enlarge  
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 A Person Looks At A Work Of Art/
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18 December 2018

Clement Meadmore: The art of mid-century design


The Ian Potter Museum of Art
The University of Melbourne
20 Nov 2018 to 3 Mar 2019



Clement Meadmore: The art of mid-century design is the first major survey to focus on the industrial design practice of one of Australia's most internationally successful artists. 

Curated by Dean Keep and Jeromie Maver, 
the exhibition charts the evolution of Clement Meadmore's design aesthetic in the 1950s and early 60s, before he shifted his focus to sculpture, and highlights the role Meadmore played alongside Australia’s most innovative and progressive designers of the mid-century period.


In 1955, prior to the 1956 Melbourne Olympics, Meadmore was commissioned by Ion Nicolades to design the interiors of the Legend Espresso and Milk Bar and the Teahouse, both in Melbourne. Drawing upon international modernism and a 
new-found passion for Italian culture, the 
Legend Espresso and Milk Bar is arguably one of Meadmore’s greatest achievements and became a touchstone for many young creatives in 1950s Melbourne...

Theatre of the Actors of Regard  
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 A Person Looks At A Work Of Art/
 someone looks at something... 
         
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17 December 2018

Clement Meadmore & The Trojan Wars



 TAR as Clement Meadmore 1952

 Clement Meadmore as TAR 1968 (vimeo 'Curl')
 Columbia University : infiltrators enter the 'Curl'
 The Trojan Wars 1968-2018 [ The Enemy Within )

 Fifty years later, still waiting for the signal...

Theatre of the Actors of Regard  
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 A Person Looks At A Work Of Art/
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15 December 2018

Robert Morris and the Fabric of Regard


Robert Morris (1931-2018) obituary

Radical American artist and sculptor whose work always had a quality of risk

Charles Darwent | The Guardian

Tue 4 Dec 2018 04.48 AEDT



 A visitor looks at an untitled work by Robert Morris, included in 
 Guggenheim Collection: The American Avant-Garde 1945-1980
 in Rome in 2012. Photograph: Gabriel Bouys/AFP/Getty Images

Theatre of the Actors of Regard  
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 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


   

13 December 2018

David Goldblatt: Photographs 1948–2018 MCA, Sydney


David Goldblatt: Photographs 1948–2018

from MCA NEWS : Here’s to summer! WHAT'S ON this gob-smacking Theatre of the Actors of Regard image by David Goldblatt.



and this TAR image of R&Regarding the Exhibition


Theatre of the Actors of Regard                        
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 A Person Looks At A Work Of Art/
 someone looks at something... 
         
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08 December 2018

Theatre of the Actors of Regard | A Kind of Strangeness


Due for release in January 2019, a memoir about showbiz in the early 20th century that travels from the theatres of Vienna, Prague, and Berlin, to Hollywood during the golden age, complete with encounters with Franz Kafka, Albert Einstein, and Greta Garbo along the way.


Theatre of the Actors of Regard 
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 A Person Looks At A Work Of Art/
 someone looks at something... 
         
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02 December 2018

The SMH Vintage Photo Archive Collection : An Online Auction via Leonard Joel


TAR | Strings Section  
The Sydney Morning Herald Vintage Photographic Archive Collection: An Online Auction is now live and presents an opportunity to acquire works by some of Australia’s most celebrated photographers, including Harold Cazneaux, Max Dupain, David Moore, Wolfgang Sievers, Jeff Carter, Olive Cotton and Carol Jerrems.

For instance :


Description: ARTIST UNKNOWN Danger Radiation 
Silver gelatin photograph 
Stamped, inscribed and dated verso 
A box marked 'Danger Radiation' block a traffic lane in Castlereagh street yesterday. It was planted as a University of N.S.W. Foundation Day stunt 
23 x 30.5 cm 

LITERATURE: 
Herald, July 8, 1970



Theatre of the Actors of Regard  
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 A Person Looks At A Work Of Art/
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30 November 2018

see three | the speakers list | Look at what they've become.



FIAPCE 
The extract below is from Hansard, yesterday :
Tony Burke in the House of Representatives, Canberra
The video of these proceedings can be viewed here

The SPEAKER: Is the motion seconded?
Mr BURKE (Watson—Manager of Opposition Business) (14:53): I second the motion. Look at what they've become. Let's not forget what we were told before they became the government. Let's go back six years to what they told us a Liberal-National Party government would be like. What did they say about a surplus budget back then? Joe Hockey said this: 'We will deliver a surplus budget in our first budget and every budget after that.' Well, since then, they've doubled Australia's debt and taken it to half a trillion dollars and are now boasting that maybe in the financial year after the next election they'll, for the first time, fulfil what they said they'd do before they ever came to government. That's where they're at now.

That's because the first Prime Minister they tried on, the first Prime Minister they had a go with, started by saying, 'We can now bring back adult, stable government.' That's what he said—that he'd be able to deliver a stable government. It might not have been stable, but it's been consistent, because the number of prime ministers is three, the number of treasurers is three and the number of deputy prime ministers is three. There's been a consistency to what they've done, but it has been the exact opposite of what Liberal Party voters thought they were going to get when this mob were elected. They promised cabinet government. That was one of the things they said they would deliver: proper, orderly cabinet government. Well, there's an embassy decision that you might have thought you would have had a cabinet submission for, an embassy decision where you might have thought, 'Maybe we should let the security agencies know before we announce this one.' But there was no process, nothing other than, from the Prime Minister in this despatch box, 'Our candidate told us it would be a good idea.' That was with all the resources of government and all the things they told us they would be.

The Leader of the House, when he was the Manager of Opposition Business, would say time and time again, every time the parliamentary program was brought down, 'The House is not sitting enough.' He'd tell us each time: 'You're running scared if you're not willing to have the parliament sit. It's a test of whether or not you're a government.' And now, for the first time since 1901, the parliament is planning to sit for only 10 days in an eight month period. A lot of the debate has been, 'Maybe that's because they're scared of the numbers on the floor of the parliament,' but we're missing the other point: every time the parliament meets, the party room meets. The Prime Minister says to us: 'You're all getting so cocky. You all think you're going to be able to beat a Morrison government.' Well, we don't even know if we'll be up against a Morrison government. All the indications and the little publicity stunts from the people who are a little bit more popular than the Prime Minister raise a whole lot of questions. I can understand why they want to reduce the number of party room meetings between now and the election.

We were also told that, if they won the election, there'd be no cuts to health, no cuts to education, no changes to pensions and no cuts to the ABC—every single one of them untrue. But we don't need to go through our critique of them because, in truth, the brutality of our critique of them doesn't match the brutality of their critique of them. In the newspaper articles we're reading now, it's really hard to get a Labor Party quote in because we're competing with every anonymous backgrounder from the front bench and the backbench, and their language is so much more colourful than ours. Having promised adult government, they then give us a Prime Minister describing his own mob as a 'muppet show'. It wasn't us who described the Minister for the Environment as being on L-plates; it was one of their own senators. It wasn't us who ridiculed the Leader of the House as being a legend in his own lunchtime; it was the man sitting next to him, the Treasurer of Australia.

The Prime Minister seeks to describe who cares about the real issues and what sort of work people are doing here. This is the speakers list that's been distributed on the Fair Work Amendment (Family and Domestic Violence Leave) Bill, which is being debated in the chamber right now. It's a list of Labor speakers, with only one government member speaking for the government's own bill. It's not that their backbenchers are busy—they're on the phone, ringing up people there. They've got lots to say about the government but very little to offer to the Australian people. (Time expired)


Theatre of the Actors of Regard 
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 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA