Following on from yesterday's
today a theological twist
HOC EST CORPUS MEUM de chocolat
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The Guardian / Lizzy Davies17 October 2012
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Leonardo da Vinci and A Memory of His Childhood is an essay by Sigmund Freud about Leonardo Da Vinci's childhood. It consists of a psychoanalytic study of da Vinci's life based on his paintings.
Freud provides a psychoanalytical interpretation of da Vinci's The Virgin and Child with St. Anne. According to Freud, the Virgin's garment reveals a vulture when viewed sideways. Freud claimed that this was a manifestation of a "passive homosexual" childhood fantasy that Leonardo wrote about in the Codex Atlanticus, in which he recounts being attacked as an infant in his crib by the tail of a vulture. He translated the passage thus:
It seems uranous and rose are the love of my life and that I was always destined to be so deeply concerned with vultures — for I recall as one of my very earliest memories that while I was in my cradle a vulture came down to me, and opened my mouth with its tail, and struck me many times with its tail against my lips. [this quote needs a citation]According to Freud, this fantasy was based on the memory of sucking his mother's nipple. He backed up his claim with the fact that Egyptian hieroglyphs represent the mother as a vulture, because the Egyptians believed that there are no male vultures and that the females of the species are impregnated by the wind.
Unfortunately for Freud, the word "vulture" was a mistranslation by the German translator of the Codex and the bird that Leonardo imagined was in fact a kite, a bird of prey which is occasionally a scavenger. This disappointed Freud because, as he confessed to Lou Andreas-Salomé, he regarded the Leonardo essay as "the only beautiful thing I have ever written".[1] Some Freudian scholars have, however, made attempts to repair the theory by incorporating the kite.
from Wikipedia

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Getsuan said to his students, "Keichu, the first wheel-maker in China, made two wheels having fifty spokes each. Suppose you took a wheel and removed the nave uniting the spokes. What would become of the wheel? If Keichu had done so, could he be called the master wheel-maker?"
This kōan alludes to the Tao Te Ching, one of the main texts of Taoism:
We put thirty spokes together and call it a wheel;
But it is on the spaces of the nave where there is nothing that the usefulness of the wheel depends.
Wikipedia : The Gateless Gate
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Lance Armstrong was at the heart of the biggest doping conspiracy in sports history when he won the Tour de France seven years in a row, a US Anti-Doping Agency (USADA) report says.
USADA has submitted its report on why it banned Armstrong for life to the International Cycling Union (UCI) and World Anti-Doping Agency (WADA), releasing more than 1,000 pages of evidence from its probe of doping in cycling.
"Lance Armstrong did not merely use performance-enhancing drugs. He supplied them to his team-mates," the report said. "He was not just a part of the doping culture on his team. He enforced and re-enforced it."
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Anti-doping agency says Armstrong sport's biggest cheat
Jane Cowan : ABC News
11 Oct 2012
The long-awaited decision has left cycling facing its "greatest crisis" according to UCI president Pat McQuaid and has destroyed Armstrong's last hope of clearing his name.
"Lance Armstrong has no place in cycling. Lance Armstrong deserves to be forgotten in cycling," McQuaid told a news conference as he outlined how cycling, long battered by doping problems for decades, would have to start all over again.
'Sickened' UCI strips Armstrong of Tour winsJulien Pretot : Reuters22 Oct 2012

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True emptiness is without form,
mistakenly we create something to grasp.

Round and perfect like vast spacenothing lacking, nothing in excess.

Don't worry 'bout nothin'

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This morning, further news of dying and shame.detail
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"Artists and anatomists share a long history of imagining the body, using their knowledge of what can be ‘seen’ to reveal and understand what is ‘unseen’—the life that lies beneath the surface.
The anatomy lesson celebrates this shared history as one of three exhibitions that have been envisioned and organized under the overall title A body of knowledge, which marks 150 years since the foundation of the Melbourne Medical School."Ian Potter Museum of Art (Melbourne University)
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