David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.


Showing posts with label sound. Show all posts
Showing posts with label sound. Show all posts

24 February 2013

You decided this

     
What we need is a great big melting pot
Big enough to take the world and all it's got
And keep it stirring for a hundred years or more
And turn out coffee colored people by the score

Melting Pot (1969)
Blue Mink
           
This is what we need, you decided this  
What you say...oooo (x4) 

What We Need (2008)
DJ Wich featuring Glasses Malone and Lil Wayne
      

     image courtesy FIAPCE  
            
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  LOGOS/HA HA

Title Song (Oh, I needed that!)  
(2013)
Slave Guitars 
      
        
  

16 November 2012

FIFO Artists At Large

 .
FIFO workers criss-cross Australia. 

Usually these are thought of as the fly-in fly-out gouge drones unearthing the nation's great mineral reserves.

FIFO artists are also part of this movement, especially this month. Radiohead perform in Melbourne tonight - O for a ticket - Sigur Ros in Sydney tomorrow. And so many more: the great flower of local bands in Perth, Brisbane, Melbourne and Sydney, all very much at large.

FIFO artists and Theatre of the Actors of Regard performers will fly-in fly-out tomorrow for various exhibitions openings. Francis Bacon at the Art Gallery of NSW; Robert Owen at Arc One (Melbourne); Peter Tyndall at Anna Schwartz Gallery (Sydney). Others will be harvesting Peter Cripps at the Institute of Modern Art (Brisbane); Robert MacPherson at Yuill/Crowley (Sydney); Geoff Lowe & A Constructed World at Ian Potter Museum of Art (Melbourne University); Lindy Lee at Roslyn Oxley9 Gallery (Sydney). 
    
FIFOs in the know will be seeking out Mitchel Cumming's INVITE ONLY and the work of Samuel Quinteros.
          

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14 March 2012

Beware...

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FIAPCE Co-Consul C.M.H
has reminded us that tomorrow is
The Ides of March!
The Ides of March!

We Suggest
Do Like Us
Go Bravely Forward
& Sing Out Loud
to Motörhead's
The Ace of Spades...
The Ides of March!
The Ides of March!


If you like to gamble, I tell you I'm your man,
You win some, lose some, all the same to me,
The pleasure is to play, makes no difference what you say,
I don't share your greed, the only card I need is

The Ides of March!
The Ides of March!

Playing for the high one, dancing with the devil,
Going with the flow, it's all the same to me,
Seven or Eleven, snake eyes watching you,
Double up or quit, double stake or split,

The Ides of March!
The Ides of March!

You know I'm born to lose, and gambling's for fools,
But that's the way I like it baby,
I don't wanna live for ever,
And don't forget the joker!

Pushing up the ante, I know you've got to see me,
Read 'em and weep, the dead man's hand again,
I see it in your eyes, take one look and die,
The only thing you see, you know it's gonna be,

The Ides of March!
The Ides of March!
lyrics with apologies to Motörhead
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04 March 2012

LOOK ! SKYWALKER !!

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Coinciding with the publication of our previous post ( Sounds of Weather : here ) a massive Rainbow Serpent began its slow diagonal movement across Australia, bringing record rains (... since 1886) and floods to many regions. In New South Wales alone, three quarters of that State is now affected by flooding.

The darker blues and reds of the rainfall map below show the diagonal impact across the continent over the previous 7 days.



Here, out the back behind this office, the frogs in the dams are drumming-up a bok bok frenzy that we usually only hear once a year, in early summer.

One other result of that previous post is the BLACK BATS tell us they've been receiving a deluge of their own, of skywalker postcards from their weather-watching umbratecture colleagues around the globe.

umbratects international_Excursion to Strasbourg_sRGB_400
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29 February 2012

Leap Year Day : Sounds of Weather

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We've had a buzz from the BLACK BATS ...



... about this evening's Leap Year Day event at WEST SPACE.
Sounds of Weather

a special performance and installation at
WEST SPACE
7.30pm Wednesday 29 February 2012
Free entry - One night only!


