David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :
'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)
(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.
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May 30, 1930 – February 8, 2019
https://en.wikipedia.org/wiki/Robert_Ryman
Theatre of the Actors of Regard
Robert Ryman’s Surface Veil II & Surface Veil III, 1971, at the Museum of
Modern Art’s retrospective exhibition, 1993-94. Photograph: Ted Thai/
Life Images Collection/Getty
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Theatre of the Actors of Repose
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Artist
(1916–1985)
Title
KA (Loud Laughter),
1962
Medium
Works on paper,
Frozen ink on paper on frame
Size
96 x 143 cm. (37.8 x 56.3 in.)
Price
Price on Request
Movement
Japanese Art
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Yosa Buson (1716-1784) Theatre of the Actors of Regard
Ad Reinhardt (1913-1967)
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Sengai Gibon (1750-1837)

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Well, I'm so tired of crying but I'm out on the road again
I'm on the road again
Well, I'm so tired of crying but I'm out on the road again
I'm on the road again
- Canned Heat
Another year gone –
hat in my hand,
sandals on my feet.
- Matsuo Basho (trans. Robert Hass)
I keep a close watch on this heart of mine
I keep my eyes wide open all the time
I keep the ends out for the tie that binds
Because you're mine, I walk the line
- Johnny Cash
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As observed by Kobayashi Issa (1763-1827)
New Year’s morning :
the ducks on the pond
quack and quack.
As observed by Matsuo Basho (1644-1694)
Year after year
on the monkey’s face
a monkey’s face.
Below, a haiga (haiku and image) by Basho. The drawing depicts a New Year's Eve home altar offering of Kagami mochi which is traditionally broken and eaten in a ritual called kagami biraki (mirror opening).
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We don't have a translation of the above Basho haiku, but here's a thematic contender, translated by Jane Reichhold :
ariake mo
misoka ni chikashi
mochi no oto
dawn moon
close to the end of the year
pounding rice
... and as translated for NYE by TAR :
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This scroll about a woman carrying firewood and flowers is by the Zen nun Otagaki Rengetsu aka Lotus Moon, renowned in her own time (1791-1875) as now for her poetry, calligraphy and pottery.
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Rengetsu hand-formed her own pottery and painted her own scroll imagery. She also often combined her inscriptions with the work of other potters and painters. The signature and seal on this scroll's image are by another artist.
Her haiku here appears close to that on a similar scroll dated 1867 :
The tips of firewood
she breaks off and bundles
are also flowery—
the spring wind
of Mount Oohara.
Born around this time, the Irish poet WB Yeats (1865-1939) would later write :
ALL the words that I gather,
And all the words that I write,
Must spread out their wings untiring,
And never rest in their flight,
Till they come where your sad, sad heart is,
And sing to you in the night,
Beyond where the waters are moving,
Storm-darken'd or starry bright.
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Sea in Spring, Yosa Buson (1716–1783)
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this night's full moon
Hakuin's little bird
on one branch
...I’ve appended in my teaching notes a comment by Chuang-tzu: “Even in the densest wood, the wren is content with one branch.” Isn’t that wonderful?!
- R.P.
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takujō no
sushi ni me samushi
Kangyotei
the sushi on the table
has a chilling effect
Fish-Viewing Pavilion
- Yosa Buson, transl. Cheryl A. Crowley
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Volume eight
The manuscript is painted.
The original version is とまでいつてをきます.
これをみると は は は 会 あんどんくわい ひます ひます ひます ひます ひます ひます ひます ひます ひます.
Candlestick は さん さん さん ところでみたも か か か か か か か か か か か か か か か か か か か か か が
たゞ, Akutagawa さんが, らふそくの火(ほ)さきを, にじませて画(か)くことを觉えて喜えてんだことだけはんだことだけは.
The sculler is the Taro of Kubota City. More than sixty people. City Taro さんの亲方,都筑(つづき)德三郎さんの言葉を绍介すると,
"Engraving."
このりにはりには is divided into hard work and の meaning.
[Note: The front section of the された絵は された絵は らく 岩 岩 岩 岩 岩 岩 岩 岩 岩 岩 岩 岩 岩 しき しき しき しき しき しき しき しき しき しき しき しき しき しき しき しき しき しき しき しき The old collection is rewritten.
The lampstand will add a sentence,
Aunt
うす绵は
のはしかね
Frosty Nightingale
という 川 川 龙之介 confidently made a sentence. この句に关わって龙之介は大正13 (1924) February 1発行雑の雑志 “female” に の の の を発 を発 を発 している 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太 太.
Frosty night
A night of frosty nights.
いつものやうに machine に かつてゐると, いつか いつか いつか いつか いつか いつか がする がする がする がする. At 12 o'clock, you must sleep. Tonight, I am squatting, squatting, squatting, and squatting. The film is a big cloud. The original paper is smashed into the book. Finally, the beginning of the fire. はんねらの瓶に铁瓶の汤をつぎ,その中へ火を一つづつ入れる. See you in the fire. Charcoal る る る も んにする んにする んにする んにする. The water vapor rises independently. He is happy and happy. He Yan is worried. Bed time の の にとつてある. The second である も も も も も も も も. Before going to bed, you must squat, のびのびと一人便便をする. Tonight, the second-order squats. The seat of the のののの电灯がついてゐる. Who knows who to think about. Whoever picks up the きてゐるのかしらとも思ふ. その部屋の外を通りかかると, 68六になる母母が一人, 古い绵をのばしてゐる. かすかに光る绢の绵である.
"Auntie" is a cloud. "まだ起きてゐたのですか?" と云ふ. "Hey, I am thinking about it. What is the ももう る る だらう?" The rear frame of the electric light はどうしてもつかない. Remember to squat and urinate. After the frame of the の の には には が が えてゐる えてゐる えてゐる. The sound of the wind is ある晩はののすれる. What is the sound of the sound tonight? ただ い い い い じられてゐる じられてゐる じられてゐる.
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LOGOS/HA HA
The smart little monk’s reputation reached the ears of Shogun Yoshimitsu (1358-1408), and Ikkyū was summoned to the castle for a meeting.
"I’ve heard that you are quite bright,” the shogun said to Ikkyū. "Do you think you can catch a tiger?"
"Yes, my lord, I believe I can,” Ikkyū replied with great confidence. "Here is a rope. Catch that one," the shogun challenged, pointing to a tiger painted on a large screen in the room.
Without hesitation, Ikkyū placed himself in front of the screen, readied the rope, and shouted, "Now, my lord, please drive the tiger out!”
John Stevens
Three Zen Masters: Ikkyū, Hakuin, and Ryōkan
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For the benefit of Mr K
there will be a show today -
the stream in flow


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Mind. Moon. Circle.
Ryōkan Taigu (1758–1831)
Ryōkan
Le moine au coeur d'enfant.
The monk with the heart of a child
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Stop at nothing
Go refreshed -
Enjoy a break today
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No one tipped Essendon to beat Geelong yesterday, and yet...
...after a sacking, comes the will to make amends :
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"It's all in the mind, folks." - Spike Milligan
True colours : Harry and Meghan celebrate the Bombers win
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