David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


Showing posts with label umbratecture. Show all posts
Showing posts with label umbratecture. Show all posts

16 December 2017

TARennial


DAVID JONES, ARTIST AND POET (1895-1974) BEGINS HIS PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) 
So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


 Image caption (by NGV) :

 Ron Mueck Mass 2016–17 (detail) 
 National Gallery of Victoria, Melbourne. 
 Commissioned by the National Gallery of Victoria, Melbourne 
 © Ron Mueck. 
 Generously gifted by the Felton Bequest, 2017

 Regard caption (by Theatre of the Actors of Regard) :

 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA


25 October 2017

Roll Out The Red Barrel



AFP raids union offices 
Schwartz Media's morning editor, and a former 
editor of Junkee

The Australian Federal Police has raided the Melbourne and Sydney offices of the Australian Workers’ Union as part of an investigation into opposition leader Bill Shorten. Officers carried out the raids at the request of the Registered Organisations Commission, which is investigating whether donations to the federal Labor Party and left-wing activist group GetUp! breached union donations rules. 


The ROC said the raid was justified because “documents relevant to this investigation may be on the premises of the AWU … and those documents may be being interfered with”. Shorten was on GetUp!’s board of directors in 2006 when the AWU made a $100,000 donation to the organisation.


Labor, Australian Council of Trade Unions secretary Sally McManus and AWU national secretary Daniel Walton condemned the raids, with Walton calling them an “extraordinary abuse of police resources” and “a shameful new low for a government already scraping the bottom of the political barrel”. 

Theatre of the Actors of Regard            
The ROC was launched last year in line with recommendations by the royal commission into union corruption.

Buster Keaton            
           detail
           A Person Looks At A Work Of Art/
           someone looks at something... 
         
           LOGOS/HA HA 


   

18 October 2017

The old man and the mountain


Last week we regarded this image from an unattributed Japanese scroll : an unknown old man, bare-headed and bent over, regards a distant mountain, sacred Mt Fuji. Simple and profound, with unread words grid in addition.
Theatre of the Actors of Regard  
click image to enlarge  
Scene of our ongoing existential zeitgeist. Only the details change. 

Below, here it is again, a local moment replete with references that will soon be lost in the dust of time, pictured a few days ago by Alan Moir in the Sydney Morning Herald : the patheticly ineffective Australian Prime Minister Malcolm Turnbull humiliated by the toxic conservative ('Climate change is crap') and ceaselessly bothersome former Prime Minister Tony Abbott ... and you know or can research the rest. 

This from Question Time (p.28 Hansard) in the Parliament of Australia yesterday, after the Liberal-National Party COALition rejected the Chief Scientist's recommendation for a Clean Energy Target :
Mr SHORTEN (Maribyrnong—Leader of the Opposition) (14:41): My question is to the Prime Minister. Can the Prime Minister confirm that so far he has supported an emissions trading scheme and opposed it, supported an emissions intensity scheme and opposed it, ridiculed direct action and endorsed it, derided so-called clean coal and embraced it, and supported a clean energy target and today abandoned it? When the member for Warringah [Tony Abbott] is calling the shots, how can any Australians believe anything this out-of-touch Prime Minister says about lowering power bills? 

Alan Moir / SMH  click to enlarge 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


   

14 October 2017

CINEMA : A MIRROR IN A CAVE / A TALK BY HYUN LEE /  KNULP - Sunday October 15, 2PM



 15 Fowler St
 Camperdown
 Sydney, Australia
 knulpknulpknulp@gmail.com
 Saturday and Sunday 12-5pm                             
 Monday to Friday by appointment 

 Theatre of the Actors of Regard will be attending ...


 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


  

18 September 2017

Mount Evidence




Mossgreen Auction Results - (#160MG) 
Auction Date : Sunday 17 September 06:30 PM 2017 AEST 
Last Updated : Monday 18 September 09:15 AM 2017 AEST 
Lot Count : 80 lots 
Lots Sold : 14 lots

The mood in the room must have been quite something as one by one the first twenty-six lots were passed-in. Tulips, anyone?


FIAPCE  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


   

27 August 2017

Eclipse

  
We live on a mote of dust suspended in a sunbeam.

- Carl Sagan

HAND SPACE Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 
 

Theatre of the Actors of Regard 

Total eclipse / partial eclipse / across the US 
an arc of darkness produces stupidity and awe ...