Sounds of Weather is part of an intercultural collaborative project curated by Philip Samartzis (RMIT University, Melbourne) and Christophe Charles (Musashino Art University, Tokyo) titled Borrowed Landscapes. The project explores the effects of weather on the built and natural environment through sound and video recordings and performances. Sounds of Weather investigates the specific weather conditions of each site through fieldwork conducted on the Sumida River, Tokyo; the Metropolitan Area Outer Underground Discharge Channel, Saitama; and, Bogong High Plains in the Australian Alps. Using sound and video to record these spaces, the project creates an open framework for a range of artists to respond to the weather and infrastructure of environments in Japan and Australia.

Artists include

Christophe Charles (FR/JPN), Kazuyuki Miyamoto (JPN),
Simon Perry, Dominic Redfern, Lizzie Pogson,Philip
Samartzis, Kristen Sharp, 
Takasuke Shimazaki (JPN),
Yuko Tsurukai (JPN) and Eri Ujita (JPN).
Below is the image from the Sounds of Weather announcement.



Here's another such, from the bLOGOS/HA HA archive. A member of umbratecture international, who hails from a city in Italy, sends 'A Greeting to Melbourne'.

Postcard_ <span class=
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04 December 2011

ABC Classic FM : Classic 100 - 20th Century

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ABC Classic FM runs a Top 100 listeners' poll each year. For 2011 it was Classic 100 - 20th Century.



Each listener could enter 1-10 votes of equal value for their favourite piece(s) of 20th century music.

The final result was announced yesterday. The top 100 can be seen here. Below is the top 1o.

10. PROKOFIEV - Romeo and Juliet Op.64

9. STRAVINSKY - Le Sacre du printemps (The Rite of Spring)

8. ORFF - Carmina Burana

7. BARBER - Adagio For Strings

6, RODRIGO - Concierto de Aranjuez

5. RACHMANINOV - Piano Concerto No. 2

4. VAUGHAN WILLIAMS - The Lark Ascending

3. GERSHWIN - Rhapsody in Blue

2. HOLST - The Planets

1. ELGAR - Cello Concerto in E minor Op.85

It's not what this office expected. (As mentioned before, we have the Edition Peters score of John Cage's 4' 33" pinned high on the wall here. Apparently 4'33" came in at #121. No other Cage composition made the top 200.)

Our two bobs worth went to...

1. John CAGE - 4 '33"

2. Arnold SCHOENBERG - Pierrot Lunaire

3. Olivier MESSIAEN - Vingt regards sur l'Enfant-Jesus

4. Jimi HENDRIX - Third Stone from the Sun

5. Frank ZAPPA - 200 Motels

6. Karlheinz STOCKHAUSEN - Klavierstucke (1-X1)

7. Steve REICH - Come Out

8. Miles DAVIS - Kind of Blue

9. Conlon NANCARROW - Player Piano Studies

10. Philip GLASS - Einstein on the Beach

We celebrate the result with wild tambour and parfums mélodieux. BOUM! BOUM!


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15 October 2011

Society Notes

.
Last night's concert by The Regardists, part of the NGV season of Looking at looking, was well attended.

Below, from Label Music (after Mussorgsky)


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18 September 2011

Hendrix Live at FIAPCE

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Our senior member of staff informs us that today is the 40th anniversary of Jimi Hendrix Xit

He's brought in his LP of ARE YOU EXPERIENCED to show us. No question mark, he points out about the caption, and like a pair of Buddha eyes. On the back in biro, Dec 1967.



Reckons a year after Jimi died he reformed as FIAPCE !?



Reckons those eyes on ARE YOU EXPERIENCED must have haunted him for this one too, along with his EP of Voodoo Child, Hey Joe and All Along the Watchtower

Not necessarily stoned, but beautiful...


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06 August 2011

Same Time Same Place : The Scratch

.
another Saturday night
listening to/ listening to/ listening to/ listening to/ listening to/
another scratchy old LP/
old LP/ old LP/ old LP/ old LP/ old LP/ old LP/ old LP/ old LP/


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11 March 2011

<<<<<<<<<<< pulse >>>>>>>>>>>

.
2010_SG as V_pulse_sRGB_400
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10 February 2011

Drumming Up A Crowd

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Today we celebrate the tambour de ville of the Ville de Regard.

A distinguished member of the Theatre of the Actors of Regard, unlike most town criers he makes no announcements. He does not speak at all. Never. He simply arrives without notice anywhere within the town and begins to drum his projection-space mandala.

