David Jones, artist and poet (1895-1974) begins his PREFACE TO THE ANATHEMATA :

'I have made a heap of all that I could find.' (1) So wrote Nennius, or whoever composed the introductory matter to Historia Brittonum. He speaks of an 'inward wound' which was caused by the fear that certain things dear to him 'should be like smoke dissipated'. Further, he says, 'not trusting my own learning, which is none at all, but partly from writings and monuments of the ancient inhabitants of Britain, partly from the annals of the Romans and the chronicles of the sacred fathers, Isidore, Hieronymous, Prosper, Eusebius and from the histories of the Scots and Saxons although our enemies . . . I have lispingly put together this . . . about past transactions, that [this material] might not be trodden under foot'. (2)

(1) The actual words are coacervavi omne quod inveni, and occur in Prologue 2 to the Historia.
(2) Quoted from the translation of Prologue 1. See The Works of Gildas and Nennius, J.A.Giles, London 1841.

27 March 2013

Darkness into Beauty

Closing today, Darkness into Beauty by Tibetan artist Tenzing Rigdol at Rossi & Rossi, London.

Below are two images from the exhibition. To see the others click here.

 Premise #1, 2012
 75 x 50 cm (29 ½ x 19 ¾ in)

 detail : click image to see full image

  Alone, Exhausted and Waiting, 2012
  Collage-Silk brocade/scripture
  122 x 396 cm (48 x 156 in)

 A Person Looks At A Work Of Art/

 someone looks at something ...