Plato's Cave Junior TAR  
... from teachers to The President.
 
Go Blind Is Fake News : President Trump Looks At The Sun  


Theatre of the Actors of Regard  
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


   

24 August 2017

Total Eclipse ] of the Art ( cough cough


Two artists, a century ago : a cultural revolution for one - Alexander Rodchenko in Russia - and a rare natural coincidence of revolutions for another - Howard Russell Butler in the United States.

Aleksander Rodchenko :


 Aleksander Rodchenko, Non-Objective Composition (1918) 

 Aleksander Rodchenko, White Circle (1918) 

Howard Russell Butler :
 
 Howard Russell Butler, solar eclipse painting (1918)

 Howard Russell Butler, "Solar Eclipse, Lompoc 1923"
 - article here

Theatre of the Actors of Regard :

   
 TAR space-time actors                                                FIAPCE

 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


    

25 July 2017

Double Hate


The polling analysts who worked for Donald Trump’s presidential campaign had a name for the many Americans who didn’t like him but didn’t like Hillary Clinton either: “double haters.”

Many of these double haters seemed likely to vote anyway, given their long voting history. “They were a sizable bloc,” Joshua Green writes in his new book “Devil’s Bargain,” the first deeply insightful political narrative of the Trump era, “3 to 5 percent of the 15 million voters across 17 battleground states.”

The double haters spent much of the campaign unsure what to do. In the end, as Green told Fresh Air’s Terry Gross last week, “they broke to Trump.”


   David Leonhardt / New York Times


FIAPCE -1978- 
National Gallery of Australia 
 detail
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 



   

07 June 2017

Rod May ( 1954 - 2017 )

                          

 Rod May                     photo by Jason Alexandra

Vale Rod May

by David Holmgren ( 30 May 2017 )


One of Australia’s ecological farming pioneers, and a close friend, passed away today. Rod May aged 63 died in intensive care after a road accident between Ballarat and his family farm at Blampied 5 days previously. Rod was a 4th generation farmer on 200 acres at the foot of Kangaroo Hills in the prime red cropping country of central Victoria. In the late 1970’s Rod returned to the farm motivated by interest in self reliance, organics and tree crops and “fell back into farming” as something to do in between starting the Central Victorian Tree Planting Co-op and getting elected to the very conservative Creswick Council.

The Landcare movement emerged simultaneously in several regions across Australia in the late 70’s and early 80’s. One of those places was central Victoria and Rod May played a leading roll in it...


20 April 2017

Blood Soaked Sight Gag (Hermann Nitsch)


Dark Mofo artist Hermann Nitsch's 'ritual' slammed by animal rights groups   The Age

Herman Nitsch at Dark Typo :


  The Age, 20 April 2017  
        Dear Theo
        Send more paint.
        Vincent

        Dear Sigmund
        Send more blood.
        Hermann 
        

        
        Dear Father
        Send more wine.
        Jesus

Memories of observing the malaktion (above) by Hermann Nitsch and his assistants at the 1988 Sydney Biennale. Never felt so Catholic as then.


Theatre of the Actors of Regard    
 detail 
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


  

19 April 2017

Enso Spex by TAR (advertisement)


1.  On stage, the enso scroll :


Theatre of the Actors of Regard  
2.  Among the many in the auditorium, certain practitioners of clear seeing :


Theatre of the Actors of Regard  
Hakuin Ekaku (1686-1768)  
3.  For those not yet so fortunately endowed, we recommend Enso Spex by TAR :
advertisement 

Theatre of the Actors of Regard  
 detail 
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


  

17 April 2017

Speed of Sight




MoMA  
Theatre of the Actors of Regard  
 detail 
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


  

14 April 2017

Passion Play


Good Friday essay: Passion plays and the ethics of spectacular violence

Though still alive -
His hair and nails
continued to grow.

 Theatre of the Actors of Regard  
 detail 
 A Person Looks At A Work Of Art/
 someone looks at something... 
         
 LOGOS/HA HA 


  

10 March 2017

Let Us Forget


email to FIAPCE from NGV  
BILL HENSON
10 MAR – 27 AUG 17
NGV INTERNATIONAL

In every form of art, you really want the experience of the images to transcend the medium, for the medium to disappear into the greater experience of viewing the work. So that you forget you are looking at a painting, or a photograph.