The people of the ville know him well and have come to respect his practice. When they hear his drum they leave off whatever is occupying them and gather around. Together, they observe the moment.

2011.02_TAR Tambour with ideogram mandala_sRGB_400
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19 January 2011

Grinderman in Melbourne

.
Your correspondent has been attending Nick Cave performances regularly since the late 70s. Last night's Grinderman maelstrom at the Palace was as exciting and satisfying as any of the previous. If there's a better band in the world at the moment...


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29 November 2010

freehand (#6)

.
freehand: recent Australian drawing
Heide Museum of Modern Art

25 November 2010 - 6 March 2011

breach in the bubble (continued)



One hypothesis for the Big Bang, as I recall, is a massive energy event at the point where parallel universes touch.



You are the lover that I've waited for
The mate that fate had me created for
And every time your lips meet mine

Baby, down and down I go
All around I go, in a spin
Loving the spin that I'm in
Under that old black magic called love

Johnny Mercer
That Old Black Magic


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26 November 2010

freehand (#3)

.
freehand: recent Australian drawing
Heide Museum of Modern Art

25 November 2010 - 6 March 2011

Bye to friends at the Bubble & Prick.

Out of that place and into a taxi for Southern Cross station. The driver is listening to music. Body compulsive, it's bhangra. We talk about Bhangra (
for dancing) and Qawwali (for trancing: sacred and seated).

Out of the taxi and into the Ballarat train.

Open the catalog for freehand. Domenico De Clario's introductory text focuses on the drawing of breath: drawing breath in, drawing it out. This he deepens by reference to the Bhuddist practice Tonglen:
...and in this sense is not the most splendid drawing of all the one Tibetan Bhuddists term tonglen, the art of breathing in difficulty and breathing out ease?
Also in the catalog, an edited essay by Francis Plagne addresses the Mass Black Implosion series of Marco Fusinato. Below is one of the 10 parts of Mass Black Implosion (Enantiodromia, Jani Christou) shown in freehand.



In the exhibition, curator Linda Michael has positioned this Mass Black Implosion opposite, or in front of, depictions of a man, woman, girl and boy, their gaze turned inward, each holding to a sign of dependent arising.



click upper and lower images to enlarge

Exit train at Ballan, enter car to drive home. Radio on: Mozart, Wind Serenade in E Flat by the Amadeus Winds.
And it's raining hard.

By Korweinguboora
, in the Wombat Forest, the rain is belting down. An extreme condition that demands concentration. From the radio, Brahms' Violin Sonata No 2 in A somehow seems perfect. As the headlights probe the blackness they illuminate the tracer lines of rain that bullet out in all directions from a single appearing-point directly in front of and somewhat above the now highly focused wheel holder.

Futurist metronomes strain to maintain the vision forward. The car wheels sheet up flares of blinding whiteness. Through a prick point in some bigger bubble, Mass Black Implosion is forcing through > inverts and transforms < into Mass White Explosion.
A tonglen force is drawing in black holes, breathing out radiant matrix.


Through the dark forest, the bubble and it's passenger move on.

In the rear view mirror ...

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28 July 2010

here and now (The Scream)

MOVING FORWARD : 2010 ALP election slog-on
The Politicians of Oz Poor Try are on tour again!


2010.07.28_MOVING FORWARD_The Scream (yellow) #3_295

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07 July 2010

Dharma came too.

.
C has been reading Tagore. Yesterday morning she read me this.

RECOVERY - 14

Every day in the early morning this faithful dog
Sits quietly beside my chair
For as long as I do not acknowledge his presence
By the touch of my hand.
The moment he receives this small recognition,
Waves of happiness leap through his body.
In the inarticulate animal world
Only this creature
Has pierced through good & bad and seen
Complete man.
Has seen him for whom
Life may be joyfully given,
That object of a free outpouring love
Whose consciousness points the way
To the realm of infinite consciousness.
When I see the dumb heart
Revealing its own humility
Through total self-surrender,
I feel unequal to the worth
His simple perception has found through the nature of man.
The wistful anxiety in his mute gaze
Understands something he cannot explain:
It directs me to the true meaning of man in the universe.
We have a dear such dog, so we get that. She also read me the commentary note (from here) :
Dharma and canine fidelity are linked in a famous passage near the end of the Mahabharata, when Yudisthira, eldest of the five Pandava brothers, refuses to enter heaven without his dog Dhruba. Eventually the dog is allowed in, and turns out to be the god Dharma.
I'll return to this soon.
. . . .

During the afternoon, in the office here, we watched a live internet broadcast of celebrations at Dharamsala for the 75th birthday of His Holiness the Dalai Lama. Here are some screen snaps from that.

An artist presents a portrait.




Samdhong Rinpoche, Prime Minister of the Tibetan government-in-exile, speaks at length.



To which His Holiness responds.



The Dalai Lama acknowledges the presence of "our Chinese friends". They are seated to his immediate right.



The speeches are mostly in Tibetan.




Various national/cultural groups offer gifts of song and dance.





After several hours His Holiness takes his leave ...



... and the celebrations continue.





Towards the end of the concert a dog appears and wanders freely among the performers. No one makes any move to remove it.
Dharma.



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28 May 2010

NEVER PAINT AGAIN !

.
Prenez Garde à la Peinture
-------------------------------
Then you'll never paint
Australia Landscape
Again!

- bL



To you I shall put an end
-----------------------------
Then you'll never hear
Surf Music
Again!

- Jimi

2010.05.28_NEVER PAINT AUSTRALIAN LANDSCAPE AGAIN_400
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11 May 2010

PAINThING (AS ONE)

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Australian Experimental Art Foundation (Adelaide)
16 April - 15 May 2010



akira akira · micky allan · clarice beckett · eugene carchesio · maria cruz · joseph de lutiis · ludwik dutkiewicz · wladyslaw dutkiewicz · diena georgetti · matthys gerber · romi graham · anton hart · sam howie · aldo iacobelli · lindy lee · nick mourtzakis · elizabeth newman · brigid noone · ian north · rosslynd piggott · gregory pryor · yhonnie scarce · sam schoenbaum · vivienne shark le witt · helen smith · john spiteri · adriane strampp · peter tyndall · paul uhlmann · anne scott wilson · judith wright

D0menico de Clario's invitation to participate in this exhibition was as poetic and stimulating as any every received by bL.

Here is the exhibition poster with Dom's depiction of the "painthing constellation".

Paint (from Online Etymology Dictionary)
The noun is from c.1600. The verb meaning "to color with paint" (mid-13c.) is earlier than the artistic sense of "to make a picture of" (late 13c.) and older than painting in the sense of "an artist's picture in paint" (late 14c.); but painter is older in the sense of "artist who paints pictures" (mid-14c.) than in the sense of "workman who colors surfaces with paint" (c.1400). To paint the town (red) "go on a spree" first recorded 1884; to paint (someone or something) black "represent it as wicked or evil" is from 1590s. Adj. paint-by-numbers "simple" is attested by 1970.
The commonly used term a painting has long seemed to bL strange and anachronistic. It privileges the mere material paint (colour pigment/s in a binder medium: either liquid or dried) over any other descriptive option. As if paint is the alpha and, despite any pictorial use it might be put to, the omega. A painting conventionally indicates a noun-thing. Yet it has this curious present participle -ing suffix. Not a verb, not a gerund (eg sleeping) but still a verb-noun thing. Why not just say paint or a paint? "Hey, that's great paint" or "Hey, that's a great paint".

Where others refer to a painting, bL refers to a painted. Ditto paintings and painteds. Which is just as weird, of course, but it draws attention to the oddness of the accepted, almost transparent, terminoLOGOS/HA HA : a painting, paintings


-1984-

Rather than use either term ( a painting or a painted ) bL prefers the open designation projection-space. It conjures a fuller scene, one that necessarily includes a projector and a light.

Like a painted, the new term painthing acknowledges its lineage with a nod and a wink. Additionally, to this beholder, it has a ring of indeterminacy to it. That's the effect of the reverberating possible-thing suffix. Paint-ing/ paint-thing/ pain-thing/ painthing. Some somethings. And in there, in that phonic mix, where once there was only one dumb material, paint, now there's possibly pain too

like in... (cue here Steve Reich's opening testament of the beaten, black youth: "I had to, like, open the bruise up and let some of the bruise blood come out to show them") come out to show them come out toshow them come out toshowthem come out...


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