- Bill Henson

response from FIAPCE  

 Photograph by John B. Turner : Dr Isobel Crombie, Snr Curator
 of Photography, National Gallery of Victoria, Melbourne, 
 discussed a photograph by Bill Henson at the Auckland Art 
 Gallery's Art Lounge, Lorne Street, Auckland CBD, 
 14 June 2009.jpg

detail
A Person Looks At A Work Of Art/
someone looks at something...

LOGOS/HA HA



09 March 2017

Chance, the guard


Researching Sister Corita Kent's artwork recently, we found this image & quote from the Vatican Two instigator and reformer Pope John 23 (1958-1963).

A skew second to the open spirit of that statement, nonetheless noted, was the pun-ish play between guard and garden.
From there to thoughts of the observer ("I like to watch") and projection-space 'Chauncey Gardiner' in Being There.
Yesterday, reading the following description of the National Gallery of Victoria by a former NGV guard rang that same odd sense of right and wrong delight. 
"I can't even walk into the NGV anymore … it's lost its reputation for me and I consider it now to be like an illegal sweatshop." 
The ABC report included this image of a blur-headed guard, with the same caption as below.




detail 
A Person Looks At A Work Of Art/
someone looks at something... 
         
LOGOS/HA HA


02 March 2017

Fountain (continued) : AtlanTAR cops beat early-Nauman reconstrucTAR




Artist
Bruce Nauman (1941-)

Title
Self Portrait as a Fountain

Portfolio/Series
Eleven Color Photographs

Date
1966-67, printed 1970

Medium
Chromogenic print

Dimensions
Sheet (sight): 20 1/16 × 23 15/16 in. (51 × 60.8 cm) Image (sight): 19 1/2 × 23 1/4 in. (49.5 × 59.1 cm)

Edition information

7/8

Credit line
Whitney Museum of American Art, New York; Purchase

Accession number
70.50.9

Rights and Reproductions Information
© artist or artist’s estate

Object Label
Self-Portrait as a Fountain is one of Bruce Nauman’s Photographic Suite of eleven photographs based on puns. The portfolio reveals Bruce Nauman’s interest in the functions of language, as he humorously depicts literal interpretations of common phrases. In Self-Portrait as a Fountain, Nauman questions the traditional role of the artist. He depicts himself shirtless, with raised arms and open palms, spewing an arc of water out of his pursed lips, in imitation of the nude statues customarily found in decorative fountains. Thus the artist and the work of art become one and the same. During the period in which he made this work, Nauman used the statement “The true artist is an amazing luminous fountain” in a number of text-based works. This playful illustration of the statement satirizes the cliché of the artist as a prolific genius who spews forth a steady stream of masterpieces. Self-Portrait as a Fountain also pays homage to Marcel Duchamp‘s notorious Fountain (1917)—a readymade porcelain urinal that Duchamp provocatively exhibited as a sculpture. Like Fountain, Nauman’s Self-Portrait as a Fountain subverts conventional definitions of what constitutes a work of art.



Atlan Theatre of the Actors of Regard
after The Persecution and Assassination of 
Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade aka Marat/Sade 

Act 1 : enter the 'crazy' post-Duchamp early-Nauman reconstrucTAR - pauses to regard HAND SPACE exhibition - soundtrack of The Mamas & 
The Papas "People Like Us" :

   Oh, what a dump,
   Now it's a palace
   Where a Dixie cup becomes a chalice
   For people like us,
   So much in, so much in love,
   In love


Act 2 : Fountain
Act 3 : Audience Response

Atlanta / AtlanTAR 
  detail  
  A Person Looks At A Work Of Art/  
  someone looks at something... 
         
  LOGOS/HA HA  
          
  

01 March 2017

Double Portrait | specific-bonding detail


  T Arrested R  
  presents  
  


 photo least wanted  
   detail  
   A Person Looks At A Work Of Art/  
   someone looks at something... 
         
   LOGOS/HA HA  
          
  
   

26 February 2017

TRUMP bans BBC CNN NYT Guardian and bL/HA from media briefing. The FOX is let in.


The raven himself is hoarse
That croaks the fatal entrance of Duncan 
Under my battlements.
  
(from Macbeth, spoken by Lady Macbeth)


Theatre of the Actor Ravens  
  
I am hardly obliged to answer the ravens of a madman.

(from TAR Grit, spoken by the girl)
   

Theatre of the Actor Ravens  
detail 
A Person Looks At A Work Of Art/
someone looks at something... 
         
LOGOS/HA